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	<title>theremin &#8211; Preservation Sound</title>
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	<link>https://www.preservationsound.com</link>
	<description>information and ideas about audio history</description>
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		<title>Great Ladies of Electronic Music: Rosalyn Tureck</title>
		<link>https://www.preservationsound.com/great-ladies-of-electronic-music-rosalyn-tureck/</link>
					<comments>https://www.preservationsound.com/great-ladies-of-electronic-music-rosalyn-tureck/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Tue, 04 Sep 2012 12:35:37 +0000</pubDate>
				<category><![CDATA[Early Electronic Music]]></category>
		<category><![CDATA[moog]]></category>
		<category><![CDATA[theremin]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5381</guid>

					<description><![CDATA[Bach Expert Rosalyn Tureck at-work at the Moog Modular circa 1977.  Tureck was a student of Leon Theremin and made her Carnegie Hall debut playing the primitive electronic instrument of his name.  (Image: High Fidelity Magazine, 10.77)]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/09/Roysalyn_Tureck_Moog.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-5382" title="Roysalyn_Tureck_Moog" src="https://www.preservationsound.com/wp-content/uploads/2012/09/Roysalyn_Tureck_Moog.jpg" alt="" width="647" height="804" srcset="https://www.preservationsound.com/wp-content/uploads/2012/09/Roysalyn_Tureck_Moog.jpg 647w, https://www.preservationsound.com/wp-content/uploads/2012/09/Roysalyn_Tureck_Moog-241x300.jpg 241w" sizes="(max-width: 647px) 100vw, 647px" /></a>Bach Expert Rosalyn Tureck at-work at the Moog Modular circa 1977.  <a href="http://en.wikipedia.org/wiki/Rosalyn_Tureck" target="_blank">Tureck was a student of Leon Theremin and made her Carnegie Hall debut playing the primitive electronic instrument of his name.</a>  (<em>Image: High Fidelity Magazine, 10.77)</em></p>
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		<title>(Very) Early Electronic Instruments</title>
		<link>https://www.preservationsound.com/very-early-electronic-instruments/</link>
					<comments>https://www.preservationsound.com/very-early-electronic-instruments/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Thu, 01 Mar 2012 10:22:25 +0000</pubDate>
				<category><![CDATA[Early Electronic Music]]></category>
		<category><![CDATA[electronic music pioneers]]></category>
		<category><![CDATA[theremin]]></category>
		<category><![CDATA[vintage synthesizers]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4142</guid>

					<description><![CDATA[When you think of &#8216;early electronic instruments,&#8217; what period comes to mind?  European tape music of the 1950s?  Academic electronic music labs of the 1960s?  How about 1931? Download a five-page article from Radio News 1931, on &#8216;The Electrical Future Of Music.&#8217; DOWNLOAD: Radio_News_3107_Electronic_Music It&#8217;s interesting to see her how the focus is primarily on [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/EarlySynth.jpg"><img decoding="async" class="aligncenter size-full wp-image-4143" title="EarlySynth" src="https://www.preservationsound.com/wp-content/uploads/2012/02/EarlySynth.jpg" alt="" width="573" height="439" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/EarlySynth.jpg 573w, https://www.preservationsound.com/wp-content/uploads/2012/02/EarlySynth-300x229.jpg 300w" sizes="(max-width: 573px) 100vw, 573px" /></a>When you think of &#8216;early electronic instruments,&#8217; what period comes to mind?  European tape music of the 1950s?  Academic electronic music labs of the 1960s?  How about 1931?</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/RadioNews_July1931_cover1.jpg"><img decoding="async" class="alignleft size-medium wp-image-4145" title="RadioNews_July1931_cover" src="https://www.preservationsound.com/wp-content/uploads/2012/02/RadioNews_July1931_cover1-217x300.jpg" alt="" width="217" height="300" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/RadioNews_July1931_cover1-217x300.jpg 217w, https://www.preservationsound.com/wp-content/uploads/2012/02/RadioNews_July1931_cover1.jpg 634w" sizes="(max-width: 217px) 100vw, 217px" /></a>Download a five-page article from <em>Radio News</em> 1931, on &#8216;The Electrical Future Of Music.&#8217;</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Radio_News_3107-Electronic_Music.pdf">Radio_News_3107_Electronic_Music</a></p>
