Comments on: The Publison DHM 89 B2: Highly advanced signal processor/sampler c. 1978

By: Robert

Robert — Fri, 21 Oct 2022 17:04:04 +0000

A studio I worked at 1982-1992 had two 89s and the key board.
Good sounding but glitchy glitchy. Tough to set well.
If they broke, you had to ship to France and wait 6 months.
The studio owner, frustrated, set me up with a digikey chip tester and we fixed a unit eventually. Publison dremeled off all the chip numbers. The chip tester could identify chips and inform if blown.

It was rare for any studio clients to use the keyboard.

By: Ableton Live (11.0.2) Crack [Mac] +Torrent-Keygen Full Version License Key!

Ableton Live (11.0.2) Crack [Mac] +Torrent-Keygen Full Version License Key! — Sun, 04 Jul 2021 05:19:13 +0000

[…] Max for Live pitch-shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. Inspired by Nature: Six playful instruments and effects […]

By: JPChalte

JPChalte — Thu, 18 May 2017 05:24:27 +0000

Hi People;

Juste one thing : [Infernal Machine] and [DHM89B2] are not the same product.

Both have différents fonction, and purpose, so the title is wrong, but information are right…^^

Best regards

By: M. Geddes Gengras

M. Geddes Gengras — Wed, 01 Apr 2015 04:47:05 +0000

I have (& love) one of these units!! It’s touchy as hell and only works about 70% of the times I turn it on but when it does it’s a beautiful thing. Used it a ton on my 2013 album ISHI on Leaving Records/Stones Throw to thicken/detune/shimmer/loop the synths, it sounds like NOTHING ELSE on earth, someone needs to do an amazing plugin version!

By: Ton Koenig

Ton Koenig — Tue, 11 Jun 2013 09:10:59 +0000

I passed up on Publison in 1991 for $800(regrets) but later bought its modern replacement..the Roland VP-9000. Really cool device.

By: Bafflegab

Bafflegab — Wed, 05 Jun 2013 17:54:01 +0000

In reply to e g weekly.

I didn’t know that he’d even ever got it working.

I built an amp about ten years ago that was basically an AC30 driving four EL84s through a driver transformer that used a vertical oscillator tube. Other than that it was all 12Afum7s and 84s. Solid state rectifier of course because tube rectifiers with Class A designs are idiot’s play.

People liked it until they found out it had this oddball tube and a transformer that cost a little money. Because musicians hear with their eyes and see with their ears that was the end of that.

If people freak out at ONE tube Guitar Center doesn’t have 25 seems ridiculous.

By: e g weekly

e g weekly — Mon, 03 Jun 2013 19:42:32 +0000

In reply to bafflegab. Oh yes, the Fucking Fucker. I played it at NAMM. It was nearly impossible for the average person to get any recognizable sound out of and every tube in it was nothing you'd find in a music store or a music supply chain. Eric Barbour is a self taught hobby type and like so many of those does not see things in the way Leo Fender did. It's no coincidence this amp was never replicated.

By: bafflegab

bafflegab — Sun, 02 Jun 2013 20:06:15 +0000

Reminiscent of this:

http://www.synthtopia.com/content/2008/01/18/fucking-fucker/

By: Halma

Halma — Fri, 31 May 2013 17:54:45 +0000

WTF…that looks noice. Looks like someone could have some serious fun with it…at least me. 🙂