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	<title>pitch correction &#8211; Preservation Sound</title>
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		<title>Audio Obscurity: The VSC Analog Pitch Correction System C. 1980</title>
		<link>https://www.preservationsound.com/audio-obscurity-the-vsc-analog-pitch-correction-system-c-1980/</link>
					<comments>https://www.preservationsound.com/audio-obscurity-the-vsc-analog-pitch-correction-system-c-1980/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Thu, 25 Jul 2013 12:02:55 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[pitch correction]]></category>
		<category><![CDATA[VSC]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6719</guid>

					<description><![CDATA[Download four pages of documentation regarding the M8 series of analog pitch-correction devices from the VSC corporation: DOWNLOAD: VSC_Ana_Pitch_Cntrl There were three models of these devices offered:  the ready-made M8-C (above), which offered a pitch-shift range of 0.6x to 4.0x (with glorious 300-5Khz bandwidth); the M8-A was a expansion-only module, and the M8-B was a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8C.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-6722" alt="VSC_M8C" src="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8C.jpg" width="1475" height="674" srcset="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8C.jpg 1475w, https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8C-300x137.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8C-1024x467.jpg 1024w" sizes="(max-width: 1475px) 100vw, 1475px" /></a>Download four pages of documentation regarding the M8 series of analog pitch-correction devices from the VSC corporation:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_Ana_Pitch_Cntrl.pdf">VSC_Ana_Pitch_Cntrl</a></p>
<p>There were three models of these devices offered:  the ready-made M8-C (above), which offered a pitch-shift range of 0.6x to 4.0x (with glorious 300-5Khz bandwidth); the M8-A was a expansion-only module, and the M8-B was a compression-only module.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8b.jpg"><img decoding="async" class="aligncenter size-full wp-image-6721" alt="VSC_M8b" src="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8b.jpg" width="773" height="727" srcset="https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8b.jpg 773w, https://www.preservationsound.com/wp-content/uploads/2013/07/VSC_M8b-300x282.jpg 300w" sizes="(max-width: 773px) 100vw, 773px" /></a>If the idea of completely analog real-time pitch-shifting is not wacky enough for ya, how about <em>mechanical</em> pitch shifting?  <a href="https://www.preservationsound.com/?p=6165" target="_blank">See this earlier post</a>&#8230;</p>
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