<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>mixer &#8211; Preservation Sound</title>
	<atom:link href="https://www.preservationsound.com/tag/mixer/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Tue, 29 Oct 2013 12:03:02 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>The Sansui AX-7 &#8216;Audio Mixer&#8217; c. 1978</title>
		<link>https://www.preservationsound.com/the-sansui-ax-7-audio-mixer-c-1978/</link>
					<comments>https://www.preservationsound.com/the-sansui-ax-7-audio-mixer-c-1978/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Thu, 31 Oct 2013 19:52:15 +0000</pubDate>
				<category><![CDATA[Antique Hi-Fi Archive]]></category>
		<category><![CDATA[home recording]]></category>
		<category><![CDATA[mixer]]></category>
		<category><![CDATA[sansui]]></category>
		<category><![CDATA[spring reverb]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7512</guid>

					<description><![CDATA[Sansui&#8217;s late-70&#8217;s line of hi-fi equipment is fairly collectible; I&#8217;ve had several of them over the years, and they generally sell for good money. My last pair, a tuner and integrated amp, actually went to a prop stylist for a film&#8230;  I wish I could remember the name of the picture.  Anyhow, aside from the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-7514" alt="Sansui_AX7" src="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7-1024x353.jpg" width="640" height="220" srcset="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7-1024x353.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7-300x103.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7.jpg 1589w" sizes="(max-width: 640px) 100vw, 640px" /></a>Sansui&#8217;s late-70&#8217;s line of hi-fi equipment is fairly collectible; I&#8217;ve had several of them over the years, and they generally sell for good money. My last pair, a tuner and integrated amp, actually went to a prop stylist for a film&#8230;  I wish I could remember the name of the picture.  Anyhow, aside from the usual amps, preamps, tuners, and integrated amps, Sansui also made this very unusual device during the &#8216;first-wave&#8217; of home-music-production: The AX-7 &#8216;Audio Mixer.&#8217;  A four-input HI-Z mixer, the AX-7 was designed to allow the user more easily use multiple stereo tape decks to ping-pong tracks into a layered production.  It also offered global spring reverb!</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7_text.jpg"><img decoding="async" class="aligncenter size-large wp-image-7513" alt="Sansui_AX7_text" src="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7_text-1024x819.jpg" width="640" height="511" srcset="https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7_text-1024x819.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7_text-300x240.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/10/Sansui_AX7_text.jpg 1551w" sizes="(max-width: 640px) 100vw, 640px" /></a>There is a good-looking example <a href="http://www.ebay.com/itm/Sansui-Audio-Mixer-AX-7-/360772915968?pt=US_Home_Audio_Amplifiers_Preamps&amp;hash=item53ffbdd300" target="_blank">on eBay right now for $99 BIN</a>, which is a great value just for the spring reverb!</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/the-sansui-ax-7-audio-mixer-c-1978/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>Heil in the Seventies</title>
		<link>https://www.preservationsound.com/heil-in-the-seventies/</link>
					<comments>https://www.preservationsound.com/heil-in-the-seventies/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 23 Apr 2012 19:02:56 +0000</pubDate>
				<category><![CDATA[Concert Sound]]></category>
		<category><![CDATA[heil]]></category>
		<category><![CDATA[mixer]]></category>
		<category><![CDATA[public address system history]]></category>
		<category><![CDATA[talkbox]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4700</guid>

					<description><![CDATA[From Wikipedia: &#8220;Bob Heil (October 5, 1940) is&#8230;most well known for creating the template for modern rock sound systems. He founded the company Heil Sound in 1966,which went on to create unique touring sound systems for bands such as The Grateful Dead and The Who.  He invented the Heil Talk Box in 1973, which was [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil.jpg"><img decoding="async" class="aligncenter size-large wp-image-4701" title="Heil" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil-608x1024.jpg" alt="" width="608" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil-608x1024.jpg 608w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil-178x300.jpg 178w" sizes="(max-width: 608px) 100vw, 608px" /></a>From Wikipedia:</p>
<p>&#8220;<strong>Bob Heil</strong> (October 5, 1940) is&#8230;most well known for creating the template for modern rock sound systems. He founded the company <strong><a title="Heil Sound" href="http://en.wikipedia.org/wiki/Heil_Sound">Heil Sound</a></strong> in 1966,which went on to create unique touring sound systems for bands such as <a title="The Grateful Dead" href="http://en.wikipedia.org/wiki/The_Grateful_Dead">The Grateful Dead</a> and <a title="The Who" href="http://en.wikipedia.org/wiki/The_Who">The Who</a>.  He invented the <strong>Heil Talk Box</strong> in 1973, which was frequently used by musicians such as <a title="Peter Frampton" href="http://en.wikipedia.org/wiki/Peter_Frampton">Peter Frampton</a>, <a title="Joe Walsh" href="http://en.wikipedia.org/wiki/Joe_Walsh">Joe Walsh</a> and <a title="Richie Sambora" href="http://en.wikipedia.org/wiki/Richie_Sambora">Richie Sambora</a>, and is still in use today.&#8221;</p>
<p>Bob Heil is a great American inventor.  I&#8217;ve written about him before on this site; <a href="https://www.preservationsound.com/?p=434" target="_blank">click here for an example</a>.  Here&#8217;s a quick look at some of Heil&#8217;s products from the mid 1970s.  If anyone out there is still using any of these pieces, drop us a line and let us know&#8230;</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM88_mixer_1975.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4704" title="Heil_HM88_mixer_1975" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM88_mixer_1975-491x1024.jpg" alt="" width="491" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM88_mixer_1975-491x1024.jpg 491w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM88_mixer_1975-144x300.jpg 144w" sizes="auto, (max-width: 491px) 100vw, 491px" /></a><em>The Heil HM88 Stereo Mixer</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1000_1975.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4705" title="Heil_HM1000_1975" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1000_1975-760x1024.jpg" alt="" width="640" height="862" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1000_1975-760x1024.jpg 760w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1000_1975-222x300.jpg 222w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1000_1975.jpg 1084w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Heil HM1000 Stereo mixer with optional plug-in phaser.  Wow can you image.  What would the modern equivalent of this functionality be?  Built-in AutoTune?</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1200_1974.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4706" title="Heil_HM1200_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1200_1974-985x1024.jpg" alt="" width="640" height="665" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1200_1974-985x1024.jpg 985w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1200_1974-288x300.jpg 288w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_HM1200_1974.jpg 1468w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Heil HM1200 console with +/- 22DB equalization.  Good lord.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_TalkBox_1974.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4707" title="Heil_TalkBox_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_TalkBox_1974-718x1024.jpg" alt="" width="640" height="912" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_TalkBox_1974-718x1024.jpg 718w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_TalkBox_1974-210x300.jpg 210w, https://www.preservationsound.com/wp-content/uploads/2012/04/Heil_TalkBox_1974.jpg 1074w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Heil Talkbox, the first of its kind.  The bio-mechanical translation of a vocoder: pitch and formant information are supplied as distinct elements and a unique hybrid results.</em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/heil-in-the-seventies/feed/</wfw:commentRss>
			<slash:comments>6</slash:comments>
		
