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	<title>Film Scores &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>&#8220;One Child Nation&#8221; w/score by Halpern and Ruggiero wins 2019 Sundance Grand Jury Prize</title>
		<link>https://www.preservationsound.com/one-child-nation-w-score-by-halpern-and-ruggiero-wins-2019-sundance-grand-jury-prize/</link>
					<comments>https://www.preservationsound.com/one-child-nation-w-score-by-halpern-and-ruggiero-wins-2019-sundance-grand-jury-prize/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 03 Feb 2019 18:45:41 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=9126</guid>

					<description><![CDATA[Three weeks ago Nathan Halpern and I finished writing and recording the final few pieces of score for Nanfu Wang &#38; Jialing Zhang’s “One Child Nation,” and last night it won the Grand Jury Prize for US Documentary at the Sundance Film Festival. Amazon immediately picked the film up for distribution, which means that many [&#8230;]]]></description>
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<figure class="wp-block-image"><img fetchpriority="high" decoding="async" width="928" height="1024" src="https://www.preservationsound.com/wp-content/uploads/2019/02/OCN_sundance-928x1024.png" alt="" class="wp-image-9127" srcset="https://www.preservationsound.com/wp-content/uploads/2019/02/OCN_sundance-928x1024.png 928w, https://www.preservationsound.com/wp-content/uploads/2019/02/OCN_sundance-272x300.png 272w, https://www.preservationsound.com/wp-content/uploads/2019/02/OCN_sundance-768x847.png 768w, https://www.preservationsound.com/wp-content/uploads/2019/02/OCN_sundance.png 1322w" sizes="(max-width: 928px) 100vw, 928px" /></figure>



<p>Three weeks ago Nathan Halpern and I finished writing and recording the final few pieces of score for Nanfu Wang &amp; Jialing Zhang’s “One Child Nation,” and <a href="https://variety.com/2019/film/festivals/sundance-film-festival-2019-winners-list-1203127036/">last night it won the Grand Jury Prize for US Documentary at the Sundance Film Festival</a>. Amazon immediately picked the film up for distribution, which means that many many people will have a chance to see this powerful and heartbreaking film. It is a tremendous honor to be a part of Jialing and Nanfu&#8217;s amazing and uncompromising storytelling, and I am thrilled that it will reach a large audience.  </p>
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		<title>Sundance Film Festival 2019: &#8220;One Child Nation&#8221; and &#8220;Tigerland&#8221; feature original music by Halpern and Ruggiero</title>
		<link>https://www.preservationsound.com/sundance-film-festival-2019-one-child-nation-and-tigerland-feature-original-music-by-halpern-and-ruggiero/</link>
					<comments>https://www.preservationsound.com/sundance-film-festival-2019-one-child-nation-and-tigerland-feature-original-music-by-halpern-and-ruggiero/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 24 Jan 2019 13:56:36 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=9120</guid>

					<description><![CDATA[The 2019 Sundance film festival starts today and I am very happy to LYK that I have music in two films debuting in competition this year. Nathan Halpern and I wrote the score to Nanfu Wang &#38; Jialing Zhang’s “One Child Nation,” which examines the forced sterilizations, child abandonment, and state-sponsored kidnappings that underlay China’s [&#8230;]]]></description>
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<figure class="wp-block-image"><img decoding="async" width="1024" height="1024" src="https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG-1024x1024.png" alt="" class="wp-image-9122" srcset="https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG-1024x1024.png 1024w, https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG-150x150.png 150w, https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG-300x300.png 300w, https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG-768x768.png 768w, https://www.preservationsound.com/wp-content/uploads/2019/01/Sun_IG.png 1074w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>The<a href="http://www.sundance.org/now"> 2019 Sundance film festival</a> starts today and I am very happy to LYK that I have music in two films debuting in competition this year. </p>



