Comments on: Now for some really obscure shit https://www.preservationsound.com/now-for-some-really-obscure-shit/ information and ideas about audio history Fri, 21 Oct 2016 01:49:19 +0000 hourly 1 https://wordpress.org/?v=6.9.4 By: Kermit Gray https://www.preservationsound.com/now-for-some-really-obscure-shit/#comment-374924 Fri, 21 Oct 2016 01:49:19 +0000 http://www.preservationsound.com/?p=6067#comment-374924 The Array 12 sounded, well, L O U D. But harsh overall, with a really thumping one-note bass. Jazz music sounded like a table radio turned up too loud. Orchestral music was unbearable. Made you yearn for an old Voice of Music recored changer by comparison.

But put on a 45-rpm record of Stayin’ Alive, or any other disco tune and they came alive. One of the best dance & disco boxes of the day.

]]> By: nai https://www.preservationsound.com/now-for-some-really-obscure-shit/#comment-307048 Fri, 27 Mar 2015 16:40:31 +0000 http://www.preservationsound.com/?p=6067#comment-307048 The “TOY CHEST” Limiter looks as though it may have been made by the same guys that make the “Pandora LM-401” & “402” universal limiters. They’re pretty cool sounding, though they are quite low output. They sound great inline with hifi gear, though are really, very, low output for modern production use. I still do use my LM-401 for stuff at mixdown though, quiet or not.

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