film sound – Preservation Sound https://www.preservationsound.com information and ideas about audio history Thu, 05 Apr 2012 12:49:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 Cinema Sound Circa 1953 https://www.preservationsound.com/cinema-sound-circa-1953/ https://www.preservationsound.com/cinema-sound-circa-1953/#comments Thu, 05 Apr 2012 12:49:40 +0000 http://www.preservationsound.com/?p=4611 Today: some random bits+bobs of Sound-For-Film technology of the early 1950s.  Above: the All-New JBL Theatre Sound Systems, which claim to offer the higher-fidelity needed to properly reproduce the newly-available magnetic soundtracks that were being used in 35mm film at the time.  Prior to the introduction of magnetic 35mm film soundtracks in the 1950s, all film-sound was reproduced in theaters via an optical sound-track which ran alongside the edge of the film-frames.  Fidelity was limited, although I cannot say exactly to what frequency range.  Can anyone tell us what the first feature-film was to be exhibited nationwide with a magnetic soundtrack?

Above: Cinema Engineering presents… the fader!  Straight-line attenuators have certain advantages over rotary controls, such as quicker visual feedback and a range of motion that better correlates with human bio-mechanical consideration.  Nonetheless, rotary faders remained in use in pro audio well into the late 60s.  Does anyone know who first patented and/or marketed the linear fader?

Above: the Cinema Engineering 6517-E ‘Sound Effects Filter,’ aka a high-pass and a low-pass filter both built into a single instrument.   I could find this sort of thing very useful; especially for tracking multiple ‘stacked’ parts such as one singer delivering 7 vocal harmonies over a single phrase, as I found myself doing in a session earlier this week.  Just carve out all of the unnecessary super-high and super-low end… the 80 or 100 hz high-pass filter built into many mic preamps is certainly useful but it’s obvs not always the best cut off choice.

Above: an advert for Glen Glenn Motion Picture Sound Co. circa 1953.  Anyone out there work for this firm?  We’d love to hear yr stories….  drop us a line…

Above: RCA’s ‘film phonograph,’ an apparatus that records and plays-back 35 mm magnetic sound-tracks and plays-back 35mm optical sound tracks as well.  I ended up with a couple of 16mm sound track readers at Gold Coast Recorders; not sure what to do with them.  Has anyone had any luck converting an optical-track reader into a signal processing or signal generating device?  Seems like there’s some potential to make it into  interesting experimental instrument; strobe-light-controlled oscillator perhaps?

 

 

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