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	<title>
	Comments on: LOFT recording consoles circa mid 1970&#8217;s:  UPDATE	</title>
	<atom:link href="https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Mon, 06 Mar 2023 21:51:09 +0000</lastBuildDate>
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		<title>
		By: Jess		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-631341</link>

		<dc:creator><![CDATA[Jess]]></dc:creator>
		<pubDate>Mon, 06 Mar 2023 21:51:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-631341</guid>

					<description><![CDATA[oh this is neat, so only the first Loft 800 had the TransAmp? 
I have a mic pre card from this, and it is far different from Valley People’s own MP-1000 with ferrite beads and 2.2nF film caps along with a rectifier to direct the input into the fully differential Trans amp with the TL072 on the output buffer of the Loft, where the MP-1000 has the TL072 as an input buffer and TL082 as output buffer.  It would make sense that these would sound so much like early Neotek consoles, because they all have a bunch of TL072’s.  Even the TransAmp is a few transistors and another TL072 potted together

Anybody know of a schematic for the Loft 800’s?  the mic pre gain and phantom power switch are a bit puzzling]]></description>
			<content:encoded><![CDATA[<p>oh this is neat, so only the first Loft 800 had the TransAmp?<br />
I have a mic pre card from this, and it is far different from Valley People’s own MP-1000 with ferrite beads and 2.2nF film caps along with a rectifier to direct the input into the fully differential Trans amp with the TL072 on the output buffer of the Loft, where the MP-1000 has the TL072 as an input buffer and TL082 as output buffer.  It would make sense that these would sound so much like early Neotek consoles, because they all have a bunch of TL072’s.  Even the TransAmp is a few transistors and another TL072 potted together</p>
<p>Anybody know of a schematic for the Loft 800’s?  the mic pre gain and phantom power switch are a bit puzzling</p>
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		<title>
		By: Bill Hudak		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-601054</link>

		<dc:creator><![CDATA[Bill Hudak]]></dc:creator>
		<pubDate>Mon, 10 Aug 2020 17:12:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-601054</guid>

					<description><![CDATA[Hi,
I&#039;m Bill Hudak, co-owner of the former Reel Dreams recording studio in Bloomfield, CT. The 800 series photo above was taken at our studio.
I have kept the console and planned on refurbishing it to use in my current home studio. It was a beauty in it&#039;s day and the sound was superb. John Roberts, the designer engineer at Loft, came up with a brilliant &quot;current source summing&quot; scheme that brought summing noise down to almost negligible. We had that retrofit installed and were amazed.
We&#039;ve decide to move North and I&#039;m afraid the console must be sold.
Any interest?]]></description>
			<content:encoded><![CDATA[<p>Hi,<br />
I&#8217;m Bill Hudak, co-owner of the former Reel Dreams recording studio in Bloomfield, CT. The 800 series photo above was taken at our studio.<br />
I have kept the console and planned on refurbishing it to use in my current home studio. It was a beauty in it&#8217;s day and the sound was superb. John Roberts, the designer engineer at Loft, came up with a brilliant &#8220;current source summing&#8221; scheme that brought summing noise down to almost negligible. We had that retrofit installed and were amazed.<br />
We&#8217;ve decide to move North and I&#8217;m afraid the console must be sold.<br />
Any interest?</p>
]]></content:encoded>
		
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		<title>
		By: peter nimirowski		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-597905</link>

		<dc:creator><![CDATA[peter nimirowski]]></dc:creator>
		<pubDate>Sat, 14 Dec 2019 00:07:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-597905</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-573522&quot;&gt;john rivers&lt;/a&gt;.

I would love to hear from Richard. Do you know were he lives now.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-573522">john rivers</a>.</p>
<p>I would love to hear from Richard. Do you know were he lives now.</p>
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		<title>
		By: john rivers		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-573522</link>

		<dc:creator><![CDATA[john rivers]]></dc:creator>
		<pubDate>Thu, 28 Mar 2019 16:43:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-573522</guid>

					<description><![CDATA[i have a 10 reel with a Federman sticker on it and paperwork from the loft.  where are you now,  when your gone,  low down,  leave you in the past  ,are the songs on it . but who is the band?]]></description>
			<content:encoded><![CDATA[<p>i have a 10 reel with a Federman sticker on it and paperwork from the loft.  where are you now,  when your gone,  low down,  leave you in the past  ,are the songs on it . but who is the band?</p>
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		<item>
		<title>
		By: Peter Nimirowski		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-560643</link>

		<dc:creator><![CDATA[Peter Nimirowski]]></dc:creator>
		<pubDate>Sat, 29 Dec 2018 21:27:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-560643</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-459171&quot;&gt;Christian Rubenbauer&lt;/a&gt;.

