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	<title>neumann &#8211; Preservation Sound</title>
	<atom:link href="https://www.preservationsound.com/tag/neumann/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.preservationsound.com</link>
	<description>information and ideas about audio history</description>
	<lastBuildDate>Fri, 04 Apr 2014 13:13:32 +0000</lastBuildDate>
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		<title>Highlights from the 1971 AES Convention</title>
		<link>https://www.preservationsound.com/highlights-from-the-1971-aes-convention/</link>
					<comments>https://www.preservationsound.com/highlights-from-the-1971-aes-convention/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 04 Apr 2014 13:10:09 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[3M]]></category>
		<category><![CDATA[AES]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[ampex]]></category>
		<category><![CDATA[Auto-tec]]></category>
		<category><![CDATA[crown]]></category>
		<category><![CDATA[eventide]]></category>
		<category><![CDATA[marantz]]></category>
		<category><![CDATA[melcor]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[neve]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[scully]]></category>
		<category><![CDATA[sennheiser]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8017</guid>

					<description><![CDATA[,,,and today, perhaps unsurprisingly: some of the new kit unveiled in 1971 at the NYC AES show, also via DB mag.  Of note: Auto-Tec, Scully, Ampex and 3M intro&#8217;d new 16-track machines, Neve made a push for a new console (would this have been the series 80?), AKG introduced the BX-20 reverb, Melcor showed its [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971.png"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-8022" alt="AES_1971" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-1024x736.png" width="640" height="460" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-1024x736.png 1024w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-300x215.png 300w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971.png 1661w" sizes="(max-width: 640px) 100vw, 640px" /></a>,,,and today, perhaps unsurprisingly: some of the new kit unveiled in 1971 at the NYC AES show, also via DB mag.  Of note: Auto-Tec, Scully, Ampex and 3M intro&#8217;d new 16-track machines, Neve made a push for a new console (would this have been the series 80?), AKG introduced the BX-20 reverb, Melcor showed its model 5001 electronic reverb (anyone???), and a new company called <em>Eventide</em> introduced a digital pitch-shift device!  The Neumann U47-fet and Sennheiser MHK-815 mics were introduced, as were the Marantz 500 and Crown M2000 power amplifiers.</p>
<p>Click here to DL a pdf of the proceedings: <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_0001.pdf">AES_1971_DBmag</a></p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1.png"><img decoding="async" class="aligncenter size-large wp-image-8018" alt="AES_1971_1" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-939x1024.png" width="640" height="697" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-939x1024.png 939w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-275x300.png 275w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1.png 1135w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_2.png"><img decoding="async" class="aligncenter size-full wp-image-8019" alt="AES_1971_2" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_2.png" width="754" height="2832" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8020" alt="AES_1971_3" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png" width="683" height="1664" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png 683w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3-123x300.png 123w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3-420x1024.png 420w" sizes="auto, (max-width: 683px) 100vw, 683px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8021" alt="AES_1971_4" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png" width="703" height="1646" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png 703w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4-128x300.png 128w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4-437x1024.png 437w" sizes="auto, (max-width: 703px) 100vw, 703px" /></a></p>
<p><em><strong>There is just a shit-tonne more of this stuff, so click the link below to READ ON;;;;;</strong></em></p>
<p><span id="more-8017"></span><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8023" alt="AES_1971_5" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png" width="713" height="2880" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png 713w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5-74x300.png 74w" sizes="auto, (max-width: 713px) 100vw, 713px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_6.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8024" alt="AES_1971_6" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_6.png" width="682" height="2901" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8025" alt="AES_1971_7" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png" width="693" height="2858" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png 693w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7-248x1024.png 248w" sizes="auto, (max-width: 693px) 100vw, 693px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8026" alt="AES_1971_8" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png" width="693" height="2887" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png 693w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8-72x300.png 72w" sizes="auto, (max-width: 693px) 100vw, 693px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8027" alt="AES_1971_9" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png" width="704" height="2860" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png 704w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9-252x1024.png 252w" sizes="auto, (max-width: 704px) 100vw, 704px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_10.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8028" alt="AES_1971_10" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_10.png" width="701" height="2809" /></a></p>
]]></content:encoded>
					
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			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>Neumann FET 80 Condensor Microphones c.1973</title>
		<link>https://www.preservationsound.com/neumann-fet-80-condensor-microphones-c-1973/</link>
					<comments>https://www.preservationsound.com/neumann-fet-80-condensor-microphones-c-1973/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Tue, 03 Sep 2013 11:01:24 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7029</guid>

