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	<title>AKG &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
	<lastBuildDate>Fri, 04 Apr 2014 13:13:32 +0000</lastBuildDate>
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		<title>Highlights from the 1971 AES Convention</title>
		<link>https://www.preservationsound.com/highlights-from-the-1971-aes-convention/</link>
					<comments>https://www.preservationsound.com/highlights-from-the-1971-aes-convention/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 04 Apr 2014 13:10:09 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[3M]]></category>
		<category><![CDATA[AES]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[ampex]]></category>
		<category><![CDATA[Auto-tec]]></category>
		<category><![CDATA[crown]]></category>
		<category><![CDATA[eventide]]></category>
		<category><![CDATA[marantz]]></category>
		<category><![CDATA[melcor]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[neve]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[scully]]></category>
		<category><![CDATA[sennheiser]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8017</guid>

					<description><![CDATA[,,,and today, perhaps unsurprisingly: some of the new kit unveiled in 1971 at the NYC AES show, also via DB mag.  Of note: Auto-Tec, Scully, Ampex and 3M intro&#8217;d new 16-track machines, Neve made a push for a new console (would this have been the series 80?), AKG introduced the BX-20 reverb, Melcor showed its [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971.png"><img fetchpriority="high" decoding="async" class="aligncenter size-large wp-image-8022" alt="AES_1971" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-1024x736.png" width="640" height="460" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-1024x736.png 1024w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971-300x215.png 300w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971.png 1661w" sizes="(max-width: 640px) 100vw, 640px" /></a>,,,and today, perhaps unsurprisingly: some of the new kit unveiled in 1971 at the NYC AES show, also via DB mag.  Of note: Auto-Tec, Scully, Ampex and 3M intro&#8217;d new 16-track machines, Neve made a push for a new console (would this have been the series 80?), AKG introduced the BX-20 reverb, Melcor showed its model 5001 electronic reverb (anyone???), and a new company called <em>Eventide</em> introduced a digital pitch-shift device!  The Neumann U47-fet and Sennheiser MHK-815 mics were introduced, as were the Marantz 500 and Crown M2000 power amplifiers.</p>
<p>Click here to DL a pdf of the proceedings: <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_0001.pdf">AES_1971_DBmag</a></p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1.png"><img decoding="async" class="aligncenter size-large wp-image-8018" alt="AES_1971_1" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-939x1024.png" width="640" height="697" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-939x1024.png 939w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1-275x300.png 275w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_1.png 1135w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_2.png"><img decoding="async" class="aligncenter size-full wp-image-8019" alt="AES_1971_2" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_2.png" width="754" height="2832" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8020" alt="AES_1971_3" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png" width="683" height="1664" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3.png 683w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3-123x300.png 123w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_3-420x1024.png 420w" sizes="auto, (max-width: 683px) 100vw, 683px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8021" alt="AES_1971_4" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png" width="703" height="1646" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4.png 703w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4-128x300.png 128w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_4-437x1024.png 437w" sizes="auto, (max-width: 703px) 100vw, 703px" /></a></p>
<p><em><strong>There is just a shit-tonne more of this stuff, so click the link below to READ ON;;;;;</strong></em></p>
<p><span id="more-8017"></span><a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8023" alt="AES_1971_5" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png" width="713" height="2880" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5.png 713w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_5-74x300.png 74w" sizes="auto, (max-width: 713px) 100vw, 713px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_6.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8024" alt="AES_1971_6" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_6.png" width="682" height="2901" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8025" alt="AES_1971_7" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png" width="693" height="2858" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7.png 693w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_7-248x1024.png 248w" sizes="auto, (max-width: 693px) 100vw, 693px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8026" alt="AES_1971_8" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png" width="693" height="2887" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8.png 693w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_8-72x300.png 72w" sizes="auto, (max-width: 693px) 100vw, 693px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8027" alt="AES_1971_9" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png" width="704" height="2860" srcset="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9.png 704w, https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_9-252x1024.png 252w" sizes="auto, (max-width: 704px) 100vw, 704px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_10.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8028" alt="AES_1971_10" src="https://www.preservationsound.com/wp-content/uploads/2014/04/AES_1971_10.png" width="701" height="2809" /></a></p>
