crumar – Preservation Sound

Obscure Synths+Keys of the early 80s, part XIV

chris — Sun, 08 Dec 2013 11:24:43 +0000

Today: just some offbeat keys+synths that caught my eye; i’ve never come across any of these in the shops+stages+studios of my corporeal reality so I think perhaps uncommon items? Srry, it’s early. About to head to the LAST FLEA MKT OF THE YR. Bittersweet times. Aie, I recall salad-days when April was young and barkers descended on New Milford plain to hawk goods of dubious origin. Like the sun, the tide, and the pork-belly market, that time will rise again I suppose. Below: the Akai AX-80 synth c. 1985, the Crumar Rhody ‘electronic piano’ of 1980, the fascinating Casio 8000 modular…casio…system of ’84, the 1980 ARP Solus (also above), and the 360 Systems ‘Digital Keyboard’ of 1984.

Keyboard Pluralism: 1980-1982

chris — Tue, 15 Oct 2013 12:34:19 +0000

Above: The Yamaha CS70m (1982)

Today on PS dot com: some oddball keyboards from 1980-1982. Check out the incredible heterogeneity of the offerings here: analog monosynths, analog polysynths, electric organs, electro-acoustic pianos, analog “electronic pianos,” and super-high-end digital workstations. In just one year, Yamaha would release the world’s first affordable digital synth, the DX7, and this would soon lead to the overwhelming popularity of the dreaded “Rompler” (Korg M1 anyone?): keyboards which were difficult for the player to easily program. The result was two decades of generic, predictable synthesizer sounds appearing in much pop and rock music. Luckily, we now have affordable, easy-to-use analog synths again (most notably from KORG); and those shitty old romplers? Personally, I run mine (a Kawai K-1) through a whole string of guitar pedals, chop+slice, and sometimes that’s just the sound the track needs…

Below: Synclavier II, one of the two ‘popular’ early digital super-synths, introduces control software (1981) to allow easier programming; Rhodes Mark III EK-10, one of the last of the original mechanical Rhodes pianos (1980); Oberheim polyphonic sequencer for CV/Gate synths (1981); Moog THE SOURCE analog monosynth with digital patch memory (1981); The Kustom 88 ‘electronic piano’ (1981); Hohner Pianet T Electric ‘Piano’ (more like an electric glockenspiel IMHO) (1981); The Fairlight CMI digital workstation, the other early digital monster (1982); EKO bass pedal board (1981); The Crumar Toccata electric organ (1981) and DP-50 electronic piano (1982).

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We had a SOURCE when I was a kid (around 1993, JR?) and it was impossible to get it to play in tune; I briefly had a Pianet T and WOW do I regret selling it: i’ve had just about every model of Pianet and I can say with total confidence that the T is the one to get. Smaller, less hassle, passive electronics… I really wouldn’t advise fkkn around with the earlier models. Besides those two, I’ve never used any of these. Anyone using ’em these days? Shit, anyone using an M-1 these days? Send us some modern tracks with fresh use of the M-1? There’s a zillion of those things out there, someone’s gotta bring em back…

Not what a synthesizer can do, but what a man can do with a synthesizer.

chris — Thu, 25 Aug 2011 13:08:00 +0000

There’s a chance that Gold Coast Recorders will soon have a Crumar DS-2 in our synth collection/pile; researching this Italo-Moog turned up the absolute best instrument-demonstration video that I have ever seen on youtube. As Polish creator WC Olo Garb states, his (?) mission is to “show() you not what a synthesizer can do, but what a man can do with a synthesizer.” For instance:

All in all, the video provides some of the best video-treatment analogies-to-sonic-effects that I’ve ever seen. The filtering, jump cuts, found footage, multiple flavors of distressing, even the wardrobe choice are all incredibly incisive. Even with the sound turned off I think you could get a sense of the Crumar DS-2. Well worth all 11 minutes of your Thursday.