<figure class="wp-block-image"><img decoding="async" width="900" height="900" src="https://www.preservationsound.com/wp-content/uploads/2019/01/OCN_og.png" alt="" class="wp-image-9121" srcset="https://www.preservationsound.com/wp-content/uploads/2019/01/OCN_og.png 900w, https://www.preservationsound.com/wp-content/uploads/2019/01/OCN_og-150x150.png 150w, https://www.preservationsound.com/wp-content/uploads/2019/01/OCN_og-300x300.png 300w, https://www.preservationsound.com/wp-content/uploads/2019/01/OCN_og-768x768.png 768w" sizes="(max-width: 900px) 100vw, 900px" /></figure>



<p>Nathan Halpern and I wrote the score to Nanfu Wang &amp; Jialing Zhang’s “<a href="http://www.sundance.org/projects/one-child-nation">One Child Nation</a>,” which examines the forced sterilizations, child abandonment, and state-sponsored kidnappings that underlay China’s one-child policy. This is the third feature that Nathan and I have scored for Nanfu Wang and I continue to be awed by her uncompromising and completely original film making. Truly an honor to be a part of this must-see film. </p>



<figure class="wp-block-image"><img loading="lazy" decoding="async" width="906" height="906" src="https://www.preservationsound.com/wp-content/uploads/2019/01/TIG_ig.png" alt="" class="wp-image-9123" srcset="https://www.preservationsound.com/wp-content/uploads/2019/01/TIG_ig.png 906w, https://www.preservationsound.com/wp-content/uploads/2019/01/TIG_ig-150x150.png 150w, https://www.preservationsound.com/wp-content/uploads/2019/01/TIG_ig-300x300.png 300w, https://www.preservationsound.com/wp-content/uploads/2019/01/TIG_ig-768x768.png 768w" sizes="auto, (max-width: 906px) 100vw, 906px" /></figure>



<p>I also contributed original music to “<a href="http://www.sundance.org/projects/tigerland">Tigerland</a>,” the new film by Oscar-winning director<a href="https://www.imdb.com/name/nm1502104/?ref_=fn_al_nm_1"> Ross Kauffman</a>. “Tigerland” details efforts to save these legendary animals from extinction, introducing us to fascinating and heroic individuals and breathtaking landscapes. </p>



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		<title>Academy Awards 2019: &#8220;Minding the Gap&#8221; with score by Halpern and Ruggiero nominated for Best Documentary Feature</title>
		<link>https://www.preservationsound.com/academy-awards-2019-minding-the-gap-with-score-by-halpern-and-ruggiero-nominated-for-best-documentary-feature/</link>
					<comments>https://www.preservationsound.com/academy-awards-2019-minding-the-gap-with-score-by-halpern-and-ruggiero-nominated-for-best-documentary-feature/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 24 Jan 2019 13:47:23 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=9110</guid>

					<description><![CDATA[I am thrilled to announce that &#8220;Minding The Gap&#8221; has been nominated for this years Doc Feature Oscar. Nathan Halpern and I scored this debut film by director Bing Liu&#8217;s debut film in late 2017 and it has been a wonderful experience seeing how &#8220;Minding the Gap&#8221; has touched so many ppl and won so [&#8230;]]]></description>
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<figure class="wp-block-image"><img loading="lazy" decoding="async" width="867" height="881" src="https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_AA.png" alt="" class="wp-image-9114" srcset="https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_AA.png 867w, https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_AA-295x300.png 295w, https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_AA-768x780.png 768w" sizes="auto, (max-width: 867px) 100vw, 867px" /></figure>



<p>I am thrilled to announce that &#8220;Minding The Gap&#8221; has been nominated for this years Doc Feature Oscar.  Nathan Halpern and I scored this debut film by director Bing Liu&#8217;s debut film in late 2017 and it has been a wonderful experience seeing how &#8220;Minding the Gap&#8221; has touched so many ppl and won so many awards over the past twelve months.  The film is available to stream now at Hulu and Amazon.</p>



<figure class="wp-block-image"><img loading="lazy" decoding="async" width="673" height="741" src="https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_wired.png" alt="" class="wp-image-9115" srcset="https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_wired.png 673w, https://www.preservationsound.com/wp-content/uploads/2019/01/MTG_wired-272x300.png 272w" sizes="auto, (max-width: 673px) 100vw, 673px" /></figure>



