Category Archives: Synthesizers

Yamaha CP80M, CP70M, CP60M : full catalog 1985: Rare Acoustic-Electric Pianos with Midi

download the 6pp 1985 brochure for the Yamaha MIDI CP line:

DOWNLOAD: Yamaha_CP80m_CP70m_cp60m_catalog

This is pretty interesting.  I’ve seen plenty of CP80s and CP70s; we even had a CP70 at our studio Gold Coast Recorders for years, until we eventually ran out of space (with two Baldwin pianos, Rhodes, Wurli 200, Pianet, two hammonds, and a full size marimba, something had to give…).

But.  A CP with midi? Amazing. I was also unaware of the CP60, which seems v similar in format to the Kawai stage upright of the same era.

I’ve literally never seen one of these MIDI CPs, not even online.  Anyone using one? Drop us a line…

4.2.16: T A B L E S is available NOW to purchase and stream

Tables_GroupPhoto_2016this is my new group

Tables2016this is our debut record

TABLES s/t debut LP is available NOW as 12″ LP and digital download on Safety Meeting Records; you can purchase and/or stream all ten cuts at this link.

If you dig this blog, you will like this record.  But don’t take my word for it.  Check it out.  Also makes a great gift for all the other weirdos in yr life.  LPs are limited to 250 in this pressing.

Suzanne Ciani profile in TECHNOLOGY magazine, 1982

Ciani_face_82Suzanne Ciani is a name that should be familiar to many of you.  Considered to be one of the true innovators of electronic music, Ciani found great success as a sound-designer for television and radio commercials in New York in the 70s and 80s.  After a very lucurative career, she returned to California and began a 2nd career as a recording artist; her music is often generalized as ‘new age,’ not surprisingly.

Ciani_HomeStudio_82There is just a ton of information online regarding Ciani and her work; I suggest you start here and here. Also if there is anyone out there who wants to redesign her website HOLY SHIT it’s like 1997 up in there.  Jesus.  Anyhow, I was at an estate sale recently, some real eccentric types; in the LPs were such gems at the United States Of America, Holy Modal Rounders, and The Remains. Not your typical 60s rock albums.   The piles of musty old magazines included graphic-designer fav U&lc, an old issue of Viva, and something called TECHNOLOGY, which was on its 2nd edition, 2nd issue by March of ’82.  Sorta like OMNI minus the fiction, TECHNOLOGY featured this profile with Ciani, which I think may have been lost to time… until now.  I offer it to you here:

DOWNLOAD: ciani_1982

Author is one Stephen Kindel.  The focus is very much on the economics of being an in-demand synthesist, which may have just been some 80s yuppie zeitgeist shit, or maybe some part of the magazine’s editorial mission.  Either way, it’s Karl Marx’s fucking nightmare.  Enjoy!   Oh, and here she is around the same time on Letterman, doing some sorta wacky proto Liz Lemon-meets-Kate Bush schtick.  Love it.

The Farfisa 233 electric organ of 1972

Farfisa_VIP_233_1972_2In ’06 or ’07 I found a Farfisa VIP 233 organ at the flea market.  It languished at the market for a few weeks, but even I was surprised when the seller accepted my offer of $120 for the thing.  I was taking a pretty big risk buying it, as these things are insanely complex and therefore not-really-worth-fixing if they have voice problems.  As it turned out, the big heavy beast worked perfectly.  I recently came across the original 1972 advert for the VIP-233 and it reminded me that I once owned one of these things:

Farfisa_VIP_233_1972_1It’s a versatile unit, and it sounded great… that being said, despite all its attempts to encroach on Hammond territory, it always sounds very Farfisa-y and can’t really do the Hammond thing very well.

FARFISAtopviewI came across these photos of my actual unit, taken back in 2007: I shot some images of the thing so that I could sell it on Craigslist.  At the time, we wanted more of a Hammond sound and the VIP-233 just was not getting used much.  The piece sold in a matter of days for… i think… $650?  A kid came up from Brooklyn and was thrilled at the deal he got.  OK so gonna get nostalgic for a minute: in this series of photos, you see the 233 in the piano booth at my old studio on Bridgeport’s far east side – the American Fabrics Building – the same bldg that is now the home of the Preservation Sound shop.  Subtle index of time-passing?  Check out the ashtray and lighter on the little end table.  I don’t think I know anyone who smokes anymore… and a mere seven years ago, pretty much everyone I knew, myself included, did.  I suppose we have Mayor Bloomberg to thank for that?

FarfisaWcase The space depicted above was completely gutted and transformed into an art studio years ago; while my new studio has certainly been a major upgrade, it’s great to see the old spot.  I don’t think I had the VIP 233 for very long; I could only find one production that features it.  Check out the track below.  This is the band Stylofone; you may know these guys from their later work with MGMT and The Acrylics.  At about :30 in, you can hear a little moog-esque glissando; this is the unique ‘Slalom’ portamento effect the the VIP 233 offers.

