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	<title>Resynator &#8211; Preservation Sound</title>
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		<title>The Resynator pitch-tracking synth c. 1980</title>
		<link>https://www.preservationsound.com/the-resynator-pitch-tracking-synth-c-1980/</link>
					<comments>https://www.preservationsound.com/the-resynator-pitch-tracking-synth-c-1980/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 16 Dec 2013 11:45:08 +0000</pubDate>
				<category><![CDATA[Synthesizers]]></category>
		<category><![CDATA[Resynator]]></category>
		<category><![CDATA[vintage synthesizers]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7670</guid>

					<description><![CDATA[How y&#8217;all doing.  Found an odd lil bit from 1980&#8217;s synth-land: the Resynator, from &#8220;Musico.&#8221;  Yup that was the name of the company that created this $2000 device ($5,700 at the pump today, buddy).  Anyhow, the Resynator is a fascinating pitch-and-envelope-tracking synthesizer (monophonic, I am sure) that used digital signal processing (unlike, say, the Korg [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_sm.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-7675" alt="Resynator_sm" src="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_sm-1024x757.jpg" width="640" height="473" srcset="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_sm-1024x757.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_sm-300x222.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_sm.jpg 1408w" sizes="(max-width: 640px) 100vw, 640px" /></a>How y&#8217;all doing.  Found an odd lil bit from 1980&#8217;s synth-land: the Resynator, from &#8220;Musico.&#8221;  Yup that was the name of the company that created this $2000 device ($5,700 at the pump today, buddy).  Anyhow, the Resynator is a fascinating pitch-and-envelope-tracking synthesizer (monophonic, I am sure) that used digital signal processing (<em>unlike, say, the <a href="http://www.vintagesynth.com/korg/ms20.php" target="_blank">Korg MS20 of the same era</a>, which could also track pitch and envelope, but was completely analog -and much cheaper</em>).  So, yeah, you could patch any monophonic audio signal into the Resynator and get a synth-sound on the output.  But oh it&#8217;s so much more complicated than that.  Read on, in this 1980 review by one John Amaral&#8230;</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_review_1.jpg"><img decoding="async" class="aligncenter size-large wp-image-7673" alt="Resynator_review_1" src="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_review_1-703x1024.jpg" width="640" height="932" srcset="https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_review_1-703x1024.jpg 703w, https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_review_1-206x300.jpg 206w, https://www.preservationsound.com/wp-content/uploads/2013/12/Resynator_review_1.jpg 1408w" sizes="(max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_2.jpg"><img decoding="async" class="aligncenter size-full wp-image-7672" alt="Res_rev_2" src="https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_2.jpg" width="476" height="999" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_3.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7671" alt="Res_rev_3" src="https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_3.jpg" width="463" height="649" srcset="https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_3.jpg 463w, https://www.preservationsound.com/wp-content/uploads/2013/12/Res_rev_3-214x300.jpg 214w" sizes="auto, (max-width: 463px) 100vw, 463px" /></a></p>
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