]]></content:encoded>
					
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			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>AKG&#8217;s &#8220;Two-Way&#8221; dual-transducer dynamic mics c. 1970</title>
		<link>https://www.preservationsound.com/akgs-two-way-dual-transducer-dynamic-mics-c-1970/</link>
					<comments>https://www.preservationsound.com/akgs-two-way-dual-transducer-dynamic-mics-c-1970/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 02 Sep 2013 10:50:23 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7020</guid>

					<description><![CDATA[Download the 6pp 1970 catalog for AKG&#8217;s &#8216;Two-way&#8221; dynamic mics, the D-200E, D-202E, and D-224E: DOWNLOAD: AKG_2way_mic_1970 As the image above suggests, these operate exactly as you&#8217;d expect: there are separate &#8216;woofer&#8217; and &#8216;tweeter&#8217; elements, with a crossover at 500hz.  Although the specs are quite good, i&#8217;ve never picked these up when I had the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7025" alt="AKG_Two_way_mics_1970" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970-1024x1024.jpg" width="640" height="640" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970-1024x1024.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970-150x150.jpg 150w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970-300x300.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_1970.jpg 1303w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download the 6pp 1970 catalog for AKG&#8217;s &#8216;Two-way&#8221; dynamic mics, the D-200E, D-202E, and D-224E:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_2way_mic_1970.pdf">AKG_2way_mic_1970</a></p>
<p>As the image above suggests, these operate exactly as you&#8217;d expect: there are separate &#8216;woofer&#8217; and &#8216;tweeter&#8217; elements, with a crossover at 500hz.  Although the specs are quite good, i&#8217;ve never picked these up when I had the chance&#8230;  just seems like they&#8217;ve gotta sound a little weird?  Anyone?  Anyone still using these?  How do they compare to (x)?</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D224E.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7024" alt="AKG_D224E" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D224E-1024x700.jpg" width="640" height="437" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D224E-1024x700.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D224E-300x205.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D224E.jpg 1382w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D202E.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7023" alt="AKG_D202E" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D202E-1024x718.jpg" width="640" height="448" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D202E-1024x718.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D202E-300x210.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D202E.jpg 1526w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_Diagram.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7026" alt="AKG_Two_way_mics_Diagram" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_Diagram.jpg" width="612" height="770" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_Diagram.jpg 612w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Two_way_mics_Diagram-238x300.jpg 238w" sizes="auto, (max-width: 612px) 100vw, 612px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D200E.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7022" alt="AKG_D200E" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D200E-1024x626.jpg" width="640" height="391" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D200E-1024x626.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D200E-300x183.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D200E.jpg 1569w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
]]></content:encoded>
					
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			<slash:comments>26</slash:comments>
		
		
			</item>
		<item>
		<title>AKG Performance Microphones &#8211; full 1978 catalog</title>
		<link>https://www.preservationsound.com/akg-performance-microphones-full-1978-catalog/</link>
					<comments>https://www.preservationsound.com/akg-performance-microphones-full-1978-catalog/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sat, 31 Aug 2013 11:27:40 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7007</guid>