		
			</item>
		<item>
		<title>Multi-use vacuum-tube audio mixer circa 1960</title>
		<link>https://www.preservationsound.com/multi-use-vacuum-tube-audio-mixer-circa-1960/</link>
					<comments>https://www.preservationsound.com/multi-use-vacuum-tube-audio-mixer-circa-1960/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 28 Aug 2011 21:27:45 +0000</pubDate>
				<category><![CDATA[Technical]]></category>
		<category><![CDATA[mixer]]></category>
		<category><![CDATA[schematics]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=3033</guid>

					<description><![CDATA[Download a three-page article from Electronics World &#8220;Hi Fi Annual &#38; Audio Handbook 1960&#8221; which details the construction of a 4-channel tube mixer: DOWNLOAD: Tube_Mix_It_Box_1960 &#8220;Electronics World&#8221; Magazine published these &#8216;hi-fi annuals&#8217; in the late 50s/early 60s; from what i can gather, they seem to be collections of reprints of the notable audio-content that EW [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_box.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-3034" title="Mix_it_box" src="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_box.jpg" alt="" width="900" height="467" srcset="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_box.jpg 900w, https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_box-300x155.jpg 300w" sizes="auto, (max-width: 900px) 100vw, 900px" /></a>Download a three-page article from Electronics World &#8220;Hi Fi Annual &amp; Audio Handbook 1960&#8221; which details the construction of a 4-channel tube mixer:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2011/08/Tube_Mix_It_Box_1960.pdf">Tube_Mix_It_Box_1960</a></p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/08/HiFiAnnuak_1960_cover.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-3039" title="HiFiAnnuak_1960_cover" src="https://www.preservationsound.com/wp-content/uploads/2011/08/HiFiAnnuak_1960_cover-224x300.jpg" alt="" width="224" height="300" srcset="https://www.preservationsound.com/wp-content/uploads/2011/08/HiFiAnnuak_1960_cover-224x300.jpg 224w, https://www.preservationsound.com/wp-content/uploads/2011/08/HiFiAnnuak_1960_cover-767x1024.jpg 767w, https://www.preservationsound.com/wp-content/uploads/2011/08/HiFiAnnuak_1960_cover.jpg 1637w" sizes="auto, (max-width: 224px) 100vw, 224px" /></a>&#8220;Electronics World&#8221; Magazine published these &#8216;hi-fi annuals&#8217; in the late 50s/early 60s; from what i can gather, they seem to be collections of reprints of the notable audio-content that EW published in the prior year.  I picked up this 1960 edition a few years ago in the excellent <a href="http://www.antiquesmadison.com/" target="_blank">Antiques Mall of Madison</a>; some excellent vinyl LPs and rare paper dealers as well.</p>
<p>Anyhow.  This mixer has some interesting features; nice simple circuit for calibration pot for DB meter; the best part though is the output stage: a 6AK6 tube is used into a 10k ohm load and promises a .8 watt output.  I am not aware of any other hi-fi line output stages with 6AK6s; def want to try it.  .8 watts output would very welcome in many of my builds&#8230;  can&#8217;t get enough of that clean headroom&#8230;</p>
<p>Here&#8217;s the schematic (included in the download as well).</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_Box_Schematic1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-3041" title="Mix_it_Box_Schematic" src="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_Box_Schematic1-1024x825.jpg" alt="" width="640" height="515" srcset="https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_Box_Schematic1-1024x825.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_Box_Schematic1-300x241.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/08/Mix_it_Box_Schematic1.jpg 1410w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
<p>&nbsp;</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/multi-use-vacuum-tube-audio-mixer-circa-1960/feed/</wfw:commentRss>
			<slash:comments>4</slash:comments>
		
		
			</item>
	</channel>
</rss>