<p>As this <a href="https://www.wired.com/story/new-age-documentary/">new piece in WIRED</a> explains, 2018 was an <em>incredibly</em> strong year for documentary film, and it is truly an honor to have been a part of a film that is leading this new vanguard in storytelling.  </p>
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		<title>MINDING THE GAP with original score by Halpern and Ruggiero in theaters now</title>
		<link>https://www.preservationsound.com/minding-the-gap-with-original-score-by-halpern-and-ruggiero-in-theaters-now/</link>
					<comments>https://www.preservationsound.com/minding-the-gap-with-original-score-by-halpern-and-ruggiero-in-theaters-now/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 23 Aug 2018 01:42:02 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8963</guid>

					<description><![CDATA[Late last year Nathan Halpern and I scored this excellent film by director Bing Lui and it is now in theaters and streaming online via Hulu. “Minding The Gap” debuted at Sundance this year, winning the ‘Breakthrough Filmmaking Award,’ and it is an exceptionally bold and honest American coming-of-age story. The critical response has been exceptionally [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-8964" src="https://www.preservationsound.com/wp-content/uploads/2018/08/1520865191137-692x1024.jpg" alt="" width="474" height="701" srcset="https://www.preservationsound.com/wp-content/uploads/2018/08/1520865191137-692x1024.jpg 692w, https://www.preservationsound.com/wp-content/uploads/2018/08/1520865191137-203x300.jpg 203w, https://www.preservationsound.com/wp-content/uploads/2018/08/1520865191137-768x1136.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2018/08/1520865191137.jpg 1500w" sizes="auto, (max-width: 474px) 100vw, 474px" />Late last year Nathan Halpern and I scored this excellent film by director Bing Lui and it is now in theaters and streaming online via Hulu. “Minding The Gap” debuted at Sundance this year, winning the ‘Breakthrough Filmmaking Award,’ and it is an exceptionally bold and honest American coming-of-age story. The critical response has been exceptionally strong, with many critics making special note of our score:</p>
<div style="text-align: center;"><strong><em>&#8220;&#8230;the music and mood attain a melancholy perfection&#8221; (<a href="https://www.wsj.com/articles/minding-the-gap-review-the-perilous-road-to-maturity-1534457153">The Wall Street Journal</a>)</em></strong></div>
<div></div>
<div style="text-align: center;"><strong><em>&#8220;The score by Nathan Halpern and Chris Ruggiero is sparse and beautiful and perfect&#8221; (<a href="https://chicago.suntimes.com/entertainment/minding-the-gap-how-3-rockford-skateboarders-ride-out-turmoil-in-their-lives/">Chicago Sun-Times</a>)</em></strong></div>
<div style="text-align: center;"></div>
<div style="text-align: center;"><strong><em>&#8220;an odyssey&#8230; cut to Nathan Halpern and Chris Ruggiero’s achingly beautiful score&#8221;  (<a href="http://www.vulture.com/2018/08/movies-minding-the-gaps-punks-cant-get-their-lives-aloft.html">Vulture</a>)</em></strong></div>
<div style="text-align: center;"></div>
<div style="text-align: center;"><strong><em>&#8220;&#8230; owes its goose-bump-inducing power in part to Nathan Halpern and Chris Ruggiero’s swirling piano score&#8221; (<a href="https://variety.com/2018/film/reviews/minding-the-gap-review-1202912409/">Variety</a>)</em></strong></div>
<div style="text-align: center;"></div>
<div style="text-align: center;"><strong><em><span style="color: #000000; font-family: Graphik Web, Arial, sans-serif;">&#8220;</span>Watching the men skate during the opening credits sequence, propelled by Nathan Halpern and Chris Ruggiero’s wistful piano score, the act of skating transforms into a liberating art form&#8221; (<a href="https://www.forbes.com/sites/travisdeshong/2018/08/20/masterfully-executed-hulus-minding-the-gap-possesses-an-aching-beauty/#38fd84a92a39">Forbes</a>)</em></strong></div>
<div></div>
<p>Our original score is available to hear now <a href="https://open.spotify.com/album/52L0Y2tghrIZg1hg7rz3Tp">on Spotify</a>, <a href="https://itunes.apple.com/album/id1426698286">Apple music</a>, and all the other usual digital platforms.</p>
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		<title>HOT DOCS Toronto 2018 Festival to feature two films with scores by Halpern and Ruggiero</title>
		<link>https://www.preservationsound.com/hot-docs-toronto-2018-festival-to-feature-two-films-with-scores-by-halpern-and-ruggiero/</link>
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		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 14:43:48 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8915</guid>