					<description><![CDATA[Download a 21pp 1978 AKG Microphone catalog; seems to be a performer-oriented publication featuring only their dynamic and electret models of the era: DOWNLOAD PART 1:AKG_Mics_1978_part1 DOWNLOAD PART 2: AKG_Mics_1978_Part_2 Models covered, with text, specs, and photos, include: AKG C-500 series with C-510E, C-501E, C-502E, and C-505E variants; D-12, D-109, D-120E, D-130, D-140E, D-160E, D-170E, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7008" alt="AKG_1978_Catalog_Cover" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover-1024x1024.jpg" width="640" height="640" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover-1024x1024.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover-150x150.jpg 150w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover-300x300.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_1978_Catalog_Cover.jpg 1640w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download a 21pp 1978 AKG Microphone catalog; seems to be a performer-oriented publication featuring only their dynamic and electret models of the era:</p>
<p>DOWNLOAD PART 1:<a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Mics_1978_part1.pdf">AKG_Mics_1978_part1</a></p>
<p>DOWNLOAD PART 2: <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Mics_1978_Part_2.pdf">AKG_Mics_1978_Part_2</a></p>
<p>Models covered, with text, specs, and photos, include: AKG C-500 series with C-510E, C-501E, C-502E, and C-505E variants; D-12, D-109, D-120E, D-130, D-140E, D-160E, D-170E, D-190E, D-1000E, D-2000E, D-190SPL, and D-200E mics.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dynamics_1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7013" alt="AKG_Dynamics_1" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dynamics_1-802x1024.jpg" width="640" height="817" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dynamics_1-802x1024.jpg 802w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dynamics_1-235x300.jpg 235w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dynamics_1.jpg 1524w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dyanmics_2_1978.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7012" alt="AKG_Dyanmics_2_1978" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dyanmics_2_1978-819x1024.jpg" width="640" height="800" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dyanmics_2_1978-819x1024.jpg 819w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dyanmics_2_1978-240x300.jpg 240w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_Dyanmics_2_1978.jpg 1538w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D1000_D2000.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7011" alt="AKG_D1000_D2000" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D1000_D2000-897x1024.jpg" width="640" height="730" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D1000_D2000-897x1024.jpg 897w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D1000_D2000-262x300.jpg 262w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D1000_D2000.jpg 1563w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D-200E1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7010" alt="AKG_D-200E1" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D-200E1-954x1024.jpg" width="640" height="686" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D-200E1-954x1024.jpg 954w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D-200E1-279x300.jpg 279w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_D-200E1.jpg 1353w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_C500_series_1978.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7009" alt="AKG_C500_series_1978" src="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_C500_series_1978-915x1024.jpg" width="640" height="716" srcset="https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_C500_series_1978-915x1024.jpg 915w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_C500_series_1978-268x300.jpg 268w, https://www.preservationsound.com/wp-content/uploads/2013/08/AKG_C500_series_1978.jpg 1601w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>For our scan of a 1981 AKG full-line catalog, <a href="https://www.preservationsound.com/?p=1836" target="_blank">click here&#8230;</a></p>
]]></content:encoded>
					
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			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>Read my review of the AKG D12 VR and 451 &#8217;65th Anniv.&#8217; Mics at ProductionHUB</title>
		<link>https://www.preservationsound.com/read-my-review-of-the-akg-d12-vr-and-451-65th-anniv-mics-at-productionhub/</link>
					<comments>https://www.preservationsound.com/read-my-review-of-the-akg-d12-vr-and-451-65th-anniv-mics-at-productionhub/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 29 Apr 2013 19:54:27 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[reviews]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=6432</guid>

					<description><![CDATA[I recently reviewed the new (-ish) AKG &#8220;65th anniversary&#8221; model 451 and the very interesting D12 &#8216;VR&#8217; model for our friends at ProductionHUB.  Click here to read the article.  The 451 &#8217;65th,&#8217; in particular, is an excellent deal for $400.  I&#8217;ve been using it every day and it is yet to disappoint.   If you are [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/04/C451_with_acc.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-6433" alt="C451_with_acc" src="https://www.preservationsound.com/wp-content/uploads/2013/04/C451_with_acc-1024x825.jpg" width="640" height="515" srcset="https://www.preservationsound.com/wp-content/uploads/2013/04/C451_with_acc-1024x825.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/04/C451_with_acc-300x241.