Moog Break! (’72 – ’77)

PolyMoog_1976Today: some Moog-bits circa the mid seventies.  Above: the Polymoog.  And below: one of my fav recently-unearthed period-tracks featuring a Polymoog.

Moog_Sonic_6_1973Above: The Sonic Six of 1973.  Sure I know ELP, but Paintings?  The Mike Quatro Jam Band?  Anyone?

Moog_1972_MiniAbove: The same bros.  Now with MiniMoog.

microMoog_1977The Micromoog of ’77.  Not a ton of control options on this lil’ guy, but they are still affordable at around $700usd.  I should probably pick one of these up before they become as unaffordable as the most of the other vintage Moog models…

KeithEmerson_Moog_19721972: Keith Emerson and the MiniMoog.

For our exclusive download of vintage German (!!!) MiniMoog and SonicSix catalogs, click here…

Curious to see the first-ever Moog advert?  Check this previous article. 

EML Synths of the 70s part II

EML_1976I came across a few more EML (Electronic Music Laboratories) bits that I will share with you.  I’ve written a little about EML before, as they were based in Connecticut and lets face it, I am never getting out of this state. Anyhow, click here for our first EML article, and click here for coverage of the 1976 EML SynthKey, which was likely the first synth with aftertouch.

I’ve yet to be contacted by anyone who worked at EML in the 70s.  Folks, if yr out there, drop a line…  the world needs to know…

EML_101_1972The EML model 101 synth

EML_100_1972The EML Model 100 synth




Synare_PS_1976Bonus 70’s CT synth-times: The 1976 Synare PS by Star Systems of Stafford Springs CT.  Looks pretty righteous… anyone?

ARP synths of the mid 70s part III

ARP_Omni_1977How are y’all doing on this snowy day…  listening to some mid-seventies Tangerine Dream LPs and flippin thru a giant pile of old DOWNBEAT mags that I picked up at an estate sale this past wknd along with an enormous radio.   Here’s a few ARP bits+bobs that caught my eye.  Anyone have the above-depicted demo record?


ARP_Odyssey_1977The ARP Odyssey c. 1977

ARP_Minus_Mixer_1976The ARP Minus Noise Mixer c.1976.  Anyone know exactly what is the gimmick here?

Arp_2600_1972_HHHerbie Hancock at the 2600




For previous ARP coverage at PS dot com,

Click Here for our exclusive download of the 1977 ARP Catalog

Click here for ARP endorsers of the 70s

Also this is pretty neat


1977: Frank Zappa is a funny mffkr

Zappa_PixI know that this will be a polarizing thing to say, but I can’t stand Frank Zappa’s music.  I have tried.  Oh brother I have tried.  Also he seems like a total fkkn prick in every interview I have ever read with him.  Like one of those a-holes who acts like he’s having a bad time at the party, but rather than leave the party, dude just hovers around radiating bad vibes.

Now, on the plus side, total prickishness can sometimes turn into comedy gold.  As-in this 1977 interview in Downbeat mag.  Faced with a fairly straightforward question about the role of electronics in music, Zappa delivers a diatribe which ends in the condemnation of summer-homes.  Enjoy…



Keyboards of the Seventies part II

Contessa_2Above: What the holy F is this thing?

Today: yet another installment in our ongoing series on Keyboard of the 1970s.  Click here for part one.  As per usual, if you are still using these things today, drop us a line and let us know!  Except for the Rhodes.  There’s nothing new to say about those fkkn things.  So keep yr Rhodes to yrself thanks.

Univox_Compac_piano_1972Above: the Univox Compac Piano.  We had one of these things for a minute in high school.  I think it was $100.  Really terrible sound.  Click here for previous coverage of this atrocity.  

Rhodes_1977 Rhodes_1972Above: the two worst ads Fender ever ran for the Rhodes.  ’77 and ’72.

Novaline_piano_1977Above: The Novaline Piano circa ’77. Never seen one.  Anyone? 

MaxiKorg_1977Above: The KORG Maxi-Korg circa ’77.  Looks pretty cool.  Any of these still working?

Hohner_1977Above: Hohner made many keyboards besides the famous Clavinet.  For instance,,,

Hohner_Contessa_96_1972…The Contessa of 1972.  Farfisa-type organ with accordion chord-buttons in the left hand.  Yikes.

Baldwin_SynthaSound_1972Next time you see one of those shitty old Baldwin living-room-organs at the goodwill, take a 2nd look: it might have the SynthaSound option boards.  Wacky sounds ensue. 

Elka_Stringchoir_1977Above: The ELKA #8609 String Choir.  My K2500 has a bunch of ELKA patches and I kinda like em.  Anyone use the 8609?  How does it compare to other string synths of the era?