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	<title>ross &#8211; Preservation Sound</title>
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		<title>Interesting Guitar Effects of the 1970s</title>
		<link>https://www.preservationsound.com/interesting-guitar-effects-of-the-1970s/</link>
					<comments>https://www.preservationsound.com/interesting-guitar-effects-of-the-1970s/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 29 Apr 2012 10:21:38 +0000</pubDate>
				<category><![CDATA[Guitar Equipment]]></category>
		<category><![CDATA[effects pedals]]></category>
		<category><![CDATA[ibanez]]></category>
		<category><![CDATA[ross]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4741</guid>

					<description><![CDATA[Rowe-DeArmond offers a volume-pedal sized for funky, funky boots.  Today at PS dot com: some interesting odds n ends from the audio-effects pedal market of the 1970s.  If yr using any of these boxes in the studio or on stage these days, drop a line and let us know&#8230; The Binson EchoRec, an electro-mechanical audio [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/BootSized_DeArmond_1974.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-4742" title="BootSized_DeArmond_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/04/BootSized_DeArmond_1974-962x1024.jpg" alt="" width="640" height="681" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/BootSized_DeArmond_1974-962x1024.jpg 962w, https://www.preservationsound.com/wp-content/uploads/2012/04/BootSized_DeArmond_1974-281x300.jpg 281w, https://www.preservationsound.com/wp-content/uploads/2012/04/BootSized_DeArmond_1974.jpg 1356w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Rowe-DeArmond offers a volume-pedal sized for funky, funky boots.  </em></p>
<p style="text-align: left;">Today at PS dot com: some interesting odds n ends from the audio-effects pedal market of the 1970s.  If yr using any of these boxes in the studio or on stage these days, drop a line and let us know&#8230;</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Guild_Binson_Echorec_1971.jpg"><img decoding="async" class="aligncenter size-large wp-image-4743" title="Guild_Binson_Echorec_1971" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Guild_Binson_Echorec_1971-1024x710.jpg" alt="" width="640" height="443" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Guild_Binson_Echorec_1971-1024x710.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/04/Guild_Binson_Echorec_1971-300x208.jpg 300w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>The Binson EchoRec, an electro-mechanical audio delay system that used a rotating disc rather than moving tape or oil</em>.  <em>Italian built; marketed and distributed by Guild in the US (much like Guild distributed the earlier Watkins CopyCat).  The EchoRec is best known as being the 70&#8217;s delay unit of choice <a href="http://www.gilmourish.com/?page_id=74" target="_blank">of this dude</a>, who certainly created a lot of significant sounds with it.  </em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Hawk_Effects_1974.jpg"><img decoding="async" class="aligncenter size-large wp-image-4744" title="Hawk_Effects_1974" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Hawk_Effects_1974-773x1024.jpg" alt="" width="640" height="847" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Hawk_Effects_1974-773x1024.jpg 773w, https://www.preservationsound.com/wp-content/uploads/2012/04/Hawk_Effects_1974-226x300.jpg 226w" sizes="(max-width: 640px) 100vw, 640px" /></a><em>Hawk Effects: designed to hang off yr guitar strap rather than sit on the floor.  I have never seen one of these in the flesh (steel).  Anyone?  The Mushrooms look threatening.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Ibanez_effects_19811.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4745" title="Ibanez_effects_1981" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Ibanez_effects_19811-800x1024.jpg" alt="" width="640" height="819" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Ibanez_effects_19811-800x1024.jpg 800w, https://www.preservationsound.com/wp-content/uploads/2012/04/Ibanez_effects_19811-234x300.jpg 234w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></em></p>
<p style="text-align: center;"><em>The Studer tape machine is the stove; Ibanez effects are the spice. Got it.  Compressor II, Phase Tone, Graphic Equalizer, Tube Screamer, etc&#8230;</em></p>
<p style="text-align: center;"><em></em><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Korg_X911_guitar_synthesizer.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4746" title="Korg_X911_guitar_synthesizer" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Korg_X911_guitar_synthesizer-814x1024.jpg" alt="" width="640" height="805" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Korg_X911_guitar_synthesizer-814x1024.jpg 814w, https://www.preservationsound.com/wp-content/uploads/2012/04/Korg_X911_guitar_synthesizer-238x300.jpg 238w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Korg X-911 Guitar Synthesizer.  Is this an actual synth with a pitch-to-CV convertor on the input (<a href="http://www.goldcoastrecorders.com/?page_id=98" target="_blank">like my beloved MS20</a>) or a complex filter/distortion unit?</em></p>
<p style="text-align: center;"><em> </em><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Ludwig_Phase_II_1971.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4747" title="Ludwig_Phase_II_1971" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Ludwig_Phase_II_1971-694x1024.jpg" alt="" width="640" height="944" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Ludwig_Phase_II_1971-694x1024.jpg 694w, https://www.preservationsound.com/wp-content/uploads/2012/04/Ludwig_Phase_II_1971-203x300.jpg 203w, https://www.preservationsound.com/wp-content/uploads/2012/04/Ludwig_Phase_II_1971.jpg 2018w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Ludwig Phase II.  Not an actual synthesizer, but pretty far out regardless.  I remember seeing Thurston Moore using one of these back in the 90s.  <a href="http://theshamblers.blogspot.com/2009/09/ludwig-phase-ii-how-much-is-too-much.html" target="_blank">Check it out here</a>&#8230;</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/04/Ross_effects_1979.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4748" title="Ross_effects_1979" src="https://www.preservationsound.com/wp-content/uploads/2012/04/Ross_effects_1979-733x1024.jpg" alt="" width="640" height="894" srcset="https://www.preservationsound.com/wp-content/uploads/2012/04/Ross_effects_1979-733x1024.jpg 733w, https://www.preservationsound.com/wp-content/uploads/2012/04/Ross_effects_1979-214x300.jpg 214w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Ross effects, from the man who brought you <a href="https://www.preservationsound.com/?p=1913" target="_blank">Kustom</a>.  Wow I love this graphic design.  The only unit from this lineup to attain classic status is the Compressor; these trade for high sums due to their close association with one of the most visible guitarists of the 1990s.  <a href="http://www.rollingstone.com/music/news/phish-fans-hungry-for-trey-anastasios-old-tone-present-guitarist-with-ross-compressor-20090107" target="_blank">Read this crazy story for the details</a>&#8230;.</em></p>
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