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	<title>
	Comments on: American Microphones of the 1940s: Audio Engineering Magazine Pt 3.	</title>
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	<link>https://www.preservationsound.com/american-microphones-of-the-1940s/</link>
	<description>information and ideas about audio history</description>
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		<title>
		By: Wade		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-655878</link>

		<dc:creator><![CDATA[Wade]]></dc:creator>
		<pubDate>Wed, 02 Jul 2025 22:42:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-655878</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-6539&quot;&gt;Brad Rinkert&lt;/a&gt;.

Yes. They usually came from the factory in a ZAMAK case (maybe just zinc, though) that was highly polished. The version used in the ST-2 had a copper-ish colored paint that matched the Strobotuner case&#039;s paint (actually a little darker, but close enough to let you know it went with the tuner). At some point, Conn may have started including the shiny ones with the tuners, probably to save money since I am guessing the painted ones cost them extra from EV. Or possibly all the polished ones I see with these old tuners are replacements? As a child using these tuners in school, I only ever saw the painted mics. However, as a professional orchestra musician, I have owned four of these tuners over the past 40 years, and three of them had the shiny mics. All four, however, were the EV 915. Regards — Wade]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-6539">Brad Rinkert</a>.</p>
<p>Yes. They usually came from the factory in a ZAMAK case (maybe just zinc, though) that was highly polished. The version used in the ST-2 had a copper-ish colored paint that matched the Strobotuner case&#8217;s paint (actually a little darker, but close enough to let you know it went with the tuner). At some point, Conn may have started including the shiny ones with the tuners, probably to save money since I am guessing the painted ones cost them extra from EV. Or possibly all the polished ones I see with these old tuners are replacements? As a child using these tuners in school, I only ever saw the painted mics. However, as a professional orchestra musician, I have owned four of these tuners over the past 40 years, and three of them had the shiny mics. All four, however, were the EV 915. Regards — Wade</p>
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		<item>
		<title>
		By: Wade		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-655877</link>

		<dc:creator><![CDATA[Wade]]></dc:creator>
		<pubDate>Wed, 02 Jul 2025 22:37:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-655877</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-6539&quot;&gt;Brad Rinkert&lt;/a&gt;.

Yes. They usually came from the factory in a ZAMAK case (maybe just zinc, though) that was highly polished. The version used in the ST-2 had a copper-ish colored paint that matched the Strobotuner case&#039;s paint (actually a little darker, but close enough to let you know it went with the tuner). At some point, Conn may have started including the shiny ones with the tuners, probably to save money since I am guessing the painted ones cost them extra from EV. Or possibly all the polished ones I see with these old tuners are replacements? As a child using these tuners in school, I only ever saw the painted mics. However, as a professional orchestra musician, I have owned three of these tuners over the past 40 years, and three of them had the shiny mics. All four, however, were the EV 915. Regards — Wade]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-6539">Brad Rinkert</a>.</p>
<p>Yes. They usually came from the factory in a ZAMAK case (maybe just zinc, though) that was highly polished. The version used in the ST-2 had a copper-ish colored paint that matched the Strobotuner case&#8217;s paint (actually a little darker, but close enough to let you know it went with the tuner). At some point, Conn may have started including the shiny ones with the tuners, probably to save money since I am guessing the painted ones cost them extra from EV. Or possibly all the polished ones I see with these old tuners are replacements? As a child using these tuners in school, I only ever saw the painted mics. However, as a professional orchestra musician, I have owned three of these tuners over the past 40 years, and three of them had the shiny mics. All four, however, were the EV 915. Regards — Wade</p>
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		<item>
		<title>
		By: Kim Stroman		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-398184</link>

		<dc:creator><![CDATA[Kim Stroman]]></dc:creator>
		<pubDate>Wed, 29 Mar 2017 21:45:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-398184</guid>

					<description><![CDATA[Would anyone know app. Value of this in today&#039;s market- aged and broken cord
Thank you
Kimberly 

http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg

http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg]]></description>
			<content:encoded><![CDATA[<p>Would anyone know app. Value of this in today&#8217;s market- aged and broken cord<br />
Thank you<br />
Kimberly </p>
<p><a href="http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg" rel="nofollow ugc">http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg</a></p>
<p><a href="http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg" rel="nofollow ugc">http://www.oaktreevintage.com/web_photos/microphones/EV664Gold_web.jpg</a></p>
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		<title>
		By: Vince		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-197866</link>

		<dc:creator><![CDATA[Vince]]></dc:creator>
		<pubDate>Mon, 28 Oct 2013 15:50:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-197866</guid>

					<description><![CDATA[I found an EV 650 in an old house.  It still works too!

http://imgur.com/a/zbgaZ]]></description>
			<content:encoded><![CDATA[<p>I found an EV 650 in an old house.  It still works too!</p>
<p><a href="http://imgur.com/a/zbgaZ" rel="nofollow ugc">http://imgur.com/a/zbgaZ</a></p>
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		<item>
		<title>
		By: Reslo		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-12671</link>

		<dc:creator><![CDATA[Reslo]]></dc:creator>
		<pubDate>Mon, 30 Jan 2012 01:59:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-12671</guid>

					<description><![CDATA[Photo of a Reslo PGH Dynamic Microphone here:
http://www.flickr.com/photos/reslosound/6786254057/]]></description>
			<content:encoded><![CDATA[<p>Photo of a Reslo PGH Dynamic Microphone here:<br />
<a href="http://www.flickr.com/photos/reslosound/6786254057/" rel="nofollow ugc">http://www.flickr.com/photos/reslosound/6786254057/</a></p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Reslo		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-12670</link>

		<dc:creator><![CDATA[Reslo]]></dc:creator>
		<pubDate>Mon, 30 Jan 2012 01:58:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-12670</guid>

					<description><![CDATA[These are great, what&#039;s really interesting the Amperite ad. The model numbers of the ribbon mics are very similar to the Reslo models and the PG Dynamic is practically identical to the Reslo.
&lt;a href=&quot;http://www.flickr.com/photos/reslosound/6786254057/&quot; title=&quot;Reslo PGH Dynamic Microphone by Reslosound, on Flickr&quot; rel=&quot;nofollow&quot;&gt;&lt;/a&gt;]]></description>
			<content:encoded><![CDATA[<p>These are great, what&#8217;s really interesting the Amperite ad. The model numbers of the ribbon mics are very similar to the Reslo models and the PG Dynamic is practically identical to the Reslo.<br />
<a href="http://www.flickr.com/photos/reslosound/6786254057/" title="Reslo PGH Dynamic Microphone by Reslosound, on Flickr" rel="nofollow"></a></p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Brad Rinkert		</title>
		<link>https://www.preservationsound.com/american-microphones-of-the-1940s/#comment-6539</link>

		<dc:creator><![CDATA[Brad Rinkert]]></dc:creator>
		<pubDate>Wed, 19 Oct 2011 06:37:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2367#comment-6539</guid>

					<description><![CDATA[The EV Century is, I think, the mic in the little brown Conn Strobotuner.]]></description>
			<content:encoded><![CDATA[<p>The EV Century is, I think, the mic in the little brown Conn Strobotuner.</p>
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