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	<title>emu &#8211; Preservation Sound</title>
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		<title>Synthesizers photographed on stone-colored backgrounds</title>
		<link>https://www.preservationsound.com/synthesizers-photographed-on-stone-colored-backgrounds/</link>
					<comments>https://www.preservationsound.com/synthesizers-photographed-on-stone-colored-backgrounds/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 01 Jul 2012 11:28:30 +0000</pubDate>
				<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[audio semiotics]]></category>
		<category><![CDATA[emu]]></category>
		<category><![CDATA[korg]]></category>
		<category><![CDATA[Roland]]></category>
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					<description><![CDATA[As the first in a series of &#8220;Brief Trends in Visual Culture,&#8221; we bring you: synthesizers photographed on stone-colored backgrounds.  Pictured above: Roland  S50, Korg SG1, EMU Emax SE and Emulator 3.  If anyone can explain the significance of the all the stone-gray backgrounds, please let us know.]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_RolandS50.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-5021" title="Stone_RolandS50" src="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_RolandS50-889x1024.jpg" alt="" width="640" height="737" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_RolandS50-889x1024.jpg 889w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_RolandS50-260x300.jpg 260w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_RolandS50.jpg 1584w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Korg_SG1.jpg"><img decoding="async" class="aligncenter size-large wp-image-5022" title="Stone_Korg_SG1" src="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Korg_SG1-1024x204.jpg" alt="" width="640" height="127" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Korg_SG1-1024x204.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Korg_SG1-300x60.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Korg_SG1.jpg 1364w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_EmaxSE.jpg"><img decoding="async" class="aligncenter size-large wp-image-5023" title="Stone_EmaxSE" src="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_EmaxSE-1024x709.jpg" alt="" width="640" height="443" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_EmaxSE-1024x709.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_EmaxSE-300x207.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_EmaxSE.jpg 1156w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Emulator3.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-5024" title="Stone_Emulator3" src="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Emulator3-1024x768.jpg" alt="" width="640" height="480" srcset="https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Emulator3-1024x768.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Emulator3-300x225.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/06/Stone_Emulator3.jpg 1336w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>As the first in a series of &#8220;Brief Trends in Visual Culture,&#8221; we bring you: synthesizers photographed on stone-colored backgrounds.  Pictured above: Roland  S50, Korg SG1, EMU Emax SE and Emulator 3.  If anyone can explain the significance of the all the stone-gray backgrounds, please let us know.</p>
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