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	<title>eml &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>EML Synths of the 70s part II</title>
		<link>https://www.preservationsound.com/eml-synths-of-the-70s-part-ii/</link>
					<comments>https://www.preservationsound.com/eml-synths-of-the-70s-part-ii/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 22 Jan 2014 10:56:25 +0000</pubDate>
				<category><![CDATA[Connecticut Audio History]]></category>
		<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[electronic music laboratories]]></category>
		<category><![CDATA[eml]]></category>
		<category><![CDATA[synare]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7772</guid>

					<description><![CDATA[I came across a few more EML (Electronic Music Laboratories) bits that I will share with you.  I&#8217;ve written a little about EML before, as they were based in Connecticut and lets face it, I am never getting out of this state. Anyhow, click here for our first EML article, and click here for coverage [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_1976.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-7775" alt="EML_1976" src="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_1976.jpg" width="899" height="967" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_1976.jpg 899w, https://www.preservationsound.com/wp-content/uploads/2014/01/EML_1976-278x300.jpg 278w" sizes="(max-width: 899px) 100vw, 899px" /></a>I came across a few more EML (Electronic Music Laboratories) bits that I will share with you.  I&#8217;ve written a little about EML before, as they were based in Connecticut and <em>lets face it, I am never getting out of this state.</em> Anyhow, <a href="https://www.preservationsound.com/?p=3451" target="_blank">click here for our first EML article</a>, and <a href="https://www.preservationsound.com/?p=4798" target="_blank">click here for coverage of the 1976 EML SynthKey</a>, which was likely the first synth with aftertouch.</p>
<p>I&#8217;ve yet to be contacted by anyone who worked at EML in the 70s.  Folks, if yr out there, drop a line&#8230;  the world needs to know&#8230;</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_101_1972.jpg"><img decoding="async" class="aligncenter size-full wp-image-7774" alt="EML_101_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_101_1972.jpg" width="478" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_101_1972.jpg 478w, https://www.preservationsound.com/wp-content/uploads/2014/01/EML_101_1972-140x300.jpg 140w" sizes="(max-width: 478px) 100vw, 478px" /></a><em>The EML model 101 synth</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_100_1972.jpg"><img decoding="async" class="aligncenter size-full wp-image-7773" alt="EML_100_1972" src="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_100_1972.jpg" width="925" height="667" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/EML_100_1972.jpg 925w, https://www.preservationsound.com/wp-content/uploads/2014/01/EML_100_1972-300x216.jpg 300w" sizes="(max-width: 925px) 100vw, 925px" /></a><em>The EML Model 100 synth</em></p>
<p style="text-align: center;">************</p>
<p style="text-align: center;">*******</p>
<p style="text-align: center;">***</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/01/Synare_PS_1976.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7776" alt="Synare_PS_1976" src="https://www.preservationsound.com/wp-content/uploads/2014/01/Synare_PS_1976.jpg" width="444" height="970" srcset="https://www.preservationsound.com/wp-content/uploads/2014/01/Synare_PS_1976.jpg 444w, https://www.preservationsound.com/wp-content/uploads/2014/01/Synare_PS_1976-137x300.jpg 137w" sizes="auto, (max-width: 444px) 100vw, 444px" /></a><em>Bonus 70&#8217;s CT synth-times: The 1976 Synare PS by Star Systems of Stafford Springs CT.  Looks pretty righteous&#8230; anyone?</em></p>
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			</item>
		<item>
		<title>Key Break</title>
		<link>https://www.preservationsound.com/key-break/</link>
					<comments>https://www.preservationsound.com/key-break/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 02 May 2012 12:05:30 +0000</pubDate>
				<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[eml]]></category>
		<category><![CDATA[melotron]]></category>
		<category><![CDATA[vintage synthesizers]]></category>
		<category><![CDATA[Yamaha]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4798</guid>

					<description><![CDATA[Man I love this image.  Yamaha YC Combo Organ advert circa 1971. &#8220;Organ Eyes.  It&#8217;s what happens when you see something in your mind.&#8221; Nice.  We briefly used a Yamaha YC20 In our band before we started touring.  It was just too damn heavy but wow are those things cool.  They were also dirt-cheap. Today: [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4799" title="Yamaha_YC_1971" src="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-725x1024.jpg" alt="" width="640" height="903" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-725x1024.jpg 725w, https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-212x300.jpg 212w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Man I love this image.  Yamaha YC Combo Organ advert circa 1971. </em>&#8220;Organ Eyes.  It&#8217;s what happens when you see something in your mind.&#8221;<em> Nice.  We briefly used a Yamaha YC20 In our band before we started touring.  It was just too damn heavy but wow are those things cool.  They were also dirt-cheap</em>.</p>
<p style="text-align: left;">Today: some random bits of 70&#8217;s keyboard culture.  If yr using any of these pieces in the studio these days, drop us a line and let us know&#8230;</p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4800" title="EML_Kaman_SynKey_1976" src="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-719x1024.jpg" alt="" width="640" height="911" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-719x1024.jpg 719w, https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-210x300.jpg 210w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
<p style="text-align: center;"><em>Above: The EML synkey circa 1976.  Touted as being the first user-programmable synthesizer, this piece also has a fairly unique feature for it&#8217;s day:  Aftertouch! Or as EML terms it, &#8220;Second Touch.&#8221; This advert also solves a little mystery for me&#8230; I was wondering what ever did happen to CT-based Electronic Music Labs (EML), and it looks like they ended up as part of the CT-based Kaman musical empire.  <a href="https://www.preservationsound.com/?p=3451" target="_blank">Click here for some previous EML coverage at PS dot com</a>.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4801" title="Mellotron_ad_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-717x1024.jpg" alt="" width="640" height="914" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-717x1024.jpg 717w, https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-210x300.jpg 210w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above: Felix Pappalardi endorses the mighty Mellotron.  These things are so classic that it seems almost unbelievable that these things were once advertised, stocked in shops, etc&#8230;  For those unfamiliar, the Mellotron was a very early sampling </em><em>keyboard.  It accomplished this feat in the pre-digital-audio era by using a separate tape playback mechanism for each key.  The tape was not looped, but rather a spring-loaded strip of eight-seconds length, which has the unintentional effect of requiring unusual playing techniques for any musical passage with long sustained chords.  <a href="http://en.wikipedia.org/wiki/Mellotron" target="_blank">Get the whole story here</a>.</em></p>
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