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/04/C451_with_acc.jpg 1589w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>I recently reviewed the new (-ish) AKG &#8220;65th anniversary&#8221; model 451 and the very interesting D12 &#8216;VR&#8217; model for our friends at <a href="http://blog.productionhub.com/post/49180956686/review-akg-c451-65th-anniversary-d12vr-microphones" target="_blank">ProductionHUB.  Click here to read the article.</a>  The 451 &#8217;65th,&#8217; in particular, is an excellent deal<a href="http://www.sweetwater.com/store/detail/C451B65" target="_blank"> for $400</a>.  I&#8217;ve been using it every day and it is yet to disappoint.   If you are not aware of the new D12 and its remote-controlled frequency-contouring, you might find that interesting as well.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/04/D12VR.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-6434" alt="D12VR" src="https://www.preservationsound.com/wp-content/uploads/2013/04/D12VR-862x1024.jpg" width="640" height="760" srcset="https://www.preservationsound.com/wp-content/uploads/2013/04/D12VR-862x1024.jpg 862w, https://www.preservationsound.com/wp-content/uploads/2013/04/D12VR-252x300.jpg 252w, https://www.preservationsound.com/wp-content/uploads/2013/04/D12VR.jpg 1905w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
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		<title>AKG Studio Microphones Circa 1962</title>
		<link>https://www.preservationsound.com/akg-studio-microphones-circa-1962/</link>
					<comments>https://www.preservationsound.com/akg-studio-microphones-circa-1962/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Tue, 14 Feb 2012 17:30:17 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=3993</guid>

					<description><![CDATA[The AKG C-24 stereo condenser mic.  Yes please.  I think if I added up all the time i have spent mounting my Neumann TLM 103s on their X/Y mount I would i run out and buy one of these.   Oh wait!  I don&#8217;t have $12,000!  Nevermind!  Anyone have a strong reco for an affordable XY [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C24.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-3994" title="AKG_C24" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C24-744x1024.jpg" alt="" width="640" height="880" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C24-744x1024.jpg 744w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C24-218x300.jpg 218w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C24.jpg 1434w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The AKG C-24 stereo condenser mic.  Yes please.  I think if I added up all the time i have spent mounting my Neumann TLM 103s on their X/Y mount I would i run out and buy one of these.   Oh wait!  <a href="http://www.ebay.com/itm/AKG-C24-Stereo-Tube-Vintage-Mic-Excellent-Condition-/320799538710" target="_blank">I don&#8217;t have $12,000! </a> Nevermind!  Anyone have a strong reco for an affordable XY mic that will put the TLM 103s back in their cases for good?</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-3995" title="AKG_C60_1" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_1-1024x698.jpg" alt="" width="640" height="436" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_1-1024x698.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_1-300x204.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_1.jpg 1455w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_nicrophone_1961.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-3996" title="AKG_C60_nicrophone_1961" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_nicrophone_1961-740x1024.jpg" alt="" width="640" height="885" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_nicrophone_1961-740x1024.jpg 740w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_nicrophone_1961-216x300.jpg 216w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_C60_nicrophone_1961.jpg 1424w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Above, and above: the AKG C 60.  I&#8217;ve never used one of these.  <a href="http://www.ebay.com/itm/AKG-C60-Microphone-/300663141251" target="_blank">Nice-looking example on eBay right now for $850</a>.</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D19_1962.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-3997" title="AKG_D19_1962" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D19_1962-720x1024.jpg" alt="" width="640" height="910" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D19_1962-720x1024.jpg 720w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D19_1962-211x300.jpg 211w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D19_1962.jpg 1368w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The AKG D19.  I own one of these, and I have used it on a few tracks&#8230;nice for low-fi-ish hard-strumming steel-string acoustic gtr.   Based on my experience, I feel like the stated claim of 40-16k hz response is extremely optimistic.  The D19 shows up in a few places in music history: most notably as one of the go-to mics at Abbey Road during the Beatles early sessions.  It also shows up in this Elvis/Martina McBride video (<a href="http://im.videosearch.rediff.com/thumbImage/videoImages/videoImages1/youtube/rdhash804/M8yQLbMtPFA.gif" target="_blank">see here</a>) wherein Martina duets with The King</em>.  <em>I was working at SONYMUSIC when this video was produced, and I couldn&#8217;t help but wonder&#8230; in the original &#8217;68 Comeback special, <a href="http://www.gearslutz.com/board/attachments/so-much-gear-so-little-time/25328d1160870262-elvis-68-comeback-mic-bilde-elvis-68-comeback.jpg" target="_blank">Elvis is using an EV RE15.