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	<title>arlington electric &#8211; Preservation Sound</title>
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		<title>Audio Engineering Magazine Pt 6: audio equipment</title>
		<link>https://www.preservationsound.com/audio-engineering-magazine-pt-6-audio-equipment/</link>
					<comments>https://www.preservationsound.com/audio-engineering-magazine-pt-6-audio-equipment/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 09 May 2011 14:29:00 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[altec]]></category>
		<category><![CDATA[ampex]]></category>
		<category><![CDATA[arlington electric]]></category>
		<category><![CDATA[magnecord]]></category>
		<category><![CDATA[presto]]></category>
		<category><![CDATA[RCA]]></category>
		<category><![CDATA[tape machines]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2404</guid>

					<description><![CDATA[The earliest advertisement for the Magnecorder tape machine that I have seen. BTW get ready for a large collection of original Magnecord, INC documents from one of the company founders: on this site: soon. In the sixth and final installment of this survey of pro audio of the 1940s, as related through the pages of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Magnecorder_ad_Nov_1948.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-2405" title="Magnecorder_ad_Nov_1948" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Magnecorder_ad_Nov_1948-471x1024.jpg" alt="" width="471" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Magnecorder_ad_Nov_1948-471x1024.jpg 471w, https://www.preservationsound.com/wp-content/uploads/2011/05/Magnecorder_ad_Nov_1948-138x300.jpg 138w" sizes="(max-width: 471px) 100vw, 471px" /></a><em>The earliest advertisement for the Magnecorder tape machine that I have seen. BTW get ready for a large collection of original Magnecord, INC documents from one of the company founders: on this site: soon.</em></p>
<p style="text-align: left;">In the sixth and final installment of this survey of pro audio of the 1940s, as related through the pages of <em>Audio Engineering</em> magazine, we&#8217;ll look at some of the more interesting pieces of equipment on offer.</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/altec_lansing_604B_duplex_speaker.jpg"><img decoding="async" class="aligncenter size-large wp-image-2406" title="altec_lansing_604B_duplex_speaker" src="https://www.preservationsound.com/wp-content/uploads/2011/05/altec_lansing_604B_duplex_speaker-718x1024.jpg" alt="" width="640" height="912" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/altec_lansing_604B_duplex_speaker-718x1024.jpg 718w, https://www.preservationsound.com/wp-content/uploads/2011/05/altec_lansing_604B_duplex_speaker-210x300.jpg 210w, https://www.preservationsound.com/wp-content/uploads/2011/05/altec_lansing_604B_duplex_speaker.jpg 1455w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>1948: Altec announces the 604 duplex loudspeaker. The 604 would become a staple in recording studios well into the 1970s.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Ampex_tape_recorder_announcement.jpg"><img decoding="async" class="aligncenter size-large wp-image-2407" title="Ampex_tape_recorder_announcement" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Ampex_tape_recorder_announcement-700x1024.jpg" alt="" width="640" height="936" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Ampex_tape_recorder_announcement-700x1024.jpg 700w, https://www.preservationsound.com/wp-content/uploads/2011/05/Ampex_tape_recorder_announcement-205x300.jpg 205w, https://www.preservationsound.com/wp-content/uploads/2011/05/Ampex_tape_recorder_announcement.jpg 1480w" sizes="(max-width: 640px) 100vw, 640px" /></a>&#8230;and Ampex announces the tape recorder that would change the world.  in 1948 it offered performance that would not be outdated until the 1980s.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/arlington_ea2_compensator.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-2408" title="arlington_ea2_compensator" src="https://www.preservationsound.com/wp-content/uploads/2011/05/arlington_ea2_compensator.jpg" alt="" width="899" height="929" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/arlington_ea2_compensator.jpg 899w, https://www.preservationsound.com/wp-content/uploads/2011/05/arlington_ea2_compensator-290x300.jpg 290w" sizes="auto, (max-width: 899px) 100vw, 899px" /></a>The Arlington EA-2 &#8216;Audio Compensator,&#8217; an early active EQ.  Well, maybe &#8216;active&#8217; is the wrong word, but unlike other equalizers of the era, it functioned without insertion loss.  I would love to see the schematic for this unit if anyone has one to send over&#8230;</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Presto_limiter_49A_amplifier_89A.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2409" title="Presto_limiter_41A_amplifier_89A" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Presto_limiter_49A_amplifier_89A-737x1024.jpg" alt="" width="640" height="889" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Presto_limiter_49A_amplifier_89A-737x1024.jpg 737w, https://www.preservationsound.com/wp-content/uploads/2011/05/Presto_limiter_49A_amplifier_89A-216x300.jpg 216w, https://www.preservationsound.com/wp-content/uploads/2011/05/Presto_limiter_49A_amplifier_89A.jpg 1492w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>The Presto 41A limiter and 89A amplifier.  These units were intended for master-disc cutting.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_audio_accessories_1948.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2410" title="RCA_audio_accessories_1948" src="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_audio_accessories_1948-730x1024.jpg" alt="" width="640" height="897" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_audio_accessories_1948-730x1024.jpg 730w, https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_audio_accessories_1948-213x300.jpg 213w, https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_audio_accessories_1948.jpg 1638w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>RCA jacks, panels, stands, and racks of the late 1940s.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_BA1A_BA2A.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2411" title="RCA_BA1A_BA2A" src="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_BA1A_BA2A-1024x562.jpg" alt="" width="640" height="351" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_BA1A_BA2A-1024x562.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_BA1A_BA2A-300x164.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/05/RCA_BA1A_BA2A.jpg 1545w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>OK this scan really sucks but I was excited to find an ad for my beloved BA-2 preamp.  My advice: buy a UTC A25 on eBay and build a BA-2.  Simple and excellent.</em></p>
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