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	<title>pultec &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>Pultec 1977 Full-Line Catalog</title>
		<link>https://www.preservationsound.com/pultec-1977-full-line-catalog/</link>
					<comments>https://www.preservationsound.com/pultec-1977-full-line-catalog/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 25 Mar 2012 13:10:10 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[equalizers]]></category>
		<category><![CDATA[pultec]]></category>
		<category><![CDATA[vintage outboard gear]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4547</guid>

					<description><![CDATA[Download the complete twelve-page 1977 Pultec outboard audio equipment catalog: DOWNLOAD: Pultec-1977_catalog Units covered, with text, specs, and photos, include: Pultec EQH-2, EQP-1A3, and MEQ-5 equalizers; Pultec HLF-3c and HLF-26 filters; Pultec SP3 and MH4 mixers. Until I saw this catalog I had not realized that the original Pultec production run had extended into 1977.  [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_eqp_1a3.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-4548" title="Pultec_eqp_1a3" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_eqp_1a3.jpg" alt="" width="849" height="303" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_eqp_1a3.jpg 849w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_eqp_1a3-300x107.jpg 300w" sizes="(max-width: 849px) 100vw, 849px" /></a>Download the complete twelve-page 1977 Pultec outboard audio equipment catalog:</p>
<p>DOWNLOAD: <a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec-1977_catalog.pdf">Pultec-1977_catalog</a></p>
<p>Units covered, with text, specs, and photos, include: Pultec EQH-2, EQP-1A3, and MEQ-5 equalizers; Pultec HLF-3c and HLF-26 filters; Pultec SP3 and MH4 mixers.</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_SP3.jpg"><img decoding="async" class="aligncenter size-large wp-image-4550" title="Pultec_SP3" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_SP3-1024x324.jpg" alt="" width="640" height="202" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_SP3-1024x324.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_SP3-300x95.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_SP3.jpg 1067w" sizes="(max-width: 640px) 100vw, 640px" /></a>Until I saw this catalog I had not realized that the original Pultec production run had extended into 1977.  These are the solid-state Pultecs, not the more coveted vacuum tube units that trade in the $5000 range, but AFAIK the actual equalization stages are the same as in the earlier tube units.  I have never scratch-built a Pultec clone, largely because the idea of hand-building the multi-tapped inductors always seemed a little daunting to me.   I recently found myself in possession of a large batch of various MiniDuctors, though, and I am wondering if these can be put service in a Pultec-type circuit.  The mH values are very close to those in the putlec schematics, but I cannot find any reference online to anyone building a Pultec using MiniDuctors rather than a large coil-wound inductor.  Anyone have any idea about this?</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_EQH_2.jpg"><img decoding="async" class="aligncenter size-large wp-image-4551" title="Pultec_EQH_2" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_EQH_2-1024x342.jpg" alt="" width="640" height="213" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_EQH_2-1024x342.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_EQH_2-300x100.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_EQH_2.jpg 1059w" sizes="(max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_HLF_3C.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4552" title="Pultec_HLF_3C" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_HLF_3C-1024x491.jpg" alt="" width="640" height="306" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_HLF_3C-1024x491.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_HLF_3C-300x143.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_HLF_3C.jpg 1063w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MH4.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4553" title="Pultec_MH4" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MH4-1024x302.jpg" alt="" width="640" height="188" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MH4-1024x302.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MH4-300x88.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MH4.jpg 1074w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MEQ_5.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4554" title="Pultec_MEQ_5" src="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MEQ_5-1024x277.jpg" alt="" width="640" height="173" srcset="https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MEQ_5-1024x277.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MEQ_5-300x81.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2012/03/Pultec_MEQ_5.jpg 1031w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
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		<title>More outboard gear of the early 60&#8217;s</title>
		<link>https://www.preservationsound.com/american-outboard-gear-of-the-early-60s/</link>
					<comments>https://www.preservationsound.com/american-outboard-gear-of-the-early-60s/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Fri, 24 Feb 2012 20:00:41 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[langevin]]></category>
		<category><![CDATA[pultec]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[telefunken]]></category>
		<category><![CDATA[urei]]></category>
		<category><![CDATA[vintage outboard gear]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=4061</guid>

					<description><![CDATA[The Pultec range of 1961: the Pultec EQP-1S program equalizer, EQH-2 program equalizer, HLF-3C high and low pass filter set, MB-1 mic and booster amp, and Mavec micpre/EQ unit. Pultec equalizers have enjoyed fifty-plus years of popularity among recording professionals.  Much like the first several compressors released by Universal Audio/UREI, they have never really gone [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_full_range_1960.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4062" title="Pultec_full_range_1960" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_full_range_1960-868x1024.jpg" alt="" width="640" height="755" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_full_range_1960-868x1024.jpg 868w, https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_full_range_1960-254x300.jpg 254w, https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_full_range_1960.jpg 1514w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Pultec range of 1961: the Pultec EQP-1S program equalizer, EQH-2 program equalizer, HLF-3C high and low pass filter set, MB-1 mic and booster amp, and Mavec micpre/EQ unit.</em></p>
