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	Comments for Preservation Sound	</title>
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	<description>information and ideas about audio history</description>
	<lastBuildDate>Thu, 22 Oct 2026 13:53:45 +0000</lastBuildDate>
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		<title>
		Comment on Snake Oil or Holy Water? by Paul Jacobs		</title>
		<link>https://www.preservationsound.com/snake-oil-or-holy-water/#comment-662941</link>

		<dc:creator><![CDATA[Paul Jacobs]]></dc:creator>
		<pubDate>Thu, 22 Oct 2026 13:53:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6663#comment-662941</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/snake-oil-or-holy-water/#comment-650438&quot;&gt;Joey P.&lt;/a&gt;.

I&#039;m eager to the the SP-1 and SP-II manuals as well. There is a nice image of an SP-II on eba with the top off. I found this article - Broadcast-Equipment-Exchange-1980-07 DOT pdf
 I especially like this section: (Quote from that article, July 1980 Radio World, Psychoacoustic Enhancement
by M.D. Heleniak 
Direct text quote:
 Since our firm caters to the broadcast and recording industries, we looked
into the psychoacoustic processors to
see what they had to offer. The unit we
found most favorable is made by a new
company from Michigan called EXR.
EXR&#039;s products are the SP1 and EX2
exciters which are both dual channel
audio signal processors.
The EXR Company was born out of a recording studio in the 1970&#039;s. Jim Cassily, president of EXR, was looking for a way to make standard analogue tape
recordings match the sonic qualities of
the esoteric direct -to -disk recordings. In
their R &#038;D , Jim Cassily and partner, Jim
Lagerkvist, designed a circuit which
they felt vastly improved the clarity and
intelligibility of an analogue audio signal.
They dubbed their new invention the
sub -phase psychoacoustic enhancer,
which was later shortened to SP -1. The
original SP -1, home -brewed in a Bud
box, caught the attention of rock star
Pete Seeger during a recording session
at Cassily&#039;s studio. Seeger and his sax Get the most from your AM signal...
The MAP II Multiband Audio Processor
gives you optimum modulation of
your AM /AM- Stereo program. Yet It
costs much less than similar
systems.
Discriminate Compression
Only MAP 11 offers you independent compression and equalization
for each of eight bands. Input level
Is held constant by a slow, gain - riding A.G.C.
Inaudible Phase Optimization
Program phase Is silently &quot;rotated&quot;
for maximum positive modulation.
..,_...d
Absolute Peak Control
A unique integrated peak controller
combines a hard clipper with a low - distortion peak limiter.
Convenient Operation
Features include selectable low - and high-pass filters, &quot;proof&quot; mode,
and built -in pink-noise generator
Call or write today for more
information. Map li - $1670.
r -
.. us r ::::: ,ii ii.ii
I .. - .e
Inovonics from
NORTHEAST BROADCAST LAB, INC.
15 Charles Street, P.O. Box 1176, South Glens Falls, N.Y. 12801
(518) 7Q3 -2181
Circle 108 on Action -gram.
player, Alto Reed, talked Cassily and
Lagerkvist into making an SP -1 for
them and with that, production of the
EXR Exciter began.
The EXR Exciter is now used in
almost any audio application imaginable. Although no one (except its
makers) knows for certain how it works,
its sonic presence is sought after. For
instance, in PA applications, the giant
McCormick Place in Chicago purchased
an EXR for President Jimmy Carter&#039;s
speech and now ùses it regularly. Disk
mastering labs and recording studios
use the EXR and recording groups
ranging from the Berlin Philharmonic
to Linda Ronstadt to Earth, Wind and
Fire won&#039;t record without it. Broadcaster&#039;s enthusiasm for the EXR is no
exception. The latest Burger King and
GM jingles were mixed through an EXR...]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/snake-oil-or-holy-water/#comment-650438">Joey P.</a>.</p>
