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	<title>retailers &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>Gotham Pro Audio : Complete 1981/1982 Catalog</title>
		<link>https://www.preservationsound.com/gotham-pro-audio-complete-19811982-catalog/</link>
					<comments>https://www.preservationsound.com/gotham-pro-audio-complete-19811982-catalog/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 08 Nov 2017 11:28:51 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[gotham]]></category>
		<category><![CDATA[retailers]]></category>
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					<description><![CDATA[Download the complete 1981/1982 Gotham Audio catalog: DL:  Gotham_Audio_1981 Products covered, with text, photos, and limited specs, include: Neumann U89, KMR 82, USM 69 microphones; VMS 80 Disk Mastering System; SP 79C Disk Cutting Program Control Consolel MT 80 Preview/Playback Tape Machine; SAL 74B Cutter Drive Logic; and SX 74 Dynamic Feedback Stereo Cutterhead;  EMT [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/?attachment_id=8809" rel="attachment wp-att-8809"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-8809" src="https://www.preservationsound.com/wp-content/uploads/2017/10/Gotham_audio_1981_MAIN.jpg" alt="" width="1569" height="1374" srcset="https://www.preservationsound.com/wp-content/uploads/2017/10/Gotham_audio_1981_MAIN.jpg 1569w, https://www.preservationsound.com/wp-content/uploads/2017/10/Gotham_audio_1981_MAIN-300x263.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2017/10/Gotham_audio_1981_MAIN-768x673.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2017/10/Gotham_audio_1981_MAIN-1024x897.jpg 1024w" sizes="(max-width: 1569px) 100vw, 1569px" /></a>Download the complete 1981/1982 Gotham Audio catalog:</p>
<p>DL:  <a href="https://www.preservationsound.com/?attachment_id=8810" rel="attachment wp-att-8810">Gotham_Audio_1981</a></p>
<p>Products covered, with text, photos, and limited specs, include: Neumann U89, KMR 82, USM 69 microphones; VMS 80 Disk Mastering System; SP 79C Disk Cutting Program Control Consolel MT 80 Preview/Playback Tape Machine; SAL 74B Cutter Drive Logic; and SX 74 Dynamic Feedback Stereo Cutterhead;  EMT 251, 240, 245 reverb units and 162TS solid-state reverb amp for the 140; EMT 422 ad 424 flutter analyzer, Neumann RUMS 77 Rumble Meter; BASF PW 384 splicing cassette.</p>
<p><a href="https://www.preservationsound.com/?attachment_id=8812" rel="attachment wp-att-8812"><img decoding="async" class="aligncenter size-full wp-image-8812" src="https://www.preservationsound.com/wp-content/uploads/2017/10/Neumann_VMS_80.jpg" alt="" width="1211" height="1414" srcset="https://www.preservationsound.com/wp-content/uploads/2017/10/Neumann_VMS_80.jpg 1211w, https://www.preservationsound.com/wp-content/uploads/2017/10/Neumann_VMS_80-257x300.jpg 257w, https://www.preservationsound.com/wp-content/uploads/2017/10/Neumann_VMS_80-768x897.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2017/10/Neumann_VMS_80-877x1024.jpg 877w" sizes="(max-width: 1211px) 100vw, 1211px" /></a><em><a href="https://www.preservationsound.com/?attachment_id=8808" rel="attachment wp-att-8808"><img decoding="async" class="aligncenter size-full wp-image-8808" src="https://www.preservationsound.com/wp-content/uploads/2017/10/EMT-251.jpg" alt="" width="1408" height="1328" srcset="https://www.preservationsound.com/wp-content/uploads/2017/10/EMT-251.jpg 1408w, https://www.preservationsound.com/wp-content/uploads/2017/10/EMT-251-300x283.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2017/10/EMT-251-768x724.jpg 768w, https://www.preservationsound.com/wp-content/uploads/2017/10/EMT-251-1024x966.jpg 1024w" sizes="(max-width: 1408px) 100vw, 1408px" /></a><a href="https://www.preservationsound.com/?attachment_id=8811" rel="attachment wp-att-8811"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8811" src="https://www.preservationsound.com/wp-content/uploads/2017/10/Lyrec-TIM-4b.jpg" alt="" width="634" height="662" srcset="https://www.preservationsound.com/wp-content/uploads/2017/10/Lyrec-TIM-4b.jpg 634w, https://www.preservationsound.com/wp-content/uploads/2017/10/Lyrec-TIM-4b-287x300.jpg 287w" sizes="auto, (max-width: 634px) 100vw, 634px" /></a></em>Above: the Lyrec TIM 4B tape timer for Scully and Ampex multitrack tape recorders.  A couple of years ago we purchased a beautiful Scully 284 8-track 1&#8243; machine for <a href="http://www.goldcoastrecorders.com/">Gold Coast Recorders</a>; the sound was superb but ultimately we decided to install more modern (IE., 1980&#8217;s-era) tape machines for a variety of reasons &#8211; a principle concern was that the Scully <em>has no timing facility</em> whatsoever.  The thought of spending time searching blindly cueing the tape for punch-in points and overdubs was a bit disorienting to me, and I imagine it would be frustrating to performers as well.  I can&#8217;t imagine that there are too many of these Lyrec units out there in the wild but if you do own a Scully or Ampex, this would be a good get&#8230;</p>
<h3 style="text-align: center;"><em>earlier GOTHAM AUDIO coverage on PS dot com:</em></h3>
<p style="text-align: center;"><a href="https://www.preservationsound.com/?p=6574">Download the complete 1972 Gotham Audio catalog</a></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/?p=7139">Download the complete 1979 Gotham Audio catalog</a></p>
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