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	Comments on: Audio Engineering Magazine Pt 4: Schematics	</title>
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	<description>information and ideas about audio history</description>
	<lastBuildDate>Wed, 29 Jan 2014 03:44:45 +0000</lastBuildDate>
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		<title>
		By: bafflegab		</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-241179</link>

		<dc:creator><![CDATA[bafflegab]]></dc:creator>
		<pubDate>Wed, 29 Jan 2014 03:44:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2388#comment-241179</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-29082&quot;&gt;Kevin Strom&lt;/a&gt;.

The 1625 also has a seven pin base. The 807 has a five pin base.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-29082">Kevin Strom</a>.</p>
<p>The 1625 also has a seven pin base. The 807 has a five pin base.</p>
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		<title>
		By: willie g		</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-124214</link>

		<dc:creator><![CDATA[willie g]]></dc:creator>
		<pubDate>Fri, 01 Mar 2013 20:14:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2388#comment-124214</guid>

					<description><![CDATA[There is no way a 6AS7 is going to give thirty watts out. 

 In push pull with itself maybe ten, probably less. NEVER try to parallel the triode sections, they always differ a lot because of how the tube is made.]]></description>
			<content:encoded><![CDATA[<p>There is no way a 6AS7 is going to give thirty watts out. </p>
<p> In push pull with itself maybe ten, probably less. NEVER try to parallel the triode sections, they always differ a lot because of how the tube is made.</p>
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		<title>
		By: Bafflegab		</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-29184</link>

		<dc:creator><![CDATA[Bafflegab]]></dc:creator>
		<pubDate>Sun, 09 Sep 2012 03:57:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2388#comment-29184</guid>

					<description><![CDATA[Figure 2 is the Curtis Schafer amp in the first Audio Anthology. It would be a good thing to reprint Mr. Schafer&#039;s comments on these.

 I met him in the late seventies: he was still active then, and that was in Chicago as I recall. I remembered his name from an article in one of the audio magazines at that time and we talked, but not about this stuff. If I had only known....]]></description>
			<content:encoded><![CDATA[<p>Figure 2 is the Curtis Schafer amp in the first Audio Anthology. It would be a good thing to reprint Mr. Schafer&#8217;s comments on these.</p>
<p> I met him in the late seventies: he was still active then, and that was in Chicago as I recall. I remembered his name from an article in one of the audio magazines at that time and we talked, but not about this stuff. If I had only known&#8230;.</p>
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		<title>
		By: Kevin Strom		</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-29082</link>

		<dc:creator><![CDATA[Kevin Strom]]></dc:creator>
		<pubDate>Fri, 07 Sep 2012 00:23:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2388#comment-29082</guid>

					<description><![CDATA[With the 807, it is the plate, not the grid, that is on the top cap.

The very cheap 1625 is identical to the 807, except that it has a 12.6 Volt filament.

All the best,

Kevin Strom.]]></description>
			<content:encoded><![CDATA[<p>With the 807, it is the plate, not the grid, that is on the top cap.</p>
<p>The very cheap 1625 is identical to the 807, except that it has a 12.6 Volt filament.</p>
<p>All the best,</p>
<p>Kevin Strom.</p>
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		<title>
		By: Brad Rinkert		</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-4-schematics/#comment-6538</link>

		<dc:creator><![CDATA[Brad Rinkert]]></dc:creator>
		<pubDate>Wed, 19 Oct 2011 06:36:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2388#comment-6538</guid>

					<description><![CDATA[The 6AS7 has a mu of 2 or thereabouts, which means it needs a LOT of drive.

 Using a driver transformer is one way to do it.

 Using a power supply with a straight output in the 200 volt range (it&#039;s a low B+ design too) and a voltage doubler for the driver section, or a tapped PT secondary, would be another. The driver tube needs to swing as much as the B+ of the output tube itself, so must have nearly twice the B+ itself.]]></description>
			<content:encoded><![CDATA[<p>The 6AS7 has a mu of 2 or thereabouts, which means it needs a LOT of drive.</p>
<p> Using a driver transformer is one way to do it.</p>
<p> Using a power supply with a straight output in the 200 volt range (it&#8217;s a low B+ design too) and a voltage doubler for the driver section, or a tapped PT secondary, would be another. The driver tube needs to swing as much as the B+ of the output tube itself, so must have nearly twice the B+ itself.</p>
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