<p>I&#8217;m eager to the the SP-1 and SP-II manuals as well. There is a nice image of an SP-II on eba with the top off. I found this article &#8211; Broadcast-Equipment-Exchange-1980-07 DOT pdf<br />
 I especially like this section: (Quote from that article, July 1980 Radio World, Psychoacoustic Enhancement<br />
by M.D. Heleniak<br />
Direct text quote:<br />
 Since our firm caters to the broadcast and recording industries, we looked<br />
into the psychoacoustic processors to<br />
see what they had to offer. The unit we<br />
found most favorable is made by a new<br />
company from Michigan called EXR.<br />
EXR&#8217;s products are the SP1 and EX2<br />
exciters which are both dual channel<br />
audio signal processors.<br />
The EXR Company was born out of a recording studio in the 1970&#8217;s. Jim Cassily, president of EXR, was looking for a way to make standard analogue tape<br />
recordings match the sonic qualities of<br />
the esoteric direct -to -disk recordings. In<br />
their R &amp;D , Jim Cassily and partner, Jim<br />
Lagerkvist, designed a circuit which<br />
they felt vastly improved the clarity and<br />
intelligibility of an analogue audio signal.<br />
They dubbed their new invention the<br />
sub -phase psychoacoustic enhancer,<br />
which was later shortened to SP -1. The<br />
original SP -1, home -brewed in a Bud<br />
box, caught the attention of rock star<br />
Pete Seeger during a recording session<br />
at Cassily&#8217;s studio. Seeger and his sax Get the most from your AM signal&#8230;<br />
The MAP II Multiband Audio Processor<br />
gives you optimum modulation of<br />
your AM /AM- Stereo program. Yet It<br />
costs much less than similar<br />
systems.<br />
Discriminate Compression<br />
Only MAP 11 offers you independent compression and equalization<br />
for each of eight bands. Input level<br />
Is held constant by a slow, gain &#8211; riding A.G.C.<br />
Inaudible Phase Optimization<br />
Program phase Is silently &#8220;rotated&#8221;<br />
for maximum positive modulation.<br />
..,_&#8230;d<br />
Absolute Peak Control<br />
A unique integrated peak controller<br />
combines a hard clipper with a low &#8211; distortion peak limiter.<br />
Convenient Operation<br />
Features include selectable low &#8211; and high-pass filters, &#8220;proof&#8221; mode,<br />
and built -in pink-noise generator<br />
Call or write today for more<br />
information. Map li &#8211; $1670.<br />
r &#8211;<br />
.. us r ::::: ,ii ii.ii<br />
I .. &#8211; .e<br />
Inovonics from<br />
NORTHEAST BROADCAST LAB, INC.<br />
15 Charles Street, P.O. Box 1176, South Glens Falls, N.Y. 12801<br />
(518) 7Q3 -2181<br />
Circle 108 on Action -gram.<br />
player, Alto Reed, talked Cassily and<br />
Lagerkvist into making an SP -1 for<br />
them and with that, production of the<br />
EXR Exciter began.<br />
The EXR Exciter is now used in<br />
almost any audio application imaginable. Although no one (except its<br />
makers) knows for certain how it works,<br />
its sonic presence is sought after. For<br />
instance, in PA applications, the giant<br />
McCormick Place in Chicago purchased<br />
an EXR for President Jimmy Carter&#8217;s<br />
speech and now ùses it regularly. Disk<br />
mastering labs and recording studios<br />
use the EXR and recording groups<br />
ranging from the Berlin Philharmonic<br />
to Linda Ronstadt to Earth, Wind and<br />
Fire won&#8217;t record without it. Broadcaster&#8217;s enthusiasm for the EXR is no<br />
exception. The latest Burger King and<br />
GM jingles were mixed through an EXR&#8230;</p>
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		<title>
		Comment on Snake Oil or Holy Water? by Paul Jacobs		</title>
		<link>https://www.preservationsound.com/snake-oil-or-holy-water/#comment-662940</link>

		<dc:creator><![CDATA[Paul Jacobs]]></dc:creator>
		<pubDate>Thu, 22 Oct 2026 13:16:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6663#comment-662940</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/snake-oil-or-holy-water/#comment-598709&quot;&gt;Brent&lt;/a&gt;.