</a>.. which looks an awful lot like a D19&#8230; Martina&#8217;s husband/engineer John McBride is one the biggest Beatles fans in the world&#8230;  antique microphone conspiracy theories, take one. </em></p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D242.jpg"><img loading="lazy" decoding="async" class="alignleft  wp-image-4002" title="AKG_D24" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D242-419x1024.jpg" alt="" width="301" height="737" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D242-419x1024.jpg 419w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D242-122x300.jpg 122w" sizes="auto, (max-width: 301px) 100vw, 301px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D24_22.jpg"><img loading="lazy" decoding="async" class="alignright  wp-image-4003" title="AKG_D24_2" src="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D24_22.jpg" alt="" width="282" height="682" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D24_22.jpg 353w, https://www.preservationsound.com/wp-content/uploads/2012/02/AKG_D24_22-124x300.jpg 124w" sizes="auto, (max-width: 282px) 100vw, 282px" /></a>***************************************** *****************************************</p>
<p style="text-align: center;"><em>The AKG D24 Dynamic mic.  Anyone?</em></p>
<p style="text-align: center;">Previous vintage AKG microphone coverage on Preservation Sound:</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/?p=2450" target="_blank">AKG mics of 1954</a></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/?p=1836" target="_blank">AKG mics of 1981</a></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/?p=1137" target="_blank">AKG mics of 1965</a></p>
<p style="text-align: center;">
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		<title>Studio Microphones of 1954</title>
		<link>https://www.preservationsound.com/studio-microphones-of-1954/</link>
					<comments>https://www.preservationsound.com/studio-microphones-of-1954/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 13 May 2011 13:36:23 +0000</pubDate>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[capps microphones]]></category>
		<category><![CDATA[shure]]></category>
		<category><![CDATA[telefunken]]></category>
		<category><![CDATA[turner microphones]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2450</guid>

					<description><![CDATA[AKG D36 advert from 1954 Continuing our survey of AUDIO magazine&#8217;s early years: over the next couple of weeks we will look at some of the more relevant content from the first two years that this venerable publication ran under the title &#8216;Audio,&#8217; the prior title having been &#8216;Audio Engineering.&#8217; (full backstory here and here).  [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_D36_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2451" title="AKG_D36_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_D36_1954-486x1024.jpg" alt="" width="486" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_D36_1954-486x1024.jpg 486w, https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_D36_1954-142x300.jpg 142w, https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_D36_1954.jpg 908w" sizes="auto, (max-width: 486px) 100vw, 486px" /></a><em>AKG D36 advert from 1954</em></p>
<p style="text-align: center;">Continuing our survey of AUDIO magazine&#8217;s early years: over the next couple of weeks we will look at some of the more relevant content from the first two years that this venerable publication ran under the title &#8216;Audio,&#8217; the prior title having been &#8216;Audio Engineering.&#8217; (full backstory <a href="https://www.preservationsound.com/?p=714" target="_blank">here</a> and <a href="https://www.preservationsound.com/?p=2340" target="_blank">here</a>).  We&#8217;ll start today with the crop of studio microphones on the market in 1954.  One thing becomes pretty clear: the Austrians were really ahead of their time.<a href="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_C12_ad_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-2452" title="AKG_C12_ad_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_C12_ad_1954.jpg" alt="" width="958" height="781" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_C12_ad_1954.jpg 958w, https://www.preservationsound.com/wp-content/uploads/2011/05/AKG_C12_ad_1954-300x244.jpg 300w" sizes="auto, (max-width: 958px) 100vw, 958px" /></a><em>AKG C-12 advert 1954</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_201M_ad_1954.jpg"><img loading="lazy" decoding="async" class="size-large wp-image-2453 alignleft" title="Telefunken_201M_ad_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_201M_ad_1954-235x1024.jpg" alt="" width="235" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_201M_ad_1954-235x1024.jpg 235w, https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_201M_ad_1954-69x300.jpg 69w" sizes="auto, (max-width: 235px) 100vw, 235px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_U47M_ad_1954.jpg"><img loading="lazy" decoding="async" class="alignright size-large wp-image-2454" title="Telefunken_U47M_ad_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Telefunken_U47M_ad_1954-247x1024.jpg" alt="" width="247" height="1024" /></a>*****************</em></p>
