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	Comments on: It Could Have All Gone So Differently	</title>
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	<description>information and ideas about audio history</description>
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		<title>
		By: Quick notes 2014 &#124; synthtech		</title>
		<link>https://www.preservationsound.com/it-could-have-all-gone-so-differently/#comment-307098</link>

		<dc:creator><![CDATA[Quick notes 2014 &#124; synthtech]]></dc:creator>
		<pubDate>Fri, 27 Mar 2015 21:00:02 +0000</pubDate>
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					<description><![CDATA[[&#8230;] (Walther Koenig, 2013). Theremin, not surprisingly, was not the only Russian sound inventor. (More here.) Smirnov is the founding director of the Theremin Center for Electroacoustic Music in Moscow. The [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] (Walther Koenig, 2013). Theremin, not surprisingly, was not the only Russian sound inventor. (More here.) Smirnov is the founding director of the Theremin Center for Electroacoustic Music in Moscow. The [&#8230;]</p>
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		<title>
		By: Joey D'Kaye		</title>
		<link>https://www.preservationsound.com/it-could-have-all-gone-so-differently/#comment-239455</link>

		<dc:creator><![CDATA[Joey D'Kaye]]></dc:creator>
		<pubDate>Thu, 23 Jan 2014 15:46:37 +0000</pubDate>
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					<description><![CDATA[Remember, Russian engineer Lev Theremin pretty much invented electronic music (by accident!) during that period.]]></description>
			<content:encoded><![CDATA[<p>Remember, Russian engineer Lev Theremin pretty much invented electronic music (by accident!) during that period.</p>
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		<title>
		By: Sendy		</title>
		<link>https://www.preservationsound.com/it-could-have-all-gone-so-differently/#comment-181050</link>

		<dc:creator><![CDATA[Sendy]]></dc:creator>
		<pubDate>Wed, 11 Sep 2013 15:07:48 +0000</pubDate>
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					<description><![CDATA[I&#039;m in love with these sounds. Why are we not investigating this form of sound production? I&#039;d love a VSTi or sample machine inspired by these sounds.

Interesting that they&#039;ve created waveform-like structures like sawtooths and trapezoids. In the Carlos-style classical piece there&#039;s a voice which sounds like a narrow pulse. I wonder what the correlation between patterns and timbre is. Ach, so many questions.

Brilliant find :)]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m in love with these sounds. Why are we not investigating this form of sound production? I&#8217;d love a VSTi or sample machine inspired by these sounds.</p>
<p>Interesting that they&#8217;ve created waveform-like structures like sawtooths and trapezoids. In the Carlos-style classical piece there&#8217;s a voice which sounds like a narrow pulse. I wonder what the correlation between patterns and timbre is. Ach, so many questions.</p>
<p>Brilliant find 🙂</p>
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		<title>
		By: Dana Jae		</title>
		<link>https://www.preservationsound.com/it-could-have-all-gone-so-differently/#comment-175551</link>

		<dc:creator><![CDATA[Dana Jae]]></dc:creator>
		<pubDate>Tue, 20 Aug 2013 02:48:23 +0000</pubDate>
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					<description><![CDATA[NOW THIS is some incredible archeological digging, my friend!  Thanks for posting the book link and the scans.

I&#039;m on buying this NOW!]]></description>
			<content:encoded><![CDATA[<p>NOW THIS is some incredible archeological digging, my friend!  Thanks for posting the book link and the scans.</p>
<p>I&#8217;m on buying this NOW!</p>
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