<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Mixing in the 70&#8217;s &#8211; UPDATE 2 -Philips Console Information	</title>
	<atom:link href="https://www.preservationsound.com/mixing-in-the-70s/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com/mixing-in-the-70s/</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Fri, 04 Mar 2016 11:30:38 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>
		By: Julien		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-350214</link>

		<dc:creator><![CDATA[Julien]]></dc:creator>
		<pubDate>Fri, 04 Mar 2016 11:30:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-350214</guid>

					<description><![CDATA[Sorry Chris! 
I thought it could be seeing the previous message]]></description>
			<content:encoded><![CDATA[<p>Sorry Chris!<br />
I thought it could be seeing the previous message</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-348271</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 03 Feb 2016 13:53:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-348271</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/mixing-in-the-70s/#comment-348231&quot;&gt;Julien&lt;/a&gt;.

this is not that place for that]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/mixing-in-the-70s/#comment-348231">Julien</a>.</p>
<p>this is not that place for that</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Julien		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-348231</link>

		<dc:creator><![CDATA[Julien]]></dc:creator>
		<pubDate>Wed, 03 Feb 2016 01:06:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-348231</guid>

					<description><![CDATA[Hi, I&#039;m interested to buy a old console.
No matter the condition
Let me know! Thanks]]></description>
			<content:encoded><![CDATA[<p>Hi, I&#8217;m interested to buy a old console.<br />
No matter the condition<br />
Let me know! Thanks</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Felix Donnelly		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-315632</link>

		<dc:creator><![CDATA[Felix Donnelly]]></dc:creator>
		<pubDate>Sun, 31 May 2015 01:59:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-315632</guid>

					<description><![CDATA[Interesting information but PHILIPS has only one L.  Minor detail maybe, but PHILIPS is featured in the press ad featured for all yto see.  Apologies if you think I&#039;m nit-picking but it&#039;s more about your site being correct.]]></description>
			<content:encoded><![CDATA[<p>Interesting information but PHILIPS has only one L.  Minor detail maybe, but PHILIPS is featured in the press ad featured for all yto see.  Apologies if you think I&#8217;m nit-picking but it&#8217;s more about your site being correct.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Thomas		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-255235</link>

		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Fri, 29 Aug 2014 19:32:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-255235</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/mixing-in-the-70s/#comment-233251&quot;&gt;fivepeace&lt;/a&gt;.

How much is it? Do you have pictures? 
How does it sound? Can you send me sound examples of mixes done on it?

Please write me to dasundjenes@gmx-topmail.de]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/mixing-in-the-70s/#comment-233251">fivepeace</a>.</p>
<p>How much is it? Do you have pictures?<br />
How does it sound? Can you send me sound examples of mixes done on it?</p>
<p>Please write me to <a href="mailto:dasundjenes@gmx-topmail.de">dasundjenes@gmx-topmail.de</a></p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: fivepeace		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-233251</link>

		<dc:creator><![CDATA[fivepeace]]></dc:creator>
		<pubDate>Sat, 04 Jan 2014 21:56:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-233251</guid>

					<description><![CDATA[Happy new year :?)

I have a working MD12 recapped. Anyone interested to buy it ?
12 in 4 out mon section 4xEQ 4 VU and a coax wideband speaker integrated.
Greetz
Kai]]></description>
			<content:encoded><![CDATA[<p>Happy new year :?)</p>
<p>I have a working MD12 recapped. Anyone interested to buy it ?<br />
12 in 4 out mon section 4xEQ 4 VU and a coax wideband speaker integrated.<br />
Greetz<br />
Kai</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Rick		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-181174</link>

		<dc:creator><![CDATA[Rick]]></dc:creator>
		<pubDate>Thu, 12 Sep 2013 05:08:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-181174</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/mixing-in-the-70s/#comment-157166&quot;&gt;Benjamin Lembree&lt;/a&gt;.

