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	<title>devo &#8211; Preservation Sound</title>
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		<title>Raymond Scott, Electronic Music Pioneer</title>
		<link>https://www.preservationsound.com/raymond-scott-electronic-music-pioneer/</link>
					<comments>https://www.preservationsound.com/raymond-scott-electronic-music-pioneer/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 29 Jun 2012 10:57:16 +0000</pubDate>
				<category><![CDATA[Early Electronic Music]]></category>
		<category><![CDATA[devo]]></category>
		<category><![CDATA[moog]]></category>
		<category><![CDATA[Raymond scott]]></category>
		<category><![CDATA[wendy carlos]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5012</guid>

					<description><![CDATA[Raymond Scott in his home studio, 1955 &#8220;The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.&#8221; —Raymond Scott, 1938 “Raymond Scott was definitely [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_1955.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-5013" title="RaymondScott_1955" src="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_1955-1024x761.jpg" alt="" width="640" height="475" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_1955-1024x761.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_1955-300x223.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_1955.jpg 1532w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Raymond Scott in his home studio, 1955</em></p>
<p style="text-align: center;">&#8220;The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.&#8221; —Raymond Scott, 1938</p>
<p style="text-align: center;">“Raymond Scott was definitely in the forefront of developing electronic music technology, and in the forefront of using it commercially as a musician.” &#8211; Bob Moog (<a href="http://en.wikipedia.org/wiki/Raymond_Scott" target="_blank"><em>SOURCE</em></a>)</p>
<p style="text-align: left;">Raymond Scott was one of the true visionaries of early electronic music.  <a href="http://en.wikipedia.org/wiki/Raymond_Scott" target="_blank">You can read his fascinating story here</a>.  Being a huge fan of Eno, Tangerine Dream, and Klaus Schulze, it is remarkable to me that Scott was creating very similar compositions (<em>often with his own homemade equipment</em>) a decade or more before any of those artists.  Many early electronic artists seemed interested in sound-as-music, noise-as-music &#8211; recall how <a href="http://www.youtube.com/watch?v=hkQbs1ankQc&amp;feature=fvsr" target="_blank">Varese</a>, <a href="http://www.youtube.com/watch?v=aNt6a5xFOnE" target="_blank">Stockhausen</a>, and <a href="http://www.youtube.com/watch?v=zDeImhhF96c" target="_blank">Luening</a> used electronics in their work.  Others seemed content to replicate traditional harmonic and melodic patterns, using the newly available electronic voices as novel colors.  For instance, Wendy Carlos (<em>no link available due to the fact that Carlos seems stuck in the past as regards YouTube and modern content realities.  Ironic, ain&#8217;t it</em>).  NEways,,, Scott, contrary to both of these approaches, walked a middle line &#8211; creating often wholly electronic music in which the harmonic, rhythmic, and melodic strategies were both pleasantly listenable but also very true to their synthetic nature: there&#8217;s really no attempt to shoehorn trumpet and piano lines into the new voices he established.  To rephrase: the material is very much composed for these particular new voices, but in an approachable way.</p>
<p><object width="560" height="315" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/l17kn0WpD2s?version=3&amp;hl=en_US&amp;rel=0" /><param name="allowfullscreen" value="true" /><embed width="560" height="315" type="application/x-shockwave-flash" src="http://www.youtube.com/v/l17kn0WpD2s?version=3&amp;hl=en_US&amp;rel=0" allowFullScreen="true" allowscriptaccess="always" allowfullscreen="true" /></object><br />
<object width="420" height="315" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/rWbzAa_c1VY?version=3&amp;hl=en_US&amp;rel=0" /><param name="allowfullscreen" value="true" /><embed width="420" height="315" type="application/x-shockwave-flash" src="http://www.youtube.com/v/rWbzAa_c1VY?version=3&amp;hl=en_US&amp;rel=0" allowFullScreen="true" allowscriptaccess="always" allowfullscreen="true" /></object></p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_Electronium_1965.jpg"><img decoding="async" class="aligncenter size-large wp-image-5014" title="RaymondScott_Electronium_1965" src="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_Electronium_1965-1024x695.jpg" alt="" width="640" height="434" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_Electronium_1965-1024x695.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_Electronium_1965-300x203.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/06/RaymondScott_Electronium_1965.jpg 1036w" sizes="(max-width: 640px) 100vw, 640px" /></a>Above, Scott&#8217;s &#8216;Electronium&#8217; music computer of 1965.  Not too surprisingly, it is currently owned by <a href="http://www.youtube.com/watch?v=Xbt30UnzRWw" target="_blank">Mark Mothersbaugh</a>; a child to Scott&#8217;s marriage of esoteric electronics and pop sensibility if there was ever one.  <a href="http://www.youtube.com/watch?v=otc6yRRK5WA" target="_blank">The &#8216;Electronium&#8217; currently awaits restoration</a>.  Makes me cringe to just think about servicing that thing.  Good luck fellas.</p>
<p style="text-align: left;"><em>For more coverage of early electronic music pioneers on PS dot com, <a href="https://www.preservationsound.com/?cat=19" target="_blank">click here</a>.  </em></p>
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