I can testify to the EXR SP1 actually being very much a net positive when used on SM58, EV676, e935, e945, etc. vocal mics. It&#039;s single knob dials in the crisp intelligibility factor when singing softly either live or on recordings.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/snake-oil-or-holy-water/#comment-598709">Brent</a>.</p>
<p>I can testify to the EXR SP1 actually being very much a net positive when used on SM58, EV676, e935, e945, etc. vocal mics. It&#8217;s single knob dials in the crisp intelligibility factor when singing softly either live or on recordings.</p>
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		<title>
		Comment on Forgotten 70s Pro Audio maker Gately Electronics by Ron Schacht		</title>
		<link>https://www.preservationsound.com/forgotten-70s-pro-audio-maker-gately-electronics/#comment-662909</link>

		<dc:creator><![CDATA[Ron Schacht]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 16:19:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6030#comment-662909</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/forgotten-70s-pro-audio-maker-gately-electronics/#comment-432605&quot;&gt;Chris Gately&lt;/a&gt;.

Chris:
   I have an EM7 that I still use regularly and a ProKit still in the box, never built. I think back to the Lang PEQ2 eq. I had to send the line amp board back for repair one time after a serious storm wiped it. It was at an AM station that used it in their program line. They still played 78s and when they played a particularly scratchy one, the jock would turn the HF all the way down to kill the noise. Unfortunately, he would seldom remember to turn it back up and the stations response fell off at about 3 kHz for days until someone noticed.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/forgotten-70s-pro-audio-maker-gately-electronics/#comment-432605">Chris Gately</a>.</p>
<p>Chris:<br />
   I have an EM7 that I still use regularly and a ProKit still in the box, never built. I think back to the Lang PEQ2 eq. I had to send the line amp board back for repair one time after a serious storm wiped it. It was at an AM station that used it in their program line. They still played 78s and when they played a particularly scratchy one, the jock would turn the HF all the way down to kill the noise. Unfortunately, he would seldom remember to turn it back up and the stations response fell off at about 3 kHz for days until someone noticed.</p>
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		<title>
		Comment on Astatic Microphones: Full Catalog Scan: Circa 1975 by Gerry Jurrens N2GJ		</title>
		<link>https://www.preservationsound.com/astatic-microphones-full-catalog-scan-circa-1975/#comment-662895</link>

		<dc:creator><![CDATA[Gerry Jurrens N2GJ]]></dc:creator>
		<pubDate>Wed, 14 Oct 2026 12:30:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5197#comment-662895</guid>

					<description><![CDATA[I bought a pristine D-104 last year at a tailgate here in ABQ NM USA for TEN DOLLARS!!! Looks brand new! I had my friend Ken KO5Y wire it up for my vintage TenTec Triton IV transceiver &#038; it gets fabulous audio reports. Best deal ever! 73 DE N2GJ Gerry]]></description>
			<content:encoded><![CDATA[<p>I bought a pristine D-104 last year at a tailgate here in ABQ NM USA for TEN DOLLARS!!! Looks brand new! I had my friend Ken KO5Y wire it up for my vintage TenTec Triton IV transceiver &amp; it gets fabulous audio reports. Best deal ever! 73 DE N2GJ Gerry</p>
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		<title>
		Comment on Dig this c. 1972 Toronto studio &#8216;Manta Sound&#8217; by Paul Andrew Smith		</title>
		<link>https://www.preservationsound.com/dig-this-c-1972-toronto-studio-manta-sound/#comment-662728</link>

		<dc:creator><![CDATA[Paul Andrew Smith]]></dc:creator>
		<pubDate>Tue, 29 Sep 2026 17:38:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8078#comment-662728</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/dig-this-c-1972-toronto-studio-manta-sound/#comment-662198&quot;&gt;Dan&lt;/a&gt;.

yes.. Lee DeCarlo engineered our &quot;Last Kiss&quot; single &#038; album. Great guy - excellent engineer]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/dig-this-c-1972-toronto-studio-manta-sound/#comment-662198">Dan</a>.</p>
<p>yes.. Lee DeCarlo engineered our &#8220;Last Kiss&#8221; single &amp; album. Great guy &#8211; excellent engineer</p>
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		<title>
		Comment on PSR June 2024: Japanese rock, folk, psych, and soul 1968-1982 by Vito Power		</title>
		<link>https://www.preservationsound.com/psr-june-2024-japanese-rock-folk-psych-and-soul-1968-1982/#comment-662708</link>