					<description><![CDATA[Download the 6pp 1973 Neumann FET 80 microphone catalog: DOWNLOAD: Neumann_Fet80_1973 Models covered, with text, specs, and photos, include: Neumann KM 83, KM 84, KM 85, 87, and 88; KMS 85; U87, U47 FET, SM 69 FET, and KMA lav mic. I have a U87 from this first era, and although it has its share [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_1973_catalog.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7030" alt="Neumann_1973_catalog" src="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_1973_catalog-898x1024.jpg" width="640" height="729" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_1973_catalog-898x1024.jpg 898w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_1973_catalog-263x300.jpg 263w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_1973_catalog.jpg 1358w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download the 6pp 1973 Neumann FET 80 microphone catalog:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_Fet80_1973.pdf">Neumann_Fet80_1973</a></p>
<p>Models covered, with text, specs, and photos, include: Neumann KM 83, KM 84, KM 85, 87, and 88; KMS 85; U87, U47 FET, SM 69 FET, and KMA lav mic.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_U87_1973.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7033" alt="Neumann_U87_1973" src="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_U87_1973-675x1024.jpg" width="640" height="970" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_U87_1973-675x1024.jpg 675w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_U87_1973-197x300.jpg 197w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_U87_1973.jpg 735w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>I have a U87 from this first era, and although it has its share of scars, it never fails to impress.  Expensive but worth it&#8230;  these things just WORK.</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_KM_Mics_1973.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7032" alt="Neumann_KM_Mics_1973" src="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_KM_Mics_1973-1024x762.jpg" width="640" height="476" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_KM_Mics_1973-1024x762.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_KM_Mics_1973-300x223.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/Neumann_KM_Mics_1973.jpg 1426w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>For our scan of the 1980 Neumann FET 80 catalog, <a href="https://www.preservationsound.com/?p=1603" target="_blank">click here&#8230;</a></em></p>
]]></content:encoded>
					
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			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>When they were young: introducing a few audio classics</title>
		<link>https://www.preservationsound.com/when-they-were-young-introducing-a-few-audio-classics/</link>
					<comments>https://www.preservationsound.com/when-they-were-young-introducing-a-few-audio-classics/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 04 Feb 2013 17:17:29 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[API]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[shure]]></category>
		<category><![CDATA[urei]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5995</guid>

					<description><![CDATA[Circa 1970: The API 512, Shure SM58, Neumann FET 47, and Urei LA-3A all have got something to prove to you.]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2013/02/API_52_Intro_1970.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-5996" alt="API_52_Intro_1970" src="https://www.preservationsound.com/wp-content/uploads/2013/02/API_52_Intro_1970.jpg" width="902" height="863" srcset="https://www.preservationsound.com/wp-content/uploads/2013/02/API_52_Intro_1970.jpg 902w, https://www.preservationsound.com/wp-content/uploads/2013/02/API_52_Intro_1970-300x287.jpg 300w" sizes="auto, (max-width: 902px) 100vw, 902px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/02/Shure_Sm58_1970.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-5997" alt="Shure_Sm58_1970" src="https://www.preservationsound.com/wp-content/uploads/2013/02/Shure_Sm58_1970.jpg" width="1414" height="2021" srcset="https://www.preservationsound.com/wp-content/uploads/2013/02/Shure_Sm58_1970.jpg 1414w, https://www.preservationsound.com/wp-content/uploads/2013/02/Shure_Sm58_1970-209x300.jpg 209w, https://www.preservationsound.com/wp-content/uploads/2013/02/Shure_Sm58_1970-716x1024.jpg 716w" sizes="auto, (max-width: 1414px) 100vw, 1414px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/02/U47_fet_introAd.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-5998" alt="U47_fet_introAd" src="https://www.preservationsound.com/wp-content/uploads/2013/02/U47_fet_introAd.jpg" width="956" height="2019" srcset="https://www.preservationsound.com/wp-content/uploads/2013/02/U47_fet_introAd.jpg 956w, https://www.preservationsound.com/wp-content/uploads/2013/02/U47_fet_introAd-142x300.jpg 142w" sizes="auto, (max-width: 956px) 100vw, 956px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/02/Urei_LA3A_intro_1970.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-5999" alt="Urei_LA3A_intro_1970" src="https://www.preservationsound.com/wp-content/uploads/2013/02/Urei_LA3A_intro_1970.jpg" width="1432" height="1004" srcset="https://www.preservationsound.com/wp-content/uploads/2013/02/Urei_LA3A_intro_1970.jpg 1432w, https://www.preservationsound.com/wp-content/uploads/2013/02/Urei_LA3A_intro_1970-300x210.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/02/Urei_LA3A_intro_1970-1024x717.jpg 1024w" sizes="auto, (max-width: 1432px) 100vw, 1432px" /></a><em>Circa 1970: The API 512, Shure SM58, Neumann FET 47, and Urei LA-3A all have got something to prove to you.</em></p>
]]></content:encoded>
					
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			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>Neumann AM32B Lathe: 1961</title>
		<link>https://www.preservationsound.com/neumann-am32b-lathe-1961/</link>
					<comments>https://www.preservationsound.com/neumann-am32b-lathe-1961/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 09 Mar 2012 17:15:57 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[lathe]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[scully]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4469</guid>

