I was recently given a large collection of 1970s EMT documentation, so get ready for detailed info on pretty much every EMT reverberation product ever made.
I met a studio owner recently, it was a very nice place, some excellent gear and instruments, mentioned that he was in the market for a plate; he felt that a good plate reverb is a piece of kit that can actually be a significant factor in a producer or engineer choosing one facility over another for a project. Those of you who regularly hire facilities for projects: agree? As a studio owner, I’ve personally been planning on skipping the plate and going directly to building a chamber, but who fkkn knows when/if this will happen. Plate would sure be nice… here’s what EMT had to say about the 140 back in ’71:
For previous plate reverb coverage on PD dot com, click here…