<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>monitors &#8211; Preservation Sound</title>
	<atom:link href="https://www.preservationsound.com/tag/monitors/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Mon, 16 Dec 2013 11:43:41 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>The Barco (Belgium) MLS 1/80 Studio Monitor c. 1980</title>
		<link>https://www.preservationsound.com/the-barco-belgium-mls-180-studio-monitor-c-1980/</link>
					<comments>https://www.preservationsound.com/the-barco-belgium-mls-180-studio-monitor-c-1980/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 22 Sep 2013 11:00:54 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[Barco]]></category>
		<category><![CDATA[monitors]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7171</guid>

					<description><![CDATA[Download the 4pp product-sheet for the Barco MLS 1/80 studio monitor: DOWNLOAD: Barco_MLS_1_80 These industrially-styled monitors incorporated an unusual circuit which introduces a 30db pad when the speaker THD exceeds 1%.  Crazy.  Anyone?]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-7174" alt="Barco_MLS180" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180-1024x835.jpg" width="640" height="521" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180-1024x835.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180-300x244.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180.jpg 1606w" sizes="(max-width: 640px) 100vw, 640px" /></a>Download the 4pp product-sheet for the Barco MLS 1/80 studio monitor:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS_1_80.pdf">Barco_MLS_1_80</a></p>
<p>These industrially-styled monitors incorporated an unusual circuit which introduces a 30db pad when the speaker THD exceeds 1%.  Crazy.  Anyone?</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180_2.jpg"><img decoding="async" class="aligncenter size-large wp-image-7173" alt="Barco_MLS180_2" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180_2-817x1024.jpg" width="640" height="802" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180_2-817x1024.jpg 817w, https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180_2-239x300.jpg 239w, https://www.preservationsound.com/wp-content/uploads/2013/09/Barco_MLS180_2.jpg 913w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/the-barco-belgium-mls-180-studio-monitor-c-1980/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>UPDATED: Fostex &#8220;Laboratory Series&#8221; Pro Audio Monitors c.1980</title>
		<link>https://www.preservationsound.com/fostex-laboratory-series-pro-audio-monitors-c-1980/</link>
					<comments>https://www.preservationsound.com/fostex-laboratory-series-pro-audio-monitors-c-1980/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 20 Sep 2013 10:42:58 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[fostex]]></category>
		<category><![CDATA[monitors]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7156</guid>

					<description><![CDATA[Download the 4-page catalog for the Fostex &#8220;Laboratory Series&#8221; studio monitors of 1980: DOWNLOAD: Fostex_Lab_1980 Featuring the Fostex LS/2, LS/3, and the massive LS/4: 458lbs each, with response down to 19hz.  Good lord. BTW  I have come across several period FOSTEX speaker pieces; expect more in the next few days&#8230; ************* ******* *** Update 12.10.13: [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab.jpg"><img decoding="async" class="aligncenter size-large wp-image-7159" alt="Fostex_Lab" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab-1024x1010.jpg" width="640" height="631" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab-1024x1010.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab-300x296.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab.jpg 1661w" sizes="(max-width: 640px) 100vw, 640px" /></a>Download the 4-page catalog for the Fostex &#8220;Laboratory Series&#8221; studio monitors of 1980:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_1980.pdf">Fostex_Lab_1980</a></p>
<p>Featuring the Fostex LS/2, LS/3, and the massive LS/4: 458lbs each, with response down to 19hz.  Good lord. BTW  I have come across several period FOSTEX speaker pieces; expect more in the next few days&#8230;</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Laboratory_Monitors_1980.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7160" alt="Fostex_Laboratory_Monitors_1980" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Laboratory_Monitors_1980-1024x807.jpg" width="640" height="504" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Laboratory_Monitors_1980-1024x807.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Laboratory_Monitors_1980-300x236.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Laboratory_Monitors_1980.jpg 1386w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_line.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7158" alt="Fostex_Lab_line" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_line-939x1024.jpg" width="640" height="697" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_line-939x1024.jpg 939w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_line-275x300.jpg 275w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex_Lab_line.jpg 1339w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>*************</p>
<p style="text-align: center;">*******</p>
<p style="text-align: center;">***</p>
<p style="text-align: center;">Update 12.10.13:</p>
<p style="text-align: left;">Michael Gillespie, designer of the Fostex Laboratory Series, got in touch with PS dot com regarding these speakers.  Here&#8217;s what he had to say:</p>
<p style="text-align: center;"><em>&#8220;I designed these speakers in the late seventies. This was the inaugural Fostex product to launch in North America, setting the stage for huge success. At the time we did this, Fostex had 18 employees in Japan; today they have 67,000 worldwide.&#8221;</em></p>
<p><a href="http://www.gray.mb.ca/fostex/RWO-FOSTEX%20LABORATORY%20SERIES%20MONITORS.pdf" target="_blank">Click here for a better copy of the main brochure</a>.</p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/LS2V.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7664" alt="SAMSUNG DIGITAL CAMERA" src="https://www.preservationsound.com/wp-content/uploads/2013/09/LS2V.jpg" width="375" height="500" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/LS2V.jpg 375w, https://www.preservationsound.com/wp-content/uploads/2013/09/LS2V-225x300.jpg 225w" sizes="auto, (max-width: 375px) 100vw, 375px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/09/LS3V.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7665" alt="LS3V" src="https://www.preservationsound.com/wp-content/uploads/2013/09/LS3V.jpg" width="523" height="720" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/LS3V.jpg 523w, https://www.preservationsound.com/wp-content/uploads/2013/09/LS3V-217x300.jpg 217w" sizes="auto, (max-width: 523px) 100vw, 523px" /></a></p>
<p style="text-align: center;"><em>&#8220;Above are images of the &#8220;V&#8221; series; these were the same systems re-tuned for free-standing (full-space 4π) operation as opposed to the main brochure which shows soffit-mounted (half-space 2π) models.&#8221;</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-Team.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7662" alt="Fostex Team" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-Team.jpg" width="600" height="600" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-Team.jpg 600w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-Team-150x150.jpg 150w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-Team-300x300.jpg 300w" sizes="auto, (max-width: 600px) 100vw, 600px" /></a><em>&#8220;Above is the the original development team, reunited in 2012: (L-R) Ted Telesky, Michael Gillespie, Bob Oliver.</em>&#8220;</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Gillespie-LS4.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7663" alt="Gillespie-LS4" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Gillespie-LS4.jpg" width="960" height="720" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Gillespie-LS4.jpg 960w, https://www.preservationsound.com/wp-content/uploads/2013/09/Gillespie-LS4-300x225.jpg 300w" sizes="auto, (max-width: 960px) 100vw, 960px" /></a><em>&#8220;And above is an &#8211; LS/4 is one of my personal pair  &#8211; which I have owned for almost 35 years.&#8221;</em></p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-LS3-Advert.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7661" alt="Fostex LS3 Advert" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-LS3-Advert-790x1024.jpg" width="640" height="829" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-LS3-Advert-790x1024.jpg 790w, https://www.preservationsound.com/wp-content/uploads/2013/09/Fostex-LS3-Advert-231x300.jpg 231w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
<p style="text-align: left;">
]]></content:encoded>
					
					<wfw:commentRss>https://www.preservationsound.com/fostex-laboratory-series-pro-audio-monitors-c-1980/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
	</channel>
</rss>