<p style="text-align: left;">Pultec equalizers have enjoyed fifty-plus years of popularity among recording professionals.  Much like the first several compressors released by Universal Audio/UREI, they have never really gone out of style.  And if vintage Pultecs seem expensive these days (and they no doubt are&#8230;), remember that there is an inflation factor of 11x from 1961 to 2012.  So the value of these pieces has more or less simply risen with inflation.</p>
<p>Download catalog data on the EQP 1, shown above: <a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_EQP-1.pdf">Pultec_EQP-1</a></p>
<p style="text-align: left;">Download catalog data on the EQH 2, shown above<em>:</em> <a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_EQH.pdf">Pultec_EQH</a></p>
<p style="text-align: left;">Download catalog data on the HLF, shown above: <a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_HLF-3.pdf">Pultec_HLF-3</a><em><br />
</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_MEQ5_SP3_1962.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4063" title="Pultec_MEQ5_SP3_1962" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_MEQ5_SP3_1962-731x1024.jpg" alt="" width="640" height="896" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_MEQ5_SP3_1962-731x1024.jpg 731w, https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_MEQ5_SP3_1962-214x300.jpg 214w, https://www.preservationsound.com/wp-content/uploads/2012/02/Pultec_MEQ5_SP3_1962.jpg 1312w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>The Pultec MEQ-5 and SP-3 Stereo Panner of 1962.  As unlikely as it might seem, the &#8216;pan&#8217; knob was, at one time, a new and novel concept.  </em></p>
<p style="text-align: center;">*************</p>
<p style="text-align: center;">*******</p>
<p style="text-align: center;">***</p>
<p style="text-align: center;">*</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_filters_1962.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4064" title="Langevin_filters_1962" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_filters_1962-845x1024.jpg" alt="" width="640" height="775" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_filters_1962-845x1024.jpg 845w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_filters_1962-247x300.jpg 247w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_filters_1962.jpg 1535w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><em>Ok so these are not outboard so much as inboard but you get the connection.  The Langevin EQ-252A, EQ-251-A, and EQ-255 filters of 1961.<br />
</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/LangevinFilters.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4106" title="LangevinFilters" src="https://www.preservationsound.com/wp-content/uploads/2012/02/LangevinFilters-782x1024.jpg" alt="" width="640" height="838" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/LangevinFilters-782x1024.jpg 782w, https://www.preservationsound.com/wp-content/uploads/2012/02/LangevinFilters-229x300.jpg 229w, https://www.preservationsound.com/wp-content/uploads/2012/02/LangevinFilters.jpg 1272w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_251.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4107" title="Langevin_251" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_251-782x1024.jpg" alt="" width="640" height="838" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_251-782x1024.jpg 782w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_251-229x300.jpg 229w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_251.jpg 1272w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_252.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-4108" title="Langevin_252" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_252-782x1024.jpg" alt="" width="640" height="838" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_252-782x1024.jpg 782w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_252-229x300.jpg 229w, https://www.preservationsound.com/wp-content/uploads/2012/02/Langevin_252.jpg 1272w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>************</p>
<p style="text-align: center;">********</p>
<p style="text-align: center;">***</p>
<p style="text-align: center;">*</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/UA_175B_Limiter.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4065" title="UA_175B_Limiter" src="https://www.preservationsound.com/wp-content/uploads/2012/02/UA_175B_Limiter.jpg" alt="" width="718" height="1814" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/UA_175B_Limiter.jpg 718w, https://www.preservationsound.com/wp-content/uploads/2012/02/UA_175B_Limiter-405x1024.jpg 405w" sizes="auto, (max-width: 718px) 100vw, 718px" /></a><em>Above: the Universal Audio 175B limiter is announced.  The 175B is quite similar in operational principle to the Altec 436/8 and the Gates Sta-Level but the UA is far more sophisticated.  <em>Just a really smartly designed piece of </em>AFAIK, it was sold like shown, with no top cover.   gear.  <a href="http://www.retroinstruments.com/176.php" target="_blank">Retro Instruments currently makes a reissue of this classic piece</a> (but with a top cover).</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2012/02/Telefunken_EchoMixer_c1962.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-4066" title="Telefunken_EchoMixer_c1962" src="https://www.preservationsound.com/wp-content/uploads/2012/02/Telefunken_EchoMixer_c1962.jpg" alt="" width="672" height="1528" srcset="https://www.preservationsound.com/wp-content/uploads/2012/02/Telefunken_EchoMixer_c1962.jpg 672w, https://www.preservationsound.com/wp-content/uploads/2012/02/Telefunken_EchoMixer_c1962-450x1024.jpg 450w" sizes="auto, (max-width: 672px) 100vw, 672px" /></a><em>Above: an inexpensive studio echo unit of the early 1960s: the Telefunken Echo Mixer. It is a spring-reverb unit.  <a href="http://www.youtube.com/watch?v=C98IoJ7D0V4" target="_blank">Click this link for an audio demo</a>.   Apparently used by Klaus Schulze on his &#8220;Irrlicht,&#8221; which is one of my favorite records. </em></p>
<p style="text-align: center;"><em><br />
</em></p>
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