Hi I&#039;m interested in your mixer. Thanks Rick
rghgoods@yahoo.com]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/mixing-in-the-70s/#comment-157166">Benjamin Lembree</a>.</p>
<p>Hi I&#8217;m interested in your mixer. Thanks Rick<br />
<a href="mailto:rghgoods@yahoo.com">rghgoods@yahoo.com</a></p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Benjamin Lembree		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-157166</link>

		<dc:creator><![CDATA[Benjamin Lembree]]></dc:creator>
		<pubDate>Wed, 29 May 2013 13:48:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-157166</guid>

					<description><![CDATA[I&#039;ve actually got an interface electronics series 300 mixer that is in working condition.  If anyone is interested let me know!]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve actually got an interface electronics series 300 mixer that is in working condition.  If anyone is interested let me know!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Consoles of the 70s : part 2 &#124; Preservation Sound		</title>
		<link>https://www.preservationsound.com/mixing-in-the-70s/#comment-116998</link>

		<dc:creator><![CDATA[Consoles of the 70s : part 2 &#124; Preservation Sound]]></dc:creator>
		<pubDate>Tue, 19 Feb 2013 09:19:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1199#comment-116998</guid>

					<description><![CDATA[[...] Way back in October of 2010 I ran a short piece about some 1970s audio consoles, and now 70s month rolls on with an extensive image gallery of some iconic and some obscure mixing desks from that decade.  I&#8217;m a hardware mixer fan; I learned audio production in a studio with a Trident Trimix and my brain often just defaults to finding solutions and working-methods that are faster to do with a real console rather than via a DAW.   I would never give up my Pro Tools, no way&#8230; but I honestly can&#8217;t imagine giving up the flexibility and endless options that a good-sounding, full-featured console offers.  At Gold Coast Recorders, our Wheatstone SP6 has been going strong for two years now; I&#8217;ve had to replace the control room section due to a weird intermittent issue, but I since I had planned ahead and bought a spares-board it was pretty painless.  If you look past the real fetish-brands like API and Neve (great stuff, no doubt) there are a million bargains to be had if you are able to do a little tech work (or pay a decent technician).  I bought both of my SP6s for about $1500, TOTAL, with shipping, and put about 60 hours into arriving at a single great-functioning piece, fully cabled to my patchbays, and with a lifetime worth of spares.  Considering that these SP6s cost around $40,000 each in the mid nineties, this is a pretty great deal.  I guess I&#8217;d sum it up this way: if you record bands, if you have the physical room for a console, if you have the patience and/or where-with-all to do some basic troubleshooting, and the board is modular (very important&#8230;.), I feel like you really can&#8217;t go wrong.  Given the outrageous prices of vintage outboard gear on the market today, vintage consoles represent an amazing bargain.  And a potentially amazing headache.  So be careful. [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Way back in October of 2010 I ran a short piece about some 1970s audio consoles, and now 70s month rolls on with an extensive image gallery of some iconic and some obscure mixing desks from that decade.  I&#8217;m a hardware mixer fan; I learned audio production in a studio with a Trident Trimix and my brain often just defaults to finding solutions and working-methods that are faster to do with a real console rather than via a DAW.   I would never give up my Pro Tools, no way&#8230; but I honestly can&#8217;t imagine giving up the flexibility and endless options that a good-sounding, full-featured console offers.  At Gold Coast Recorders, our Wheatstone SP6 has been going strong for two years now; I&#8217;ve had to replace the control room section due to a weird intermittent issue, but I since I had planned ahead and bought a spares-board it was pretty painless.  If you look past the real fetish-brands like API and Neve (great stuff, no doubt) there are a million bargains to be had if you are able to do a little tech work (or pay a decent technician).  I bought both of my SP6s for about $1500, TOTAL, with shipping, and put about 60 hours into arriving at a single great-functioning piece, fully cabled to my patchbays, and with a lifetime worth of spares.  Considering that these SP6s cost around $40,000 each in the mid nineties, this is a pretty great deal.  I guess I&#8217;d sum it up this way: if you record bands, if you have the physical room for a console, if you have the patience and/or where-with-all to do some basic troubleshooting, and the board is modular (very important&#8230;.), I feel like you really can&#8217;t go wrong.  Given the outrageous prices of vintage outboard gear on the market today, vintage consoles represent an amazing bargain.  And a potentially amazing headache.  So be careful. [&#8230;]</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