					<description><![CDATA[I am very pleased to announce that two films I&#8217;ve recently scored (with Nathan Halpern) are appearing in this year&#8217;s HOT DOCS film festival in Toronto. CALL HER GANDA premiered just last week at the 2018 TRIBECA film festival.  This intense and beautifully shot film was reviewed in The Hollywood Reporter this past week. MINDING [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/?attachment_id=8921" rel="attachment wp-att-8921"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-8921" src="https://www.preservationsound.com/wp-content/uploads/2018/04/hot_docs_01_new.jpg-resize-_opacity_100-frame_bg_color_FFF-gravity_center-q_70-preserve_ratio_true-w_2048_-1024x277.png" alt="" width="474" height="128" srcset="https://www.preservationsound.com/wp-content/uploads/2018/04/hot_docs_01_new.jpg-resize-_opacity_100-frame_bg_color_FFF-gravity_center-q_70-preserve_ratio_true-w_2048_-1024x277.png 1024w, https://www.preservationsound.com/wp-content/uploads/2018/04/hot_docs_01_new.jpg-resize-_opacity_100-frame_bg_color_FFF-gravity_center-q_70-preserve_ratio_true-w_2048_-300x81.png 300w, https://www.preservationsound.com/wp-content/uploads/2018/04/hot_docs_01_new.jpg-resize-_opacity_100-frame_bg_color_FFF-gravity_center-q_70-preserve_ratio_true-w_2048_-768x208.png 768w, https://www.preservationsound.com/wp-content/uploads/2018/04/hot_docs_01_new.jpg-resize-_opacity_100-frame_bg_color_FFF-gravity_center-q_70-preserve_ratio_true-w_2048_.png 2048w" sizes="auto, (max-width: 474px) 100vw, 474px" /></a>I am very pleased to announce that two films I&#8217;ve recently scored (with Nathan Halpern) are appearing in this year&#8217;s <a href="https://www.hotdocs.ca/i">HOT DOCS film festival in Toronto</a>.</p>
<p><a href="https://www.preservationsound.com/?attachment_id=8916" rel="attachment wp-att-8916"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-8916" src="https://www.preservationsound.com/wp-content/uploads/2018/04/HD_CALL-300x235.png" alt="" width="300" height="235" srcset="https://www.preservationsound.com/wp-content/uploads/2018/04/HD_CALL-300x235.png 300w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_CALL-768x602.png 768w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_CALL-1024x802.png 1024w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_CALL.png 1723w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a>CALL HER GANDA premiered just last week at the 2018 TRIBECA film festival.  This intense and beautifully shot film was reviewed in <a href="https://www.hollywoodreporter.com/review/call-her-ganda-1104576">The Hollywood Reporter this past week</a>.</p>
<p><a href="https://www.preservationsound.com/?attachment_id=8917" rel="attachment wp-att-8917"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-8917" src="https://www.preservationsound.com/wp-content/uploads/2018/04/HD_MTG-300x199.png" alt="" width="300" height="199" srcset="https://www.preservationsound.com/wp-content/uploads/2018/04/HD_MTG-300x199.png 300w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_MTG-768x510.png 768w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_MTG-1024x680.png 1024w, https://www.preservationsound.com/wp-content/uploads/2018/04/HD_MTG.png 2018w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a>MINDING THE GAP premiered at the 2018 SUNDANCE film festival where it won an award in competition.  This film has received numerous strong reviews and we are thrilled to see it appearing now in this fantastic showcase for documentary cinema.</p>
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		<title>MINDING THE GAP with score by Halpern &#038; Ruggiero debuts, wins award at 2018 Sundance film festival</title>
		<link>https://www.preservationsound.com/minding-the-gap-with-score-by-halpern-ruggiero-debuts-wins-award-at-2018-sundance-film-festival/</link>
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		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 02 Feb 2018 14:27:08 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8845</guid>

