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	<title>
	Comments on: Shure Microphones Complete Line Catalog Circa 1954	</title>
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	<link>https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Mon, 30 Dec 2013 19:05:57 +0000</lastBuildDate>
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		<title>
		By: Gary Bolin		</title>
		<link>https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-231629</link>

		<dc:creator><![CDATA[Gary Bolin]]></dc:creator>
		<pubDate>Mon, 30 Dec 2013 19:05:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1641#comment-231629</guid>

					<description><![CDATA[I BOUGHT A 55SH SERIES 2 MIC ON E-BAY AND I WAS TOLD THAT IT WAS FROM THE 60&#039;S, BUT THE CONNECTOR IS XLR INSTEAD OF AMPHENOL.. IS THERE A WAY TO DATE MY MIC?  IT DOES&#039;NT HAVE A SERIAL # ON IT...
THANKS VERY MUCH...
G.B.]]></description>
			<content:encoded><![CDATA[<p>I BOUGHT A 55SH SERIES 2 MIC ON E-BAY AND I WAS TOLD THAT IT WAS FROM THE 60&#8217;S, BUT THE CONNECTOR IS XLR INSTEAD OF AMPHENOL.. IS THERE A WAY TO DATE MY MIC?  IT DOES&#8217;NT HAVE A SERIAL # ON IT&#8230;<br />
THANKS VERY MUCH&#8230;<br />
G.B.</p>
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		<item>
		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-120192</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sat, 23 Feb 2013 16:28:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1641#comment-120192</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-120162&quot;&gt;Justin&lt;/a&gt;.

If you use this mic in a modern live nightclub setting it is practically guaranteed to feedback.  the mic can be used with XLR yes, or 1/4:  it is a variable impedance mic.  c.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-120162">Justin</a>.</p>
<p>If you use this mic in a modern live nightclub setting it is practically guaranteed to feedback.  the mic can be used with XLR yes, or 1/4:  it is a variable impedance mic.  c.</p>
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			</item>
		<item>
		<title>
		By: Justin		</title>
		<link>https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-120162</link>

		<dc:creator><![CDATA[Justin]]></dc:creator>
		<pubDate>Sat, 23 Feb 2013 15:45:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1641#comment-120162</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-25706&quot;&gt;Mark Brown&lt;/a&gt;.

I also scored a 51s and have the exact same questions as Mark above. Also, the red grill clothe is that replaceable?]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-25706">Mark Brown</a>.</p>
<p>I also scored a 51s and have the exact same questions as Mark above. Also, the red grill clothe is that replaceable?</p>
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		<item>
		<title>
		By: Mark Brown		</title>
		<link>https://www.preservationsound.com/shure-microphones-complete-line-catalog-circa-1954/#comment-25706</link>

		<dc:creator><![CDATA[Mark Brown]]></dc:creator>
		<pubDate>Tue, 24 Jul 2012 04:45:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1641#comment-25706</guid>

					<description><![CDATA[I just purchased a Shure 51S from an antique shop because I liked the look of it.  Now I think it might be practical for group harmonies.  How should I set up the impedance?  I notice on ebay that somebody is selling  cables that adapt to XLR.  Would that be a good idea instead of using the 1/4 inch jack?]]></description>
			<content:encoded><![CDATA[<p>I just purchased a Shure 51S from an antique shop because I liked the look of it.  Now I think it might be practical for group harmonies.  How should I set up the impedance?  I notice on ebay that somebody is selling  cables that adapt to XLR.  Would that be a good idea instead of using the 1/4 inch jack?</p>
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