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	<title>
	Comments on: Fill In The Blanks	</title>
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	<description>information and ideas about audio history</description>
	<lastBuildDate>Mon, 05 Nov 2012 22:02:58 +0000</lastBuildDate>
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		<title>
		By: Ian Wayne, CAS		</title>
		<link>https://www.preservationsound.com/fill-in-the-blanks/#comment-36741</link>

		<dc:creator><![CDATA[Ian Wayne, CAS]]></dc:creator>
		<pubDate>Mon, 05 Nov 2012 22:02:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5634#comment-36741</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/fill-in-the-blanks/#comment-36594&quot;&gt;chris&lt;/a&gt;.

Hi Chris, 
I used to pour over that Langevin catalog when I was at USC Cinema in the &#039;70&#039;s.  I had scored a number of 116A and 117A amplifiers, and was thinking about putting together an old scool console.  Never finished that project, but I did actually make some tee shirts using the same graphic.

Finally- I confess that I didn&#039;t actually remember the 5 things.  But I do still have the catalog!  A few of the amps too.

-Ian]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/fill-in-the-blanks/#comment-36594">chris</a>.</p>
<p>Hi Chris,<br />
I used to pour over that Langevin catalog when I was at USC Cinema in the &#8217;70&#8217;s.  I had scored a number of 116A and 117A amplifiers, and was thinking about putting together an old scool console.  Never finished that project, but I did actually make some tee shirts using the same graphic.</p>
<p>Finally- I confess that I didn&#8217;t actually remember the 5 things.  But I do still have the catalog!  A few of the amps too.</p>
<p>-Ian</p>
]]></content:encoded>
		
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		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/fill-in-the-blanks/#comment-36594</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 05 Nov 2012 17:05:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5634#comment-36594</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/fill-in-the-blanks/#comment-36569&quot;&gt;Ian Wayne, CAS&lt;/a&gt;.

Ian you win the prize!  How on earth did you remember that old catalog?  I&#039;ll get it posted for the rest of y&#039;all shortly - c.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/fill-in-the-blanks/#comment-36569">Ian Wayne, CAS</a>.</p>
<p>Ian you win the prize!  How on earth did you remember that old catalog?  I&#8217;ll get it posted for the rest of y&#8217;all shortly &#8211; c.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Ian Wayne, CAS		</title>
		<link>https://www.preservationsound.com/fill-in-the-blanks/#comment-36569</link>

		<dc:creator><![CDATA[Ian Wayne, CAS]]></dc:creator>
		<pubDate>Mon, 05 Nov 2012 16:27:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5634#comment-36569</guid>

					<description><![CDATA[The recording engineer is vitally concerned with 5 things:

1. Musical Range
2. Rhythm
3. Variety
4. Dynamics
5. Spectral Control


Ahh - the good old days!]]></description>
			<content:encoded><![CDATA[<p>The recording engineer is vitally concerned with 5 things:</p>
<p>1. Musical Range<br />
2. Rhythm<br />
3. Variety<br />
4. Dynamics<br />
5. Spectral Control</p>
<p>Ahh &#8211; the good old days!</p>
]]></content:encoded>
		
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