					<description><![CDATA[Nathan Halpern and I just recently completed the score to Bing Lui&#8217;s debut feature doc MINDING THE GAP, and the reception as Sundance 2018 has been phenomenal;  by the end of the festival the film was enjoying prominence as the best reviewed film of Sundance 2018. &#8220;Less than a week after its sold-out world premiere [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/?attachment_id=8846" rel="attachment wp-att-8846"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8846" src="https://www.preservationsound.com/wp-content/uploads/2018/02/MND.jpg" alt="" width="811" height="1200" srcset="https://www.preservationsound.com/wp-content/uploads/2018/02/MND.jpg 811w, https://www.preservationsound.com/wp-content/uploads/2018/02/MND-203x300.jpg 203w, https://www.preservationsound.com/wp-content/uploads/2018/02/MND-768x1136.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2018/02/MND-692x1024.jpg 692w" sizes="auto, (max-width: 811px) 100vw, 811px" /></a>Nathan Halpern and I just recently completed the score to Bing Lui&#8217;s debut feature doc MINDING THE GAP, and the reception as Sundance 2018 has been phenomenal;  by the end of the festival the film was enjoying prominence as the <a href="http://cannes-ratings.herokuapp.com/Sundance2018">best reviewed film of Sundance 2018</a>.</p>
<p><strong> &#8220;Less than a week after its sold-out world premiere at the 2018 Sundance Film Festival, <em><a href="https://www.kartemquin.com/films/minding-the-gap">Minding the Gap</a></em> by <a href="https://www.kartemquin.com/about/bing-liu">Bing Liu</a> won the US Documentary Competition Jury Award for Breakthrough Filmmaking last night at the fest&#8217;s official award ceremonies in Park City.  US Documentary Competition Juror Barbara Chai presented the award, saying:</strong></p>
<p><strong><em>&#8220;We are so exited to celebrate this extraordinary documentary for its vivacity and freshness of spirit, its unexpected revelation of personal detail, and dazzling, un-choreographed sequences that possess the athleticism and grace of ballet.&#8221;</em></strong></p>
<p><strong>The emotional world premiere of <em>Minding the Gap</em> was attended by film subjects Keire Johnson, Zack Mulligan, Kent Abernathy and Mengyue Bolen. Earning an uproarious standing ovation inside the theater, immediate reactions from social media and from critics were very strong&#8230;&#8221;</strong> (<a href="https://www.kartemquin.com/news/minding-the-gap-stuns-at-sundance-earns-jury-award-for-breakthrough-filmmaking">SOURCE</a>).</p>
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		<title>I AM ANOTHER YOU with score by Halpern &#038; Ruggiero debuts on PBS Television</title>
		<link>https://www.preservationsound.com/i-am-another-you-with-score-by-halpern-ruggiero-debuts-on-pbs-television/</link>
					<comments>https://www.preservationsound.com/i-am-another-you-with-score-by-halpern-ruggiero-debuts-on-pbs-television/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 02 Feb 2018 14:19:32 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8842</guid>