<p style="text-align: center;"><em>Telefunken U-47 and 201-M adverts 1954</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_Condensor_Mics_1954.jpg"><img loading="lazy" decoding="async" class="size-large wp-image-2455" title="Capps_Condensor_Mics_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_Condensor_Mics_1954-231x1024.jpg" alt="" width="231" height="1024" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_DM2050_ad2.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2458" title="Capps_DM2050_ad" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_DM2050_ad2-740x1024.jpg" alt="" width="640" height="885" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_DM2050_ad2-740x1024.jpg 740w, https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_DM2050_ad2-216x300.jpg 216w, https://www.preservationsound.com/wp-content/uploads/2011/05/Capps_DM2050_ad2.jpg 1460w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></em></p>
<p style="text-align: center;"><em>Capps CM 2001, 2030, 2250, and DM 2050 microphones c. 1954.</em></p>
<p style="text-align: center;"><em>Anyone have any experience with these mics?  Look interesting.  Let us know&#8230;</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Reeves_ST_condenser_mic_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-2459" title="Reeves_ST_condenser_mic_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Reeves_ST_condenser_mic_1954.jpg" alt="" width="923" height="495" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Reeves_ST_condenser_mic_1954.jpg 923w, https://www.preservationsound.com/wp-content/uploads/2011/05/Reeves_ST_condenser_mic_1954-300x160.jpg 300w" sizes="auto, (max-width: 923px) 100vw, 923px" /></a>The Reeves S-T Condenser Microphone; another early American Condenser mic. Very rare.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_ribbon_mic_ad_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2460" title="Shure_333_ribbon_mic_ad_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_ribbon_mic_ad_1954-477x1024.jpg" alt="" width="477" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_ribbon_mic_ad_1954-477x1024.jpg 477w, https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_ribbon_mic_ad_1954.jpg 949w" sizes="auto, (max-width: 477px) 100vw, 477px" /></a>The Shure 333 ribbon mic.  This was their cardiod ribbon.  I&#8217;ve never used one of these, but i would love to get my hands on one. <a href="http://thuntek.net/~bk11/home.htm" target="_blank"> Stephen Sank </a>recently re-ribboned my circa 1954 Shure 300 (the 300 was Shure&#8217;s high-end figure-8 ribbon of the same period) and wow did he do a great job.  It sounds incredible now.    I had thought it was a P.O.S. until he re-did it.  If you own a vintage Shure ribbon mic and you are underwhelmed by it. give Sank a call and see what he can do for you.</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_test_report_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-2461" title="Shure_333_test_report_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_test_report_1954.jpg" alt="" width="1452" height="1642" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_test_report_1954.jpg 1452w, https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_test_report_1954-265x300.jpg 265w, https://www.preservationsound.com/wp-content/uploads/2011/05/Shure_333_test_report_1954-905x1024.jpg 905w" sizes="auto, (max-width: 1452px) 100vw, 1452px" /></a>&#8230;and here is some period analysis of the then-new Shure 333.</em></p>
<p style="text-align: left;">Follow the link below to READ-ON&#8230;.  more studio mics of &#8217;54 follow&#8230;.</p>
<p style="text-align: center;"><span id="more-2450"></span><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_50D_microphone.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2462" title="Turner_50D_microphone" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_50D_microphone-958x1024.jpg" alt="" width="640" height="684" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_50D_microphone-958x1024.jpg 958w, https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_50D_microphone-280x300.jpg 280w, https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_50D_microphone.jpg 963w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Turner 50D broadcast dynamic microphone</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_57_dynamic_mic_1954.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2463" title="Turner_57_dynamic_mic_1954" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_57_dynamic_mic_1954-226x1024.jpg" alt="" width="226" height="1024" srcset="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_57_dynamic_mic_1954-226x1024.jpg 226w, https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_57_dynamic_mic_1954-66x300.jpg 66w" sizes="auto, (max-width: 226px) 100vw, 226px" /></a>The Turner 57  Microphone</em></p>
<p style="text-align: center;"><em><a href="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_Ada_95D.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2464" title="Turner_Ada_95D" src="https://www.preservationsound.com/wp-content/uploads/2011/05/Turner_Ada_95D-237x1024.jpg" alt="" width="237" height="1024" /></a>The Turner ADA 95D microphone</em></p>
<p style="text-align: center;"><em><br />
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<p style="text-align: center;"><em><br />
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		<title>AKG K-340 Electrostatic/Dynamic Headphones c. 1979</title>
