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	Comments on: A Lost Fender Guitar Design &#8211; The &#8216;Acoustic-Electric&#8217; of 1965	</title>
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	<description>information and ideas about audio history</description>
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		<title>
		By: Brad Rinkert		</title>
		<link>https://www.preservationsound.com/a-lost-fender-guitar-design-the-acoustic-electric-of-1965/#comment-6540</link>

		<dc:creator><![CDATA[Brad Rinkert]]></dc:creator>
		<pubDate>Wed, 19 Oct 2011 06:53:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2264#comment-6540</guid>

					<description><![CDATA[Fender made a lot more prototype models that never were produced than is generally known. Most buffs know of the Marauder, but there were probably a dozen others. 

 There was a Telecaster tenor guitar, and a similar instrument which had six strings in four courses, made for Eddie Peabody, a banjo vaudeville artist Leo Fender knew. 

 There also was at least one Strat with split pickups like the Musicmaster bass and a very different, longer top loading bridge. 

 I&#039;ve seen pictures of all of these, in the possession of a music store owner who had several prototype Fenders-of more standard construction-behind his desk. They had ink Fender stamps under the lacquer neck finish stating they were property of the Fender Musical Instrument Co. He would not allow me to photograph these or any of the pictures and drawings he had.  I have never seen any of these in the various Fender collector books.]]></description>
			<content:encoded><![CDATA[<p>Fender made a lot more prototype models that never were produced than is generally known. Most buffs know of the Marauder, but there were probably a dozen others. </p>
<p> There was a Telecaster tenor guitar, and a similar instrument which had six strings in four courses, made for Eddie Peabody, a banjo vaudeville artist Leo Fender knew. </p>
<p> There also was at least one Strat with split pickups like the Musicmaster bass and a very different, longer top loading bridge. </p>
<p> I&#8217;ve seen pictures of all of these, in the possession of a music store owner who had several prototype Fenders-of more standard construction-behind his desk. They had ink Fender stamps under the lacquer neck finish stating they were property of the Fender Musical Instrument Co. He would not allow me to photograph these or any of the pictures and drawings he had.  I have never seen any of these in the various Fender collector books.</p>
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		<title>
		By: Michael Mason		</title>
		<link>https://www.preservationsound.com/a-lost-fender-guitar-design-the-acoustic-electric-of-1965/#comment-2225</link>

		<dc:creator><![CDATA[Michael Mason]]></dc:creator>
		<pubDate>Wed, 04 May 2011 21:57:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2264#comment-2225</guid>

					<description><![CDATA[Yes: in the mid-1970s I spent an hour or so playing a Fender &quot;Palomino&quot; model acoustic-electric in a small guitar shop near Los Angeles — think it was in Venice, CA.
Have always wished I&#039;d bought it, though it had two drawbacks: didn&#039;t sound great; was heavy. But good just the same. Bolt-on (and very nice) Fender neck; dreadnaught-type body-shape, slightly smaller than, say, a Gibson Hummingbird size, but full-depth . A_very_  innovative pick-up mount. 
     I think I recently noted that Fender was/is reviving at least one somewhat similar acoustic-electric model.]]></description>
			<content:encoded><![CDATA[<p>Yes: in the mid-1970s I spent an hour or so playing a Fender &#8220;Palomino&#8221; model acoustic-electric in a small guitar shop near Los Angeles — think it was in Venice, CA.<br />
Have always wished I&#8217;d bought it, though it had two drawbacks: didn&#8217;t sound great; was heavy. But good just the same. Bolt-on (and very nice) Fender neck; dreadnaught-type body-shape, slightly smaller than, say, a Gibson Hummingbird size, but full-depth . A_very_  innovative pick-up mount.<br />
     I think I recently noted that Fender was/is reviving at least one somewhat similar acoustic-electric model.</p>
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