Today as PS dot com: a quick look at the then-new product-category of Guitar Synths circa 1979. A great number of small manufacturers sprung up to offer these devices, and a few of the big names got involved as well. What is required for a guitar synth? Well, at minimum, independent pitch-to-CV and envelope-to-gate tracking and conversion for each of the six strings, and then some sort of synthesis engine (x6) to create the actual sound that you hear. Some of the units covered in this post were only the first part of the equation, and you could certainly find monophonic pitch/gate-to-CV modules going back to the early 70s (anyone know the release dates of the specific Moog and ARP modules that did such?). But putting it all together in a package that a guitar player might want to buy: this took some time. Guitar synths never really caught on, probably due to the cost initially, but even as prices came down it really seems like the vast majority of players were just happier with a bunch of effects pedals. In addition, there is something inherently retrograde with performing on the electric guitar regardless; it is very much a signifier of the 1950s and 1960s; so why muddy the waters of yr joyous celebration of the past with so much technology?
If anyone is still using any of these things on-stage or in productions, drop a line and let us know…
The Ampeg Patch 200: Note Hagstrom-Swede.
This month on Preservation Sound Radio: nine side-filling tracks from 1970 thru 1986, all from…
This month's show airs Tuesday 2.20.24 at 8:30PM -11:25PM EST on WPKN 89.5 FM in…
The first Preservation Sound Radio program of 2024 will air Tuesday January 16 at 8:30PM…
As aired 8:30PM-11:30PM 12.19.23 on WPKN 89.5 FM Bridgeport. Enjoy. PSR DEC2023 sequence 1. Click…
Tonight 11.21.23 8:30 PM EST: special advance broadcast of the P/S Winter 2024 Mixtape. Catch…
Here's the tracklist for the 2023 Preservation Sound Summer Mixtape, to be broadcast 8:30PM EST…