		<link>https://www.preservationsound.com/akg-k-340-electrostaticdynamic-headphones-c-1979/</link>
					<comments>https://www.preservationsound.com/akg-k-340-electrostaticdynamic-headphones-c-1979/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Thu, 21 Apr 2011 14:14:34 +0000</pubDate>
				<category><![CDATA[Antique Hi-Fi Archive]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[headphones]]></category>
		<category><![CDATA[vintage hi-fi]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=2274</guid>

					<description><![CDATA[Download the six-page color product sheet for the venerable AKG K-340 headphone of 1979: DOWNLOAD: AKG_K340 The AKG K-340 (not to be confused with the modern AKG K 340 earbud) was AKG&#8217;s top of the line headphone of the 1980s.  Introduced in 1979, the K-340 took the basic design of the classic K-240 (which was [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-2275" title="AKG_K340" src="https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340-880x1024.jpg" alt="" width="640" height="744" srcset="https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340-880x1024.jpg 880w, https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340-257x300.jpg 257w, https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340.jpg 1472w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download the six-page color product sheet for the venerable AKG K-340 headphone of 1979:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2011/04/AKG_K340.pdf">AKG_K340</a></p>
<p>The AKG K-340 (not to be confused with the modern <a href="http://www.amazon.com/AKG-340-Canal-Bud-Headphone/dp/B0028N78AC" target="_blank">AKG K 340 earbud</a>) was AKG&#8217;s top of the line headphone of the 1980s.  Introduced in 1979, the K-340 took the basic design of the <a href="http://www.google.com/products/catalog?hl=en&amp;q=akg+k240&amp;bav=on.2,or.r_gc.r_pw.&amp;um=1&amp;ie=UTF-8&amp;cid=8052845169394522861&amp;sa=X&amp;ei=BzqwTYm-MpC2twfxh-2NDA&amp;sqi=2&amp;ved=0CFgQ8wIwAg#" target="_blank">classic K-240</a> (which was very sophisticated in and of itself) and added the additional complication of a separate Electrostatic driver and associated crossover network.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_L.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-2277" title="Dia_L" src="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_L-300x239.jpg" alt="" width="300" height="239" srcset="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_L-300x239.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_L-1024x817.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_L.jpg 1056w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_R.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-2278" title="Dia_R" src="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_R-300x253.jpg" alt="" width="270" height="228" srcset="https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_R-300x253.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_R-1024x863.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/04/Dia_R.jpg 1041w" sizes="auto, (max-width: 270px) 100vw, 270px" /></a></p>
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<p>Wikiphonia has a <a href="http://wiki.faust3d.com/wiki/index.php?title=AKG_K340" target="_blank">detailed entry</a> on these unusual headphones, so no need to re-tread those waters; the six-page document I post here is some new material for the web, though, AFAIK.  Check it out&#8230;  and if anyone uses these cans, LMK yr thoughts&#8230;</p>
<p><a href="https://www.preservationsound.com/?p=1836" target="_blank">Click here for previous vintage AKG headphone coverage on PS dot com </a></p>
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		<title>AKG Acoustics Full-Line Catalog c. 1981 &#8211; Microphones Reverbs Headphones</title>
		<link>https://www.preservationsound.com/akg-acoustics-full-line-catalog-c-1981-microphones-reverbs-headphones/</link>
					<comments>https://www.preservationsound.com/akg-acoustics-full-line-catalog-c-1981-microphones-reverbs-headphones/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Mon, 17 Jan 2011 16:33:30 +0000</pubDate>
				<category><![CDATA[Connecticut Audio History]]></category>
		<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[AKG]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[vintage microphones]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=1836</guid>

					<description><![CDATA[Download the thirty-two (32) page 1981 AKG Acoustics catalog (9.8mb file): DOWNLOAD: AKG_Acoustics_FullLine_Catalog_1981 Models covered, in text and photo (no specs), include: AKG C-422 stereo condenser microphone; C-33 and C-34 stereo mics; C-414EB. C-414E1 and C-414EM/p48 condensers plus S-421E1 control unit; C-450 System; C-535EN, C-567E, C-568EB condensers, D-300 series live sound mics; D-224E and associated [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Cover.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1837" title="AKG_Cover" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Cover-1024x647.jpg" alt="" width="640" height="404" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Cover-1024x647.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Cover-300x189.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Cover.jpg 1501w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download the thirty-two (32) page 1981 AKG Acoustics catalog (9.8mb file):</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_Acoustics_FullLine_Catalog_1981.pdf">AKG_Acoustics_FullLine_Catalog_1981</a></p>
