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	Comments on: NONE OF THIS STUFF IS ACTUALLY FOR SALE SO FOR GOD&#8217;S SAKE DO NOT EMAIL ME ABOUT IT	</title>
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	<description>information and ideas about audio history</description>
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		<title>
		By: Don Gore		</title>
		<link>https://www.preservationsound.com/none-of-this-stuff-is-actually-for-sale-for-godssake-do-not-email-me-about-it/#comment-649423</link>

		<dc:creator><![CDATA[Don Gore]]></dc:creator>
		<pubDate>Thu, 26 Dec 2024 21:18:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6671#comment-649423</guid>

					<description><![CDATA[My Father got these flyers around 1965-1968 when he had a recording studio back then.  I was about 13 years old. He had 2 Ampex 351s, Gates mixer, Fisher spring reverb, Record cutting machine. He went Nashville to get his stuff. Don&#039;t think he bought much of anything on it.]]></description>
			<content:encoded><![CDATA[<p>My Father got these flyers around 1965-1968 when he had a recording studio back then.  I was about 13 years old. He had 2 Ampex 351s, Gates mixer, Fisher spring reverb, Record cutting machine. He went Nashville to get his stuff. Don&#8217;t think he bought much of anything on it.</p>
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		<title>
		By: Tom Fine		</title>
		<link>https://www.preservationsound.com/none-of-this-stuff-is-actually-for-sale-for-godssake-do-not-email-me-about-it/#comment-166985</link>

		<dc:creator><![CDATA[Tom Fine]]></dc:creator>
		<pubDate>Thu, 11 Jul 2013 10:34:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6671#comment-166985</guid>

					<description><![CDATA[Boynton prices were always the outer limits of optimism for used gear. I guess some people paid the published prices, but my bet is that the high-ticket stuff always got negotiated down, or didn&#039;t get sold.

We were on their mailing list when I was a kid. I remember thinking, I can never deliver enough papers to build a studio in the basement! Then I discovered the 4-track cassette recorders, fixed up an old Ampex 4x2 mixer, borrowed some mics from school, and a studio was born.

-- Tom Fine]]></description>
			<content:encoded><![CDATA[<p>Boynton prices were always the outer limits of optimism for used gear. I guess some people paid the published prices, but my bet is that the high-ticket stuff always got negotiated down, or didn&#8217;t get sold.</p>
<p>We were on their mailing list when I was a kid. I remember thinking, I can never deliver enough papers to build a studio in the basement! Then I discovered the 4-track cassette recorders, fixed up an old Ampex 4&#215;2 mixer, borrowed some mics from school, and a studio was born.</p>
<p>&#8212; Tom Fine</p>
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		<title>
		By: doubleyou26		</title>
		<link>https://www.preservationsound.com/none-of-this-stuff-is-actually-for-sale-for-godssake-do-not-email-me-about-it/#comment-166532</link>

		<dc:creator><![CDATA[doubleyou26]]></dc:creator>
		<pubDate>Mon, 08 Jul 2013 18:53:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6671#comment-166532</guid>

					<description><![CDATA[I have an EV DL-42 cardiline I bought off the &quot;Bay&quot; really cheap.  And in the station junk heap I found a pair of the CL-42 cardilines that were in need of severe cleaning
(the foam windscreens had rotted) but once cleaned work and sound fine.  I&#039;ll probably use these on sports this fall.]]></description>
			<content:encoded><![CDATA[<p>I have an EV DL-42 cardiline I bought off the &#8220;Bay&#8221; really cheap.  And in the station junk heap I found a pair of the CL-42 cardilines that were in need of severe cleaning<br />
(the foam windscreens had rotted) but once cleaned work and sound fine.  I&#8217;ll probably use these on sports this fall.</p>
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