Categories
- Altec
- Antique Hi-Fi Archive
- Concert Sound
- Connecticut Audio History
- Custom Fabrication
- Early Electronic Music
- Gold Coast Recorders
- Guitar Equipment
- History
- Icons
- Magnecord
- Manufacturers
- Microphones
- Mixtapes
- On the WWW
- Pro Audio Archive
- Publications
- RCA
- Recording Studio History
- Recordings
- Synthesizers
- Technical
- The 4-Track
- Uncategorized
- Western Electric
Archives
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
Recent Comments
- john bowman on Webster-Chicago: Because Shouting Is Outmoded (1939)
- Pedro Hernandez on Yard Sale Speaker’s Spotter’s Guide: 4: AR and Klipsch
- jeff golz on Yard Sale Speaker’s Spotter’s Guide: 4: AR and Klipsch
- Scott on Mechanically-Achieved Audio Time Compression/Expansion
- Bill on CBS Volumax and Audimax circa 1964
Tags
AKG altec audio semiotics beatboxes carvin compressors connecticut consoles custom audio equipment fabrication effects pedals electronic music pioneers electrovoice equalizers fairchild fender fidelity fostex gender in audio culture gibson gold coast recorders guitar equipment langevin magnecord mic preamps microphone shootout mixers moog music production trends public address system history RCA reverb schematics scully shure speakers tape machines tascam the 4-track turner microphones vacuum tube hi-fi vintage hi-fi vintage microphones vintage outboard gear vintage synthesizers YamahaMeta
Tag Archives: vintage synthesizers
Suicide Manual
In NYC in the mid-seventies, an electronic-based band arose amongst all the guitar punks, a band that was known as much for their confrontational post-beatnik vocals as for the strange and intense sounds that emanated from their famously homemade electronic … Continue reading
Keys Break: 1980
Today: a quick look at some forgotten synths+keys from circa 1980 A.D. Above: the Electro-Harmonix Mini Synth, a pretty cool little piece. Incredibly, it has a touch-sensitive keyboard. Other period entries in the mini-analog-monosynth field included my beloved Yamaha CS-01 … Continue reading
Posted in Synthesizers
Tagged electro-harmonix, hohner, moog, Roland, vintage synthesizers
Leave a comment
Key Break
Man I love this image. Yamaha YC Combo Organ advert circa 1971. “Organ Eyes. It’s what happens when you see something in your mind.” Nice. We briefly used a Yamaha YC20 In our band before we started touring. It was … Continue reading
PAiA : Synth DIY circa late 70′s
From the pages of various musician’ mags of the late 70s: The Collected Works of the PAiA Electronics marketing department. PAiA is, and has been for decades, the standard-bearer for good-quality kits for musical instruments and musical accessories. I am … Continue reading
(Very) Early Electronic Instruments
When you think of ‘early electronic instruments,’ what period comes to mind? European tape music of the 1950s? Academic electronic music labs of the 1960s? How about 1931? Download a five-page article from Radio News 1931, on ‘The Electrical Future … Continue reading
Posted in Early Electronic Music
Tagged electronic music pioneers, theremin, vintage synthesizers
1 Comment
Some 70s electronic oddities
The Computone Lyricon is an analog synthesizer with a wind controller interface. The horn-controller responded to three input parameters: the keys (‘valves’) themselves, lip pressure, and wind force pressure. It sounds beautiful. Listening to this thing, I can’t help but … Continue reading
Electronic Music Labs, INC, of Vernon CT
Electronic Music Laboratories, INC, was based in Vernon CT from 1968 through 1984. The company’s founders included Dale Blake, Norman Millard, Dennis Daugherty, Fred Locke, and Jeff Murray. Apparently EML synths used op-amps rather than transistors in certain circuits, which … Continue reading
Vladamir Ussachevsky, electronic music pioneer and educator
“Does this qualify me for a prophet? Well, perhaps partially.” Imagine if this dude had been your college music professor. Read a 4-page essay by Mongolian-born composer Vladamir Ussachevsky as printed in the 1/17/74 issue of DOWNBEAT magazine. Ussachevsky was … Continue reading
ARP Synthesizer Endorsers of the early 1970s
Stevie Wonder endorses the ARP 2600 in this early 70s advert Billy Preston likes his ARP Pro-Soloist Les McCann and the Arp Pro-Soloist Edgar Winter apparently used the ARP 2600 on his cheerful Doobie-Bros-esque hit record ‘Free Ride’; those wind … Continue reading
Univox-branded Synth+Drums
Billy Preston with a Univox Compac-Piano Univox (brief company history here) was a US company that marketed a huge range of musical products in the late 60s and into the early 80s. Most famous is their ‘Hi-Flier’ electric guitar, aka, … Continue reading