From the pages of AUDIO magazine in 1954/55: new and new-ish studio microphones at the dawn of the transistor age. Check em out…
Above is the two-page advertising spread that introduced the Electrovoice 666 to the world. The 666 is the grandfather of the much-beloved Electrovoice Re20, which has been a favorite of recording and live-sound engineers for decades. Like the Sennhesier 421, the RE-20 is somewhat proof that dynamic microphone technology hasn’t really advanced much in the past three decades.
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Above, a 1955 advert for the 666 along with a review of the 666 from AUDIO magazine.
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I pulled out an old Shure 530 microphone that I haven't used for 25 years. I used contact cleaner on the impedance switch and it still sounds great. I used it as an overhead drum mike back in the day. Clear as a bell!