					<description><![CDATA[Nanfu Wang&#8217;s award-winning 2017 film I AM ANOTHER YOU, with score by Nathan Halpern and myself,  debuted nationally on PBS earlier this week and is now available to stream at PBS.org through February 12.   Nanfu won massive accolades for her debut feature HOOLIGAN SPARROW (also scored by Halpern and myself) and this new work demonstrates [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/?attachment_id=8843" rel="attachment wp-att-8843"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8843" src="https://www.preservationsound.com/wp-content/uploads/2018/02/IA.jpg" alt="" width="818" height="1227" srcset="https://www.preservationsound.com/wp-content/uploads/2018/02/IA.jpg 818w, https://www.preservationsound.com/wp-content/uploads/2018/02/IA-200x300.jpg 200w, https://www.preservationsound.com/wp-content/uploads/2018/02/IA-768x1152.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2018/02/IA-683x1024.jpg 683w" sizes="auto, (max-width: 818px) 100vw, 818px" /></a>Nanfu Wang&#8217;s award-winning 2017 film I AM ANOTHER YOU, with score by Nathan Halpern and myself,  debuted nationally on PBS earlier this week and is <a href="http://www.pbs.org/video/i-am-another-you-pbb0zj/">now available to stream at PBS.org through February 12</a>.   Nanfu won massive accolades for her debut feature HOOLIGAN SPARROW (also scored by Halpern and myself) and this new work demonstrates that she has immense range in addition to an intense and probing intellect.  As regards the score, I was able to utilize a great deal of very novel and experimental vocal techniques on the project and it is some of my favorite work to date.</p>
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		<title>&#8220;I Am Another You&#8221; debuts at SXSW Festival this Weekend, MAR 10</title>
		<link>https://www.preservationsound.com/i-am-another-you-debuts-at-sxsw-festival-this-weekend-mar-10/</link>
					<comments>https://www.preservationsound.com/i-am-another-you-debuts-at-sxsw-festival-this-weekend-mar-10/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 10 Mar 2017 14:19:54 +0000</pubDate>
				<category><![CDATA[Film Scores]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8661</guid>

					<description><![CDATA[Earlier this year Nathan Halpern and I scored Nanfu Wang&#8217;s new film &#8220;I am another you.&#8221; The film debuts at the SXSW film festival this weekend, and INDIEWIRE just named it &#8220;one of 13 must-see films&#8221; at the fest. We previously worked with Nanfu on her Oscar-shortlisted doc Hooligan Sparrow , and I am another [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/?attachment_id=8662" rel="attachment wp-att-8662"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8662" src="https://www.preservationsound.com/wp-content/uploads/2017/03/16265506_257825364652303_7755991021458831737_n.jpg" alt="" width="960" height="960" srcset="https://www.preservationsound.com/wp-content/uploads/2017/03/16265506_257825364652303_7755991021458831737_n.jpg 960w, https://www.preservationsound.com/wp-content/uploads/2017/03/16265506_257825364652303_7755991021458831737_n-150x150.jpg 150w, https://www.preservationsound.com/wp-content/uploads/2017/03/16265506_257825364652303_7755991021458831737_n-300x300.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2017/03/16265506_257825364652303_7755991021458831737_n-768x768.jpg 768w" sizes="auto, (max-width: 960px) 100vw, 960px" /></a>Earlier this year Nathan Halpern and I scored<a href="https://twitter.com/wangnanfu"> Nanfu Wang&#8217;s</a> new film <a href="https://www.iamanotheryoufilm.com/">&#8220;I am another you.&#8221;</a> The film debuts at the<a href="http://schedule.sxsw.com/2017/events/FS21167"> SXSW film festival this weekend</a>, and <a href="http://www.indiewire.com/2017/03/sxsw-2017-must-see-films-song-to-song-baby-driver-1201790211/">INDIEWIRE just named it &#8220;one of 13 must-see films&#8221; at the fest</a>. We previously worked with Nanfu on her Oscar-shortlisted doc <a href="http://www.imdb.com/title/tt4079902/?ref_=nv_sr_1"><strong>Hooligan Sparrow</strong> </a>, and <strong>I am another you</strong> will only strengthen her reputation as one of the freshest, boldest new filmmakers out there. I am v v proud of my work on this project; it&#8217;s a beautiful and fascinating film and i was able to use a lot of new techniques and sounds for the first time in a production.</p>
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