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	<title>digital reverb &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>The DeltaLab DL-2 &#8216;Acousticomputer&#8217; of 1979</title>
		<link>https://www.preservationsound.com/the-deltalab-dl-2-acousticomputer-of-1979/</link>
					<comments>https://www.preservationsound.com/the-deltalab-dl-2-acousticomputer-of-1979/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 07 Aug 2013 10:45:07 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[DeltaLab]]></category>
		<category><![CDATA[digital reverb]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6846</guid>

					<description><![CDATA[Download a pile of original sales materials and period-magazine-reviews of the DeltaLab DL-2, and early stereo &#8216;effects processor&#8217;: DOWNLOAD: DeltaLab_DL2 Deltalab achieved success with their later Effectron offerings; these were simpler delay-with-modulation devices that sold in high numbers.  You can download a bunch of Effectron lit at this earlier post (and check the comments there [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLabDL2.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-6849" alt="DeltaLabDL2" src="https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLabDL2-1024x568.jpg" width="640" height="355" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLabDL2-1024x568.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLabDL2-300x166.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLabDL2.jpg 1176w" sizes="(max-width: 640px) 100vw, 640px" /></a>Download a pile of original sales materials and period-magazine-reviews of the DeltaLab DL-2, and early stereo &#8216;effects processor&#8217;:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/DeltaLab_DL2.pdf">DeltaLab_DL2</a></p>
<p>Deltalab achieved success with their later Effectron offerings; these were simpler delay-with-modulation devices that sold in high numbers.  <a href="https://www.preservationsound.com/?p=2088" target="_blank">You can download a bunch of Effectron lit at this earlier post</a> (<em>and check the comments there for a note from DeltaLab founder Richard DeFreitas!</em>).  I used an Effectron a ton in the studio at Uni; they are really great, fun, creative units.   Nothing that you can&#8217;t do with a good delay plug-in, but having those knobs to turn does impact the user-experience in a great way that software can&#8217;t.    I had not been aware of this earlier DeltaLab piece.  There was also a DL5 &#8216;Harmonicomputer&#8217; that I have some limited materials on; if there is enough interest I will post that as well.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/DL2_flowchart.jpg"><img decoding="async" class="aligncenter size-large wp-image-6850" alt="DL2_flowchart" src="https://www.preservationsound.com/wp-content/uploads/2013/08/DL2_flowchart-1024x353.jpg" width="640" height="220" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/DL2_flowchart-1024x353.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/DL2_flowchart-300x103.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/DL2_flowchart.jpg 1398w" sizes="(max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/Delta_Lab_DL2.jpg"><img decoding="async" class="aligncenter size-large wp-image-6847" alt="Delta_Lab_DL2" src="https://www.preservationsound.com/wp-content/uploads/2013/08/Delta_Lab_DL2-1024x727.jpg" width="640" height="454" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/Delta_Lab_DL2-1024x727.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/Delta_Lab_DL2-300x213.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/Delta_Lab_DL2.jpg 1356w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
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			<slash:comments>11</slash:comments>
		
		
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		<item>
		<title>AMS (Advanced Music Systems) Digital Outboard Processors C. 1981</title>
		<link>https://www.preservationsound.com/ams-advanced-music-systems-digital-outboard-processors-c-1981/</link>
					<comments>https://www.preservationsound.com/ams-advanced-music-systems-digital-outboard-processors-c-1981/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 04 Aug 2013 10:21:42 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AMS]]></category>
		<category><![CDATA[digital reverb]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6833</guid>

					<description><![CDATA[Download the 4pp AMS &#8216;shortform catalog&#8217; March 1981: DOWNLOAD: AMS Products covered, with text, specs, and photos, include: the AMS DMX 15-80S, DMX 15-80SB, DMX 15-80, DM 2-20, DM-DDS, and DMX 15R I&#8217;ve never owned one of these things, and seeing as they are still pretty pricey I doubt I ever will: seems a bit [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_DMX_15_series.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-6835" alt="AMS_DMX_15_series" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_DMX_15_series.jpg" width="827" height="481" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_DMX_15_series.jpg 827w, https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_DMX_15_series-300x174.jpg 300w" sizes="auto, (max-width: 827px) 100vw, 827px" /></a>Download the 4pp AMS &#8216;shortform catalog&#8217; March 1981:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS.pdf">AMS</a></p>
<p>Products covered, with text, specs, and photos, include: the AMS DMX 15-80S, DMX 15-80SB, DMX 15-80, DM 2-20, DM-DDS, and DMX 15R</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_Line_1980.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-6836" alt="AMS_Line_1980" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_Line_1980-636x1024.jpg" width="636" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_Line_1980-636x1024.jpg 636w, https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_Line_1980-186x300.jpg 186w, https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_Line_1980.jpg 1299w" sizes="auto, (max-width: 636px) 100vw, 636px" /></a>I&#8217;ve never owned one of these things, and seeing as they are still pretty pricey I doubt I ever will: seems a bit of an unnecessary luxury given that a DAW can do all of these tasks just as well.  But for some reason, the idea of a <em>really nice</em> 80&#8217;s digital effect unit has been appealing to me for some time now&#8230;  might spring for a <a href="http://medias.audiofanzine.com/images/normal/eventide-h3000-d-sx-20751.jpg" target="_blank">Eventide H3000</a> if ever have some spare scratch.   I think those things have finally made it to the &#8216;so out it&#8217;s in&#8217; stage.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_1981.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-6834" alt="AMS_1981" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_1981.jpg" width="860" height="897" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_1981.jpg 860w, https://www.preservationsound.com/wp-content/uploads/2013/08/AMS_1981-287x300.jpg 287w" sizes="auto, (max-width: 860px) 100vw, 860px" /></a></p>
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			<slash:comments>3</slash:comments>
		
		
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