* VCS3

https://www.youtube.com/watch?v=vEPSruBdSqk

Pete didn’t get his ARP synths until after the making of “Who’s Next”, but he did use a 2500 and a 2600 extensively on “Quadrophenia”.

When I worked selling synths in the late 70s-early 80s, one of my co-workers, Bill Wentz, used to work for ARP as a product specialist and demonstrator. He told me that the reason ARP had such an impressive users list is that they gave them away “by the truckload”, as Bill put it. If you had a record contract, ARP would just give you an Odyssey. If you were a big star like Peter Townshend or Stevie Wonder, they’d throw in a 2600 and a Sequencer. They’d also send someone like Bill to teach you how to use them. The only thing they asked in return was to use your name and likeness on a players list in their advertising. ARP considered it part of their promotion budget.

ARP kicked Moog’s butt in sales for a few years with this policy, so it was well worth it. They were riding high until the Avatar guitar synth debacle. If they had put their resources toward the Chroma polysynth project instead of the overpriced and barely functional Avatar, they, like E-Mu, might still be around today.