<p>It&#8217;s interesting to see her how the focus is primarily on the creation of instruments on which one could perform western tempered music (as opposed to music concrete or noise-music).  Although those more avant garde approaches to electronic music would come soon, this earlier approach &#8211; the electronic (as opposed to bellows) organ, the violin-simulating theremin &#8211; seems to be what has won out.  Eighty years later, most of us are not usually listening to atonal clusters of carefully organized noise &#8211; we&#8217;re still mostly listened to very diatonic, 4/4 folk-songs (<em>essentially</em>) performed and presented via wholly electronic means.</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/PhotoElectricOrgan_1931.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4147" title="PhotoElectricOrgan_1931" src="https://www.preservationsound.com/wp-content/uploads/2012/02/PhotoElectricOrgan_1931.jpg" alt="" width="545" height="565" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/PhotoElectricOrgan_1931.jpg 545w, https://www.preservationsound.com/wp-content/uploads/2012/02/PhotoElectricOrgan_1931-289x300.jpg 289w" sizes="auto, (max-width: 545px) 100vw, 545px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Photo_organ_21.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4149" title="Photo_organ_2" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Photo_organ_21.jpg" alt="" width="366" height="345" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Photo_organ_21.jpg 366w, https://www.preservationsound.com/wp-content/uploads/2012/02/Photo_organ_21-300x282.jpg 300w" sizes="auto, (max-width: 366px) 100vw, 366px" /></a><em>Above: the photo-electric organ</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Theremin_1931.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4150" title="Theremin_1931" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Theremin_1931.jpg" alt="" width="425" height="322" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Theremin_1931.jpg 425w, https://www.preservationsound.com/wp-content/uploads/2012/02/Theremin_1931-300x227.jpg 300w" sizes="auto, (max-width: 425px) 100vw, 425px" /></a><em>Above: the Theremin, still popular today in a variety of musical genres.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Westinghouse_organ_1931.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4151" title="Westinghouse_organ_1931" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Westinghouse_organ_1931.jpg" alt="" width="392" height="257" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Westinghouse_organ_1931.jpg 392w, https://www.preservationsound.com/wp-content/uploads/2012/02/Westinghouse_organ_1931-300x196.jpg 300w" sizes="auto, (max-width: 392px) 100vw, 392px" /></a><em>Above: an electronic organ built by Westinghouse, 1931.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/RCA_electric_Carillion_1931.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4152" title="RCA_electric_Carillion_1931" src="https://www.preservationsound.com/wp-content/uploads/2012/02/RCA_electric_Carillion_1931.jpg" alt="" width="727" height="540" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/RCA_electric_Carillion_1931.jpg 727w, https://www.preservationsound.com/wp-content/uploads/2012/02/RCA_electric_Carillion_1931-300x222.jpg 300w" sizes="auto, (max-width: 727px) 100vw, 727px" /></a><em>Above: an electronic Carillion as built by RCA.  The principle employed here is also<a href="http://www.fenderrhodes.com/" target="_blank"> still very popular today</a>.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Soundproof_Piano_1931.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4153" title="Soundproof_Piano_1931" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Soundproof_Piano_1931.jpg" alt="" width="382" height="320" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Soundproof_Piano_1931.jpg 382w, https://www.preservationsound.com/wp-content/uploads/2012/02/Soundproof_Piano_1931-300x251.jpg 300w" sizes="auto, (max-width: 382px) 100vw, 382px" /></a><em>Early attempt at acoustic isolation of an instrument for electronic pickup</em></p>
<p>&nbsp;</p>
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