		<dc:creator><![CDATA[Vito Power]]></dc:creator>
		<pubDate>Thu, 24 Sep 2026 05:30:29 +0000</pubDate>
		<guid isPermaLink="false">https://www.preservationsound.com/?p=9620#comment-662708</guid>

					<description><![CDATA[Did you by chance record this?  I&#039;ve spent lots of time deep digging on GSILOVEYOU youtube, some real gems to be found.  For years I only input 日本語 media for immersion part of learning.  2 weeks must have been killer!  I got to go for 4 days only, to take a JLPT test and it was just enough to cover a few bases. Thanks for sharing.]]></description>
			<content:encoded><![CDATA[<p>Did you by chance record this?  I&#8217;ve spent lots of time deep digging on GSILOVEYOU youtube, some real gems to be found.  For years I only input 日本語 media for immersion part of learning.  2 weeks must have been killer!  I got to go for 4 days only, to take a JLPT test and it was just enough to cover a few bases. Thanks for sharing.</p>
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		<title>
		Comment on Wersimatic II WM24 1970s German Drum Machine: free sample pack by chris		</title>
		<link>https://www.preservationsound.com/wersimatic-ii-wm24-1970s-german-drum-machine-free-sample-pack/#comment-662596</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 24 Aug 2026 13:42:10 +0000</pubDate>
		<guid isPermaLink="false">https://www.preservationsound.com/?p=9759#comment-662596</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/wersimatic-ii-wm24-1970s-german-drum-machine-free-sample-pack/#comment-662587&quot;&gt;Dash&lt;/a&gt;.

glad u can use it!  CR]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/wersimatic-ii-wm24-1970s-german-drum-machine-free-sample-pack/#comment-662587">Dash</a>.</p>
<p>glad u can use it!  CR</p>
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		<title>
		Comment on Wersimatic II WM24 1970s German Drum Machine: free sample pack by Dash		</title>
		<link>https://www.preservationsound.com/wersimatic-ii-wm24-1970s-german-drum-machine-free-sample-pack/#comment-662587</link>

		<dc:creator><![CDATA[Dash]]></dc:creator>
		<pubDate>Fri, 21 Aug 2026 20:57:53 +0000</pubDate>
		<guid isPermaLink="false">https://www.preservationsound.com/?p=9759#comment-662587</guid>

					<description><![CDATA[Thank you so much! This is cool]]></description>
			<content:encoded><![CDATA[<p>Thank you so much! This is cool</p>
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		<title>
		Comment on Reeves Sound Studios NYC (1933 &#8211; 197X) by mark		</title>
		<link>https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-662551</link>

		<dc:creator><![CDATA[mark]]></dc:creator>
		<pubDate>Fri, 07 Aug 2026 17:19:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7848#comment-662551</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-600737&quot;&gt;Tom Fine&lt;/a&gt;.

Hey Tom great stories on golden era of sound and music.
That your father help pioneered. was your into jazz as well?
I know must of been great stories at those late night jazz recordings.
Thanks a bunch.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-600737">Tom Fine</a>.</p>
<p>Hey Tom great stories on golden era of sound and music.<br />
That your father help pioneered. was your into jazz as well?<br />
I know must of been great stories at those late night jazz recordings.<br />
Thanks a bunch.</p>
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		<title>
		Comment on Reeves Sound Studios NYC (1933 &#8211; 197X) by Mark		</title>
		<link>https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-662550</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Fri, 07 Aug 2026 17:14:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7848#comment-662550</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-575466&quot;&gt;Maja&lt;/a&gt;.

Hi Maja,
I have a few of jazz riverside recordings with your father Mr Higgins named 
As the studio engineer for great sessions. did he moved to New York at that time.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/reeves-sound-studios-nyc-1933-197x/#comment-575466">Maja</a>.</p>
<p>Hi Maja,<br />
I have a few of jazz riverside recordings with your father Mr Higgins named<br />
As the studio engineer for great sessions. did he moved to New York at that time.</p>
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