					<description><![CDATA[Although Scully seems to have dominated the US lathe market in the 1950s and 1960s, every time I have personally attended an LP mastering session (maybe a dozen times), I have seen a Neumann used.   Any of you LP mastering folk prefer Scully brand to Neumann these days?]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/NeumannAM32B_lathe_1961.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4470" title="NeumannAM32B_lathe_1961" src="https://www.preservationsound.com/wp-content/uploads/2012/03/NeumannAM32B_lathe_1961-1024x783.jpg" alt="" width="640" height="489" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/NeumannAM32B_lathe_1961-1024x783.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/NeumannAM32B_lathe_1961-300x229.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/NeumannAM32B_lathe_1961.jpg 1816w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Although Scully seems to have dominated the US lathe market in the 1950s and 1960s, every time I have personally attended an LP mastering session (maybe a dozen times), I have seen a Neumann used.   Any of you LP mastering folk prefer Scully brand to Neumann these days?</em></p>
]]></content:encoded>
					
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			<slash:comments>7</slash:comments>
		
		
			</item>
		<item>
		<title>Neumann Microphones of the early 1960s</title>
		<link>https://www.preservationsound.com/neumann-microphones-of-the-early-1960s/</link>
					<comments>https://www.preservationsound.com/neumann-microphones-of-the-early-1960s/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Tue, 21 Feb 2012 19:46:53 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4045</guid>

					<description><![CDATA[Above: the Neumann U-67 is announced.  The U67 was the &#8216;bridge&#8217; between the earlier U47 and the soon-to-be-ubiquitous U-87.  Like the U-47 it is a tube mic.  A U-67 just sold on eBay for $7k, which is not too surprising. It&#8217;s possible to turn up cheap U87s from time to time but the U67 had [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_u67_1961_2.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4046" title="Neumann_u67_1961_2" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_u67_1961_2-732x1024.jpg" alt="" width="640" height="895" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_u67_1961_2-732x1024.jpg 732w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_u67_1961_2-214x300.jpg 214w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_u67_1961_2.jpg 1461w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above</em>: <em>the Neumann U-67 is announced.  The U67 was the &#8216;bridge&#8217; between the earlier U47 and the soon-to-be-ubiquitous U-87.  Like the U-47 it is a tube mic.  A <a href="http://www.ebay.com/itm/Vintage-Neumann-U67-Tube-Microphone-/300658720320" target="_blank">U-67 just sold on eBay for $7k, which is not too surprising</a>. It&#8217;s possible to turn up cheap U87s from time to time but the U67 had a much shorter run and not the same level of popularity.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_Condensors_1961.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4047" title="Neumann_Condensors_1961" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_Condensors_1961-720x1024.jpg" alt="" width="640" height="910" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_Condensors_1961-720x1024.jpg 720w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_Condensors_1961-211x300.jpg 211w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_Condensors_1961.jpg 1392w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above: the Neumann KM-54, KM-56, SM-2, U-67, M-49b, and M-269 microphones.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_U67_1961.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4048" title="Neumann_U67_1961" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_U67_1961-629x1024.jpg" alt="" width="629" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_U67_1961-629x1024.jpg 629w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_U67_1961-184x300.jpg 184w, https://www.preservationsound.com/wp-content/uploads/2012/02/Neumann_U67_1961.jpg 930w" sizes="auto, (max-width: 629px) 100vw, 629px" /></a><em>Another announcement ad for the U-67.</em></p>
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		<title>Neumann FET 80 Microphone Catalog Circa 1980</title>
		<link>https://www.preservationsound.com/neumann-fet-80-microphone-catalog-circa-1980/</link>
					<comments>https://www.preservationsound.com/neumann-fet-80-microphone-catalog-circa-1980/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 13 Dec 2010 13:18:02 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1603</guid>

					<description><![CDATA[Download the eight-page Neumann FET 80 catalog: DOWNLOAD: Neumann_fet_80_Catalog Features, photos and specs on the following models: KM 83, 84, 85; KM 86 and 88; KMS 84; KMF 4 i; TLM 170; U 47 fet; U 87 i; U 89i; SM 69 fet; USM 69 i; KU 81 i &#8216;Dummy Head&#8217; ; KMR 81 i; [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_cover.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1604" title="Neumann_fet_80_cover" src="https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_cover-720x1024.jpg" alt="" width="640" height="910" srcset="https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_cover-720x1024.jpg 720w, https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_cover-211x300.jpg 211w, https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_cover.jpg 1478w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download the eight-page Neumann FET 80 catalog:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2010/12/Neumann_fet_80_Catalog.pdf">Neumann_fet_80_Catalog</a></p>
<p>Features, photos and specs on the following models: KM 83, 84, 85; KM 86 and 88; KMS 84; KMF 4 i; TLM 170; U 47 fet; U 87 i; U 89i; SM 69 fet; USM 69 i; KU 81 i &#8216;Dummy Head&#8217; ; KMR 81 i; KMR 82 1; and all associated accessories of the era.</p>
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