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	<title>bladwin &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>Keyboards of the Seventies part II</title>
		<link>https://www.preservationsound.com/keyboards-of-the-seventies-part-ii/</link>
					<comments>https://www.preservationsound.com/keyboards-of-the-seventies-part-ii/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 20 Jan 2014 01:07:07 +0000</pubDate>
				<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[bladwin]]></category>
		<category><![CDATA[elka]]></category>
		<category><![CDATA[hohner]]></category>
		<category><![CDATA[korg]]></category>
		<category><![CDATA[rhodes]]></category>
		<category><![CDATA[univox]]></category>
		<category><![CDATA[vintage synthesizers]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7733</guid>

					<description><![CDATA[Above: What the holy F is this thing? Today: yet another installment in our ongoing series on Keyboard of the 1970s.  Click here for part one.  As per usual, if you are still using these things today, drop us a line and let us know!  Except for the Rhodes.  There&#8217;s nothing new to say about [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Contessa_2.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-7735" alt="Contessa_2" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Contessa_2-969x1024.jpg" width="640" height="676" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Contessa_2-969x1024.jpg 969w, https://www.preservationsound.com/wp-content/uploads/2014/01/Contessa_2-284x300.jpg 284w, https://www.preservationsound.com/wp-content/uploads/2014/01/Contessa_2.jpg 1014w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Above: What the holy F is this thing?</em></p>
<p style="text-align: left;">Today: yet another installment in our ongoing series on Keyboard of the 1970s.  <a href="https://www.preservationsound.com/?p=2641" target="_blank">Click here for part one</a>.  As per usual, if you are still using these things today, drop us a line and let us know!  <em>Except for the Rhodes</em>.  There&#8217;s nothing new to say about those fkkn things.  So keep yr Rhodes to yrself thanks.</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Univox_Compac_piano_1972.jpg"><img decoding="async" class="aligncenter size-large wp-image-7743" alt="Univox_Compac_piano_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Univox_Compac_piano_1972-1024x718.jpg" width="640" height="448" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Univox_Compac_piano_1972-1024x718.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2014/01/Univox_Compac_piano_1972-300x210.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2014/01/Univox_Compac_piano_1972.jpg 1383w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Above: the Univox Compac Piano.  We had one of these things for a minute in high school.  I think it was $100.  Really terrible sound.  <a href="https://www.preservationsound.com/?p=3433" target="_blank">Click here for previous coverage of this atrocity</a>.  </em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1977.jpg"><img decoding="async" class="aligncenter size-large wp-image-7742" alt="Rhodes_1977" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1977-819x1024.jpg" width="640" height="800" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1977-819x1024.jpg 819w, https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1977-240x300.jpg 240w, https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1977.jpg 1648w" sizes="(max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1972.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7741" alt="Rhodes_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1972-828x1024.jpg" width="640" height="791" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1972-828x1024.jpg 828w, https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1972-242x300.jpg 242w, https://www.preservationsound.com/wp-content/uploads/2014/01/Rhodes_1972.jpg 1602w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above: the two worst ads Fender ever ran for the Rhodes.  &#8217;77 and &#8217;72.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Novaline_piano_1977.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7740" alt="Novaline_piano_1977" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Novaline_piano_1977.jpg" width="917" height="982" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Novaline_piano_1977.jpg 917w, https://www.preservationsound.com/wp-content/uploads/2014/01/Novaline_piano_1977-280x300.jpg 280w" sizes="auto, (max-width: 917px) 100vw, 917px" /></a><em>Above: The Novaline Piano circa &#8217;77. Never seen one.  Anyone?  </em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/MaxiKorg_1977.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7739" alt="MaxiKorg_1977" src="https://www.preservationsound.com/wp-content/uploads/2014/01/MaxiKorg_1977-474x1024.jpg" width="474" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/MaxiKorg_1977-474x1024.jpg 474w, https://www.preservationsound.com/wp-content/uploads/2014/01/MaxiKorg_1977-139x300.jpg 139w" sizes="auto, (max-width: 474px) 100vw, 474px" /></a><em>Above: The KORG Maxi-Korg circa &#8217;77.  Looks pretty cool.  Any of these still working?</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_1977.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7737" alt="Hohner_1977" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_1977-805x1024.jpg" width="640" height="814" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_1977-805x1024.jpg 805w, https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_1977-236x300.jpg 236w, https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_1977.jpg 1371w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above: Hohner made many keyboards besides the famous Clavinet.  For instance,,,</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_Contessa_96_1972.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7738" alt="Hohner_Contessa_96_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_Contessa_96_1972-810x1024.jpg" width="640" height="809" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_Contessa_96_1972-810x1024.jpg 810w, https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_Contessa_96_1972-237x300.jpg 237w, https://www.preservationsound.com/wp-content/uploads/2014/01/Hohner_Contessa_96_1972.jpg 1497w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>&#8230;The Contessa of 1972.  Farfisa-type organ with accordion chord-buttons in the left hand.  Yikes. </em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Baldwin_SynthaSound_1972.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7734" alt="Baldwin_SynthaSound_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Baldwin_SynthaSound_1972-1024x869.jpg" width="640" height="543" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Baldwin_SynthaSound_1972-1024x869.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2014/01/Baldwin_SynthaSound_1972-300x254.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2014/01/Baldwin_SynthaSound_1972.jpg 1489w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Next time you see one of those shitty old Baldwin living-room-organs at the goodwill, take a 2nd look: it might have the SynthaSound option boards.  Wacky sounds ensue.  </em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Elka_Stringchoir_1977.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7736" alt="Elka_Stringchoir_1977" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Elka_Stringchoir_1977.jpg" width="505" height="968" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Elka_Stringchoir_1977.jpg 505w, https://www.preservationsound.com/wp-content/uploads/2014/01/Elka_Stringchoir_1977-156x300.jpg 156w" sizes="auto, (max-width: 505px) 100vw, 505px" /></a><em>Above: The ELKA #8609 String Choir.  My K2500 has a bunch of ELKA patches and I kinda like em.  Anyone use the 8609?  How does it compare to other string synths of the era?</em></p>
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