Thank You for the kind comments. I enjoyed speaking with you. I dabbled a bit 20 years ago and built a studio/console in the basement of my home. It all sits idle. Maybe my Grandson&#039;s will use some of the equipment.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-459171">Christian Rubenbauer</a>.</p>
<p>Thank You for the kind comments. I enjoyed speaking with you. I dabbled a bit 20 years ago and built a studio/console in the basement of my home. It all sits idle. Maybe my Grandson&#8217;s will use some of the equipment.</p>
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		<title>
		By: Christian Rubenbauer		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-459171</link>

		<dc:creator><![CDATA[Christian Rubenbauer]]></dc:creator>
		<pubDate>Thu, 22 Mar 2018 12:02:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-459171</guid>

					<description><![CDATA[I met Peter through a varied list of mutual friends.  Peter visited my shop in Colchester, Connecticut sometime in the Mid-2000&#039;s. ( I was entertaing the idea of Producing a MI Combo Amplifier, with Telefunken in South Windsor, Connecticut.)  As you had mentioned earlier in this piece, Peter had turned on his heel from the Audio Industry.  Last I knew, Peter was remodeling Bathrooms,  in Central Connecticut.   Although, I have never seen any of his Remodeling Projects.  I can only imagine his attention to detail and high standards of material usage.   My impressions were then, and still are as follows.  Peter&#039;s mind is a shining example of American Entrepeneurial Spirit.  God Bless him.   I was honored to meet and speak with him.]]></description>
			<content:encoded><![CDATA[<p>I met Peter through a varied list of mutual friends.  Peter visited my shop in Colchester, Connecticut sometime in the Mid-2000&#8217;s. ( I was entertaing the idea of Producing a MI Combo Amplifier, with Telefunken in South Windsor, Connecticut.)  As you had mentioned earlier in this piece, Peter had turned on his heel from the Audio Industry.  Last I knew, Peter was remodeling Bathrooms,  in Central Connecticut.   Although, I have never seen any of his Remodeling Projects.  I can only imagine his attention to detail and high standards of material usage.   My impressions were then, and still are as follows.  Peter&#8217;s mind is a shining example of American Entrepeneurial Spirit.  God Bless him.   I was honored to meet and speak with him.</p>
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		<title>
		By: Bob Lee		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-314438</link>

		<dc:creator><![CDATA[Bob Lee]]></dc:creator>
		<pubDate>Mon, 18 May 2015 22:09:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-314438</guid>

					<description><![CDATA[I second contacting Larry Smetana at Accutech.

That top photo looks like it might be a studio that I once recorded at, on West Middle Turnpike in Manchester, Conn. I think it was called Eastern Recording.]]></description>
			<content:encoded><![CDATA[<p>I second contacting Larry Smetana at Accutech.</p>
<p>That top photo looks like it might be a studio that I once recorded at, on West Middle Turnpike in Manchester, Conn. I think it was called Eastern Recording.</p>
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		<item>
		<title>
		By: Peter Nimirowski		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-274344</link>

		<dc:creator><![CDATA[Peter Nimirowski]]></dc:creator>
		<pubDate>Wed, 19 Nov 2014 11:50:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-274344</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-250702&quot;&gt;jon-michael engard&lt;/a&gt;.

Contact Larry Smetana owner of Accutech in E Hartford, CT 860-290-8979
Larry was my tech at Loft and Phoenix Audio]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-250702">jon-michael engard</a>.</p>
<p>Contact Larry Smetana owner of Accutech in E Hartford, CT 860-290-8979<br />
Larry was my tech at Loft and Phoenix Audio</p>
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		<title>
		By: jon-michael engard		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-250702</link>

		<dc:creator><![CDATA[jon-michael engard]]></dc:creator>
		<pubDate>Sat, 29 Mar 2014 03:30:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-250702</guid>

					<description><![CDATA[I recently &quot;lucked&quot; into   a Loft 440 Flanger/delay. It does need a bit of servicing. I am looking for a competent technician who would not be intimidated by a unit like this. I would welcome and suggestions. Thank you.]]></description>
			<content:encoded><![CDATA[<p>I recently &#8220;lucked&#8221; into   a Loft 440 Flanger/delay. It does need a bit of servicing. I am looking for a competent technician who would not be intimidated by a unit like this. I would welcome and suggestions. Thank you.</p>
]]></content:encoded>
		
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		<title>
		By: Bob Lee		</title>
		<link>https://www.preservationsound.com/loft-recording-consoles-circa-early-1980s/#comment-144711</link>

		<dc:creator><![CDATA[Bob Lee]]></dc:creator>
		<pubDate>Wed, 17 Apr 2013 23:37:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1774#comment-144711</guid>

					<description><![CDATA[John Roberts came up with some really innovative and fantastic designs for Loft/Phoenix Audio Labs. I learned a great deal from him. John later went on to Peavey and produced designs for their Architectural Acoustics line, which were very high-performance products but probably greatly underappreciated. He now has a company called Circular Science, whose web site is www.resotune.com.]]></description>
			<content:encoded><![CDATA[<p>John Roberts came up with some really innovative and fantastic designs for Loft/Phoenix Audio Labs. I learned a great deal from him. John later went on to Peavey and produced designs for their Architectural Acoustics line, which were very high-performance products but probably greatly underappreciated. He now has a company called Circular Science, whose web site is <a href="http://www.resotune.com" rel="nofollow ugc">http://www.resotune.com</a>.</p>
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