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	Comments on: Three interesting Hi Fi Amps circa 1948	</title>
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	<link>https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/</link>
	<description>information and ideas about audio history</description>
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		<title>
		By: barry		</title>
		<link>https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-630808</link>

		<dc:creator><![CDATA[barry]]></dc:creator>
		<pubDate>Tue, 21 Feb 2023 02:59:47 +0000</pubDate>
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					<description><![CDATA[the amplifier in the circuit shows a 6u7 g  which i a variable mu rf pentode    whereas the article calls it a 6u6 which is an output pentode 12 watts dissipation   
a careful look at the circuit will show that the grid   does NOT  have a pin number   because the valve has a GRID CAP ( consistant with rf/if amplifiers)  the grid lead on the circuit shows that it is a shielded cable
a variable mu valve can be used for very low level input signals  (here a mic  makes sense)  without gain variations/fluctuations in performance...
...the grid cap would have conveniently connected to the tp of an &#039;&#039;if&#039;&#039; transformer with a very short lead...]]></description>
			<content:encoded><![CDATA[<p>the amplifier in the circuit shows a 6u7 g  which i a variable mu rf pentode    whereas the article calls it a 6u6 which is an output pentode 12 watts dissipation<br />
a careful look at the circuit will show that the grid   does NOT  have a pin number   because the valve has a GRID CAP ( consistant with rf/if amplifiers)  the grid lead on the circuit shows that it is a shielded cable<br />
a variable mu valve can be used for very low level input signals  (here a mic  makes sense)  without gain variations/fluctuations in performance&#8230;<br />
&#8230;the grid cap would have conveniently connected to the tp of an &#8221;if&#8221; transformer with a very short lead&#8230;</p>
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		<title>
		By: chris		</title>
		<link>https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-39775</link>

		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Tue, 13 Nov 2012 23:39:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5663#comment-39775</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-39572&quot;&gt;Brad&lt;/a&gt;.

ya that&#039;s certainly true... i should clarify... i tend to use the term &#039;hi fi&#039; in a generic-descriptor sort-of-way to mean &#039;consumer audio domestic audio equipment,&#039; kinda like most people use the term &#039;Stereo,&#039; like, hey, Dave, turn up the stereo!  Now, i would just USE the term &#039;stereo&#039; but...   it does&#039;t really make sense for Mono equipment.  so.  Hi Fi.  Not to be confused with actual High Degree Of Fidelity To The Original Recorded Sound.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-39572">Brad</a>.</p>
<p>ya that&#8217;s certainly true&#8230; i should clarify&#8230; i tend to use the term &#8216;hi fi&#8217; in a generic-descriptor sort-of-way to mean &#8216;consumer audio domestic audio equipment,&#8217; kinda like most people use the term &#8216;Stereo,&#8217; like, hey, Dave, turn up the stereo!  Now, i would just USE the term &#8216;stereo&#8217; but&#8230;   it does&#8217;t really make sense for Mono equipment.  so.  Hi Fi.  Not to be confused with actual High Degree Of Fidelity To The Original Recorded Sound.</p>
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		<title>
		By: Brad		</title>
		<link>https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-39572</link>

		<dc:creator><![CDATA[Brad]]></dc:creator>
		<pubDate>Tue, 13 Nov 2012 16:19:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5663#comment-39572</guid>

					<description><![CDATA[These are not, in any modern sense, &quot;high fidelity&quot; amplifiers. They weren&#039;t even by fifties standards. They are utility, public address amplifiers.]]></description>
			<content:encoded><![CDATA[<p>These are not, in any modern sense, &#8220;high fidelity&#8221; amplifiers. They weren&#8217;t even by fifties standards. They are utility, public address amplifiers.</p>
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		<title>
		By: Bafflegab		</title>
		<link>https://www.preservationsound.com/three-interesting-hi-fi-amps-circa-1948/#comment-39271</link>

		<dc:creator><![CDATA[Bafflegab]]></dc:creator>
		<pubDate>Tue, 13 Nov 2012 03:28:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=5663#comment-39271</guid>

					<description><![CDATA[Grid leak bias is well documented and was the standard early on in radio work. It&#039;s undesirable for audio where there is a large dynamic range and is overly dependent on tube characteristics. Early Fenders used it and getting rid of it was one of Leo&#039;s better moves. 

 Not having a radio background is a serious handicap many of the audio DIYers suffer from today. I consider building a radio or two a necessary dues paying activity.]]></description>
			<content:encoded><![CDATA[<p>Grid leak bias is well documented and was the standard early on in radio work. It&#8217;s undesirable for audio where there is a large dynamic range and is overly dependent on tube characteristics. Early Fenders used it and getting rid of it was one of Leo&#8217;s better moves. </p>
<p> Not having a radio background is a serious handicap many of the audio DIYers suffer from today. I consider building a radio or two a necessary dues paying activity.</p>
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