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	<title>
	Comments on: A Few Interesting DIY Audio Projects c. 1955	</title>
	<atom:link href="https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Thu, 30 Jan 2025 11:28:40 +0000</lastBuildDate>
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		<title>
		By: Merlin		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-650177</link>

		<dc:creator><![CDATA[Merlin]]></dc:creator>
		<pubDate>Thu, 30 Jan 2025 11:28:40 +0000</pubDate>
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					<description><![CDATA[I located the eitions of some of these circuits, maybe this helps some readers.
Bass/Treble parametric equalizer: November 1954
Two Channel Mixer: February 1955
Cascode preamplifier: October 1955]]></description>
			<content:encoded><![CDATA[<p>I located the eitions of some of these circuits, maybe this helps some readers.<br />
Bass/Treble parametric equalizer: November 1954<br />
Two Channel Mixer: February 1955<br />
Cascode preamplifier: October 1955</p>
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		<item>
		<title>
		By: Merlin		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-650162</link>

		<dc:creator><![CDATA[Merlin]]></dc:creator>
		<pubDate>Wed, 29 Jan 2025 21:00:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-650162</guid>

					<description><![CDATA[Hey great page, I just discovered it! Any chance you could add which editions of the magazine these figure are from? I&#039;d love to read the original articles.]]></description>
			<content:encoded><![CDATA[<p>Hey great page, I just discovered it! Any chance you could add which editions of the magazine these figure are from? I&#8217;d love to read the original articles.</p>
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		<title>
		By: juliand		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-352698</link>

		<dc:creator><![CDATA[juliand]]></dc:creator>
		<pubDate>Sun, 10 Apr 2016 15:29:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-352698</guid>

					<description><![CDATA[gud day sir,... may i know what is the issue of the equalizer for bass and treble with two variable resonances diagram with no inductors, thanks]]></description>
			<content:encoded><![CDATA[<p>gud day sir,&#8230; may i know what is the issue of the equalizer for bass and treble with two variable resonances diagram with no inductors, thanks</p>
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		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-343136</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sat, 12 Dec 2015 16:25:08 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-343134&quot;&gt;jazbo8&lt;/a&gt;.

no clue, srry]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-343134">jazbo8</a>.</p>
<p>no clue, srry</p>
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		<item>
		<title>
		By: jazbo8		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-343134</link>

		<dc:creator><![CDATA[jazbo8]]></dc:creator>
		<pubDate>Sat, 12 Dec 2015 16:23:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-343134</guid>

					<description><![CDATA[Do you recall which issue of the Audio magazine that the 6550 ultralinear amplifier shown above came from? I could not seem to find the article where the scheamtic was taken from...

Thanks,

https://www.preservationsound.com/wp-content/uploads/2011/05/6550_hifi_amp-1024x860.jpg]]></description>
			<content:encoded><![CDATA[<p>Do you recall which issue of the Audio magazine that the 6550 ultralinear amplifier shown above came from? I could not seem to find the article where the scheamtic was taken from&#8230;</p>
<p>Thanks,</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/6550_hifi_amp-1024x860.jpg" rel="ugc">https://www.preservationsound.com/wp-content/uploads/2011/05/6550_hifi_amp-1024&#215;860.jpg</a></p>
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		<title>
		By: JWright		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-287863</link>

		<dc:creator><![CDATA[JWright]]></dc:creator>
		<pubDate>Thu, 01 Jan 2015 17:32:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-287863</guid>

					<description><![CDATA[Chris, I looked for the original article detailing the Fig. 2 Equalizer, but could not locate it. I am just finishing a 6SL7 project, Ampeg B-15 Preamp and am looking at this as a possible bass guitar compressor on the front end. Can you tell me exactly where you found it? Thanks, J]]></description>
			<content:encoded><![CDATA[<p>Chris, I looked for the original article detailing the Fig. 2 Equalizer, but could not locate it. I am just finishing a 6SL7 project, Ampeg B-15 Preamp and am looking at this as a possible bass guitar compressor on the front end. Can you tell me exactly where you found it? Thanks, J</p>
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		<title>
		By: J Laber		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-249893</link>

		<dc:creator><![CDATA[J Laber]]></dc:creator>
		<pubDate>Tue, 18 Mar 2014 21:07:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-249893</guid>

					<description><![CDATA[The EQ looks like the boost and Q are affected by the same control. It also appears that there is a resistor missing on the treble Q wiper going to the grid.

The 50 watt ultralinear looks pretty sick with the regulated B+. SR1 is shown backwards though. I may build a pair of these when I get around to winding the transformers.]]></description>
			<content:encoded><![CDATA[<p>The EQ looks like the boost and Q are affected by the same control. It also appears that there is a resistor missing on the treble Q wiper going to the grid.</p>
<p>The 50 watt ultralinear looks pretty sick with the regulated B+. SR1 is shown backwards though. I may build a pair of these when I get around to winding the transformers.</p>
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		<title>
		By: remodeling contractors		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-249016</link>

		<dc:creator><![CDATA[remodeling contractors]]></dc:creator>
		<pubDate>Sat, 01 Mar 2014 01:51:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-249016</guid>

					<description><![CDATA[I am really inspired with your writing abilities as neatly as with the structure to your blog.
Is this a paid subject matter or did you customize it your self?
Either way keep up the excellent high quality writing, it&#039;s rare to peer a great weblog like this one these days..]]></description>
			<content:encoded><![CDATA[<p>I am really inspired with your writing abilities as neatly as with the structure to your blog.<br />
Is this a paid subject matter or did you customize it your self?<br />
Either way keep up the excellent high quality writing, it&#8217;s rare to peer a great weblog like this one these days..</p>
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		<title>
		By: Steve		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175466</link>

		<dc:creator><![CDATA[Steve]]></dc:creator>
		<pubDate>Mon, 19 Aug 2013 18:01:47 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175389&quot;&gt;chris&lt;/a&gt;.

Silly me the answer is in the circuit diagram check out R61 which is 250R and R60 equals 120K.  Which is about the ball park figure I thought it would be, I could always do the maths and work it out.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175389">chris</a>.</p>
<p>Silly me the answer is in the circuit diagram check out R61 which is 250R and R60 equals 120K.  Which is about the ball park figure I thought it would be, I could always do the maths and work it out.</p>
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		<item>
		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175389</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 19 Aug 2013 11:13:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2563#comment-175389</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175040&quot;&gt;Steve&lt;/a&gt;.

hi steve.  re: B+ :  yes 250V or therabouts is good for this.  20ma should be more than enough, considering that the designer spec&#039;d chokes rated at 6ma.

re: plate resistors for the input stage:  that is a very good question!  I have never seen a 12AT7 section with a 500 ohm bias resistor (ie two stages sharing a common 250 ohm bias resistor) so I have no idea.  check the curves in a tube manual and see what the plate resistor should be when using a 500 ohm cathode bias.  

good luck, c.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/a-few-interesting-diy-audio-projects-c-1955/#comment-175040">Steve</a>.</p>
<p>hi steve.  re: B+ :  yes 250V or therabouts is good for this.  20ma should be more than enough, considering that the designer spec&#8217;d chokes rated at 6ma.</p>
<p>re: plate resistors for the input stage:  that is a very good question!  I have never seen a 12AT7 section with a 500 ohm bias resistor (ie two stages sharing a common 250 ohm bias resistor) so I have no idea.  check the curves in a tube manual and see what the plate resistor should be when using a 500 ohm cathode bias.  </p>
<p>good luck, c.</p>
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