<p>Models covered, in text and photo (no specs), include: AKG C-422 stereo condenser microphone; C-33 and C-34 stereo mics; C-414EB. C-414E1 and C-414EM/p48 condensers plus S-421E1 control unit; C-450 System; C-535EN, C-567E, C-568EB condensers, D-300 series live sound mics; D-224E and associated dual-diaphragm mics; plus the proverbial &#8216;shit-ton&#8217; more. AKG BX-20, BX-10, and BX-5 reverbs are included, plus a wide range of headphones including the K-40, K-41, K-141, K-240, and K-340 dual-system.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_C422.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1839" title="AKG_C422" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_C422-1024x668.jpg" alt="" width="640" height="417" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_C422-1024x668.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_C422-300x195.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_C422.jpg 1361w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_414.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-1840" title="AKG_414" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_414.jpg" alt="" width="444" height="590" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_414.jpg 444w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_414-225x300.jpg 225w" sizes="auto, (max-width: 444px) 100vw, 444px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_dynamics_1991.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1841" title="AKG_dynamics_1991" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_dynamics_1991-1024x643.jpg" alt="" width="640" height="401" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_dynamics_1991-1024x643.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_dynamics_1991-300x188.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_dynamics_1991.jpg 1547w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/ALKG_Reverb_units.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1842" title="AKG_Reverb_units" src="https://www.preservationsound.com/wp-content/uploads/2011/01/ALKG_Reverb_units-1024x686.jpg" alt="" width="640" height="428" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/ALKG_Reverb_units-1024x686.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/ALKG_Reverb_units-300x201.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/ALKG_Reverb_units.jpg 1470w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K40_K41.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-1843" title="AKG_K40_K41" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K40_K41-1024x725.jpg" alt="" width="640" height="453" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K40_K41-1024x725.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K40_K41-300x212.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K40_K41.jpg 1045w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>AKG USA was once-upon-a-time located right down the road from here in nearby Stamford, CT.  I think this is probably one reason that I have come across so many unusual AKG mics, headphones, and related literature at the flea markets and estate sales of Southern CT.   The AKG 414 microphone, in all of its variations, is a staple of the audio world and a staple of this website; longtime readers will recognize this as my &#8216;reference mic&#8217; for audio examples.  It&#8217;s  not the most exciting sound but it&#8217;s a high-quality sound that many of you know and therefore I feel that (along with the SM-57) it makes a good benchmark.  ANYhow&#8230;  check out the crazy art-direction of the this catalog.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/KingTut_akg.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-1844" title="KingTut_akg" src="https://www.preservationsound.com/wp-content/uploads/2011/01/KingTut_akg.jpg" alt="" width="560" height="922" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/KingTut_akg.jpg 560w, https://www.preservationsound.com/wp-content/uploads/2011/01/KingTut_akg-182x300.jpg 182w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a>In addition to the awesome haute-&#8217;70s monochromatic earthtone backdrops (see examples in photos above), we have various &#8216;symbolic objects&#8217; to characterize the products; King Tut represents the gold of the diaphragms;</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/Vase.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-1845" title="Vase" src="https://www.preservationsound.com/wp-content/uploads/2011/01/Vase-117x300.jpg" alt="" width="117" height="300" /></a>&#8230;a crystal vase represent &#8216;clarity&#8217; of the electret-condenser line;</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K340.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-1846" title="AKG_K340" src="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K340-300x209.jpg" alt="" width="300" height="209" srcset="https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K340-300x209.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K340-1024x715.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2011/01/AKG_K340.jpg 1439w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a>&#8230;a &#8216;flower-in-vase&#8217; perhaps suggests the &#8216;capture-of-nature&#8217; promised by the dual-system electrostatic/dynamic K-340 headphone?  Dig in and enjoy.</p>
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