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	<title>
	Comments on: Interesting Passive EQ circa 1961	</title>
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	<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/</link>
	<description>information and ideas about audio history</description>
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		<title>
		By: TEAC_256		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-658115</link>

		<dc:creator><![CDATA[TEAC_256]]></dc:creator>
		<pubDate>Sun, 24 Aug 2025 18:35:35 +0000</pubDate>
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					<description><![CDATA[Not sure if anyone is still working on this or interested, its been more than a decade — but multi-gang switches would solve your issue of sourcing pots with those specs, which you would populate with wirewound resistors designed as potential dividers with equivalent values to several steps of the potentiometers above.]]></description>
			<content:encoded><![CDATA[<p>Not sure if anyone is still working on this or interested, its been more than a decade — but multi-gang switches would solve your issue of sourcing pots with those specs, which you would populate with wirewound resistors designed as potential dividers with equivalent values to several steps of the potentiometers above.</p>
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		<item>
		<title>
		By: opacheco		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-638287</link>

		<dc:creator><![CDATA[opacheco]]></dc:creator>
		<pubDate>Wed, 03 Apr 2024 21:17:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4452#comment-638287</guid>

					<description><![CDATA[I have done a more clear schematic of the original schematic and if anyone want to check it, please contact to me to:

opacheco_hn@yahoo.com

I would like to analysis this schematic in order to get its transfer function and if someone want to join to this tasks, please let me to know too.

Thanks a lot anticipated 
opacheco]]></description>
			<content:encoded><![CDATA[<p>I have done a more clear schematic of the original schematic and if anyone want to check it, please contact to me to:</p>
<p><a href="mailto:opacheco_hn@yahoo.com">opacheco_hn@yahoo.com</a></p>
<p>I would like to analysis this schematic in order to get its transfer function and if someone want to join to this tasks, please let me to know too.</p>
<p>Thanks a lot anticipated<br />
opacheco</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Oscar Pacheco		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-638286</link>

		<dc:creator><![CDATA[Oscar Pacheco]]></dc:creator>
		<pubDate>Wed, 03 Apr 2024 14:15:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4452#comment-638286</guid>

					<description><![CDATA[Do anyone knows how this equalizer works?, are this equalizer balanced equalizer? this look like one balanced unit because we have two lines with passive components and one ground line too.]]></description>
			<content:encoded><![CDATA[<p>Do anyone knows how this equalizer works?, are this equalizer balanced equalizer? this look like one balanced unit because we have two lines with passive components and one ground line too.</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Mack		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-366236</link>

		<dc:creator><![CDATA[Mack]]></dc:creator>
		<pubDate>Tue, 16 Aug 2016 10:31:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4452#comment-366236</guid>

					<description><![CDATA[Well sourcing those pots might be tricky...]]></description>
			<content:encoded><![CDATA[<p>Well sourcing those pots might be tricky&#8230;</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Filipe Zanella		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-254393</link>

		<dc:creator><![CDATA[Filipe Zanella]]></dc:creator>
		<pubDate>Sat, 05 Jul 2014 11:33:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4452#comment-254393</guid>

					<description><![CDATA[Gravodisc is a record studio in São Paulo - Brazil and still exists.

This unit seams to be maded for use in this studio and not comercialized I think.


Rgs 
Filipe Zanella]]></description>
			<content:encoded><![CDATA[<p>Gravodisc is a record studio in São Paulo &#8211; Brazil and still exists.</p>
<p>This unit seams to be maded for use in this studio and not comercialized I think.</p>
<p>Rgs<br />
Filipe Zanella</p>
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		<item>
		<title>
		By: Bastaard Sons of Darius McCollum		</title>
		<link>https://www.preservationsound.com/interesting-passive-eq-circa-1961/#comment-15476</link>

		<dc:creator><![CDATA[Bastaard Sons of Darius McCollum]]></dc:creator>
		<pubDate>Thu, 08 Mar 2012 22:15:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4452#comment-15476</guid>

					<description><![CDATA[I&#039;d plug it into a Spice program and see what it does. You&#039;re running with the big dogs when you get into filter design, which is what this is.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;d plug it into a Spice program and see what it does. You&#8217;re running with the big dogs when you get into filter design, which is what this is.</p>
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