<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>melotron &#8211; Preservation Sound</title>
	<atom:link href="https://www.preservationsound.com/tag/melotron/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Wed, 02 May 2012 12:05:30 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>Key Break</title>
		<link>https://www.preservationsound.com/key-break/</link>
					<comments>https://www.preservationsound.com/key-break/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 02 May 2012 12:05:30 +0000</pubDate>
				<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[eml]]></category>
		<category><![CDATA[melotron]]></category>
		<category><![CDATA[vintage synthesizers]]></category>
		<category><![CDATA[Yamaha]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4798</guid>

					<description><![CDATA[Man I love this image.  Yamaha YC Combo Organ advert circa 1971. &#8220;Organ Eyes.  It&#8217;s what happens when you see something in your mind.&#8221; Nice.  We briefly used a Yamaha YC20 In our band before we started touring.  It was just too damn heavy but wow are those things cool.  They were also dirt-cheap. Today: [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-4799" title="Yamaha_YC_1971" src="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-725x1024.jpg" alt="" width="640" height="903" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-725x1024.jpg 725w, https://www.preservationsound.com/wp-content/uploads/2012/05/Yamaha_YC_1971-212x300.jpg 212w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Man I love this image.  Yamaha YC Combo Organ advert circa 1971. </em>&#8220;Organ Eyes.  It&#8217;s what happens when you see something in your mind.&#8221;<em> Nice.  We briefly used a Yamaha YC20 In our band before we started touring.  It was just too damn heavy but wow are those things cool.  They were also dirt-cheap</em>.</p>
<p style="text-align: left;">Today: some random bits of 70&#8217;s keyboard culture.  If yr using any of these pieces in the studio these days, drop us a line and let us know&#8230;</p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976.jpg"><img decoding="async" class="aligncenter size-large wp-image-4800" title="EML_Kaman_SynKey_1976" src="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-719x1024.jpg" alt="" width="640" height="911" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-719x1024.jpg 719w, https://www.preservationsound.com/wp-content/uploads/2012/05/EML_Kaman_SynKey_1976-210x300.jpg 210w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<p style="text-align: center;"><em>Above: The EML synkey circa 1976.  Touted as being the first user-programmable synthesizer, this piece also has a fairly unique feature for it&#8217;s day:  Aftertouch! Or as EML terms it, &#8220;Second Touch.&#8221; This advert also solves a little mystery for me&#8230; I was wondering what ever did happen to CT-based Electronic Music Labs (EML), and it looks like they ended up as part of the CT-based Kaman musical empire.  <a href="https://www.preservationsound.com/?p=3451" target="_blank">Click here for some previous EML coverage at PS dot com</a>.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974.jpg"><img decoding="async" class="aligncenter size-large wp-image-4801" title="Mellotron_ad_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-717x1024.jpg" alt="" width="640" height="914" srcset="https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-717x1024.jpg 717w, https://www.preservationsound.com/wp-content/uploads/2012/05/Mellotron_ad_1974-210x300.jpg 210w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Above: Felix Pappalardi endorses the mighty Mellotron.  These things are so classic that it seems almost unbelievable that these things were once advertised, stocked in shops, etc&#8230;  For those unfamiliar, the Mellotron was a very early sampling </em><em>keyboard.  It accomplished this feat in the pre-digital-audio era by using a separate tape playback mechanism for each key.  The tape was not looped, but rather a spring-loaded strip of eight-seconds length, which has the unintentional effect of requiring unusual playing techniques for any musical passage with long sustained chords.  <a href="http://en.wikipedia.org/wiki/Mellotron" target="_blank">Get the whole story here</a>.</em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/key-break/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
	</channel>
</rss>
