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	<title>quad eight &#8211; Preservation Sound</title>
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	<description>information and ideas about audio history</description>
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		<title>Studio Outboard Gear Odds &#038; Ends &#8217;71- &#8217;73</title>
		<link>https://www.preservationsound.com/studio-outboard-gear-odds-ends-71-73/</link>
					<comments>https://www.preservationsound.com/studio-outboard-gear-odds-ends-71-73/#respond</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Wed, 17 Sep 2014 15:34:46 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[API]]></category>
		<category><![CDATA[equalizers]]></category>
		<category><![CDATA[martin]]></category>
		<category><![CDATA[quad eight]]></category>
		<category><![CDATA[quad8]]></category>
		<category><![CDATA[sansui]]></category>
		<category><![CDATA[soundcraftsmen]]></category>
		<category><![CDATA[spring reverb]]></category>
		<category><![CDATA[urei]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=8157</guid>

					<description><![CDATA[Today: just a few things that caught my eye from &#8217;71 -&#8217;73:  the &#8216;new&#8217; black-cosmetic version of the Urei 1176, plus some odd bits from Soundcraftsmen and Sansui (I had no idea that they had made pro audio products), and another forgotten Quad-Eight rack device (see here for our earlier coverage of their very obscure [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Urei_1176_1970.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-8166" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Urei_1176_1970.jpg" alt="Urei_1176_1970" width="1416" height="985" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Urei_1176_1970.jpg 1416w, https://www.preservationsound.com/wp-content/uploads/2014/09/Urei_1176_1970-300x208.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2014/09/Urei_1176_1970-1024x712.jpg 1024w" sizes="(max-width: 1416px) 100vw, 1416px" /></a>Today: just a few things that caught my eye from &#8217;71 -&#8217;73:  the &#8216;new&#8217; black-cosmetic version of the Urei 1176, plus some odd bits from Soundcraftsmen and Sansui (<em>I had no idea that they had made pro audio products</em>), and another forgotten Quad-Eight rack device (<em><a href="https://www.preservationsound.com/?p=7959" target="_blank">see here for our earlier coverage of their very obscure reverb uni</a>t).  </em>Also something called the &#8216;OP Reverberation&#8217; &#8230;. anyone?  ,,,and a few unusual items from Martin.  Wrapping it up is the annoucement ad for the original API 525C, which has become one of my favorite compressors for vocals since we got one at <a href="http://www.goldcoastrecorders.com/" target="_blank">Gold Coast Recorders.</a>  If any of y&#8217;all are using the Martin or Quad-Eight kit, let us know!</p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Soundcraftsmen_RP10-12_1972.png"><img decoding="async" class="aligncenter size-full wp-image-8165" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Soundcraftsmen_RP10-12_1972.png" alt="Soundcraftsmen_RP10-12_1972" width="935" height="904" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Soundcraftsmen_RP10-12_1972.png 935w, https://www.preservationsound.com/wp-content/uploads/2014/09/Soundcraftsmen_RP10-12_1972-300x290.png 300w" sizes="(max-width: 935px) 100vw, 935px" /></a><em>Above: The Soundcraftsmen RP10-12 equalizer<br />
</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Sansui_QSE_1_1971.png"><img decoding="async" class="aligncenter size-full wp-image-8164" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Sansui_QSE_1_1971.png" alt="Sansui_QSE_1_1971" width="1431" height="2054" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Sansui_QSE_1_1971.png 1431w, https://www.preservationsound.com/wp-content/uploads/2014/09/Sansui_QSE_1_1971-209x300.png 209w, https://www.preservationsound.com/wp-content/uploads/2014/09/Sansui_QSE_1_1971-713x1024.png 713w" sizes="(max-width: 1431px) 100vw, 1431px" /></a><em>Above: The Sansui QSE-1 Quadraphonic Encoder<br />
</em></p>
<p style="text-align: center;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad-Eight_Filter_1972.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8163" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad-Eight_Filter_1972.png" alt="Quad-Eight_Filter_1972" width="948" height="547" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad-Eight_Filter_1972.png 948w, https://www.preservationsound.com/wp-content/uploads/2014/09/Quad-Eight_Filter_1972-300x173.png 300w" sizes="auto, (max-width: 948px) 100vw, 948px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad_Eight_1972.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8162" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad_Eight_1972.png" alt="Quad_Eight_1972" width="1472" height="2006" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Quad_Eight_1972.png 1472w, https://www.preservationsound.com/wp-content/uploads/2014/09/Quad_Eight_1972-220x300.png 220w, https://www.preservationsound.com/wp-content/uploads/2014/09/Quad_Eight_1972-751x1024.png 751w" sizes="auto, (max-width: 1472px) 100vw, 1472px" /></a><em>Above: The Quad-Eight Variable Filter, Auto-Mix 23B compressor, EQ 312 channel EQ, and RV10 Reverb unit</em><a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Parasound_reverb_1971.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8161" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Parasound_reverb_1971.jpg" alt="Parasound_reverb_1971" width="676" height="1098" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Parasound_reverb_1971.jpg 676w, https://www.preservationsound.com/wp-content/uploads/2014/09/Parasound_reverb_1971-184x300.jpg 184w, https://www.preservationsound.com/wp-content/uploads/2014/09/Parasound_reverb_1971-630x1024.jpg 630w" sizes="auto, (max-width: 676px) 100vw, 676px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/09/Martin_Console_1972.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8160" src="https://www.preservationsound.com/wp-content/uploads/2014/09/Martin_Console_1972.png" alt="Martin_Console_1972" width="476" height="1041" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/Martin_Console_1972.png 476w, https://www.preservationsound.com/wp-content/uploads/2014/09/Martin_Console_1972-137x300.png 137w, https://www.preservationsound.com/wp-content/uploads/2014/09/Martin_Console_1972-468x1024.png 468w" sizes="auto, (max-width: 476px) 100vw, 476px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/09/MArtin_1972_2.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8159" src="https://www.preservationsound.com/wp-content/uploads/2014/09/MArtin_1972_2.png" alt="MArtin_1972_2" width="472" height="967" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/MArtin_1972_2.png 472w, https://www.preservationsound.com/wp-content/uploads/2014/09/MArtin_1972_2-146x300.png 146w" sizes="auto, (max-width: 472px) 100vw, 472px" /></a><em>Above: the Martin SLM-1020B mixer, PEQ500 rackmount program EQ, and varispeed 3B tape machine speed controller. </em> <a href="https://www.preservationsound.com/wp-content/uploads/2014/09/API_525_1972.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-8158" src="https://www.preservationsound.com/wp-content/uploads/2014/09/API_525_1972.png" alt="API_525_1972" width="460" height="2024" srcset="https://www.preservationsound.com/wp-content/uploads/2014/09/API_525_1972.png 460w, https://www.preservationsound.com/wp-content/uploads/2014/09/API_525_1972-68x300.png 68w" sizes="auto, (max-width: 460px) 100vw, 460px" /></a></p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>The Quad-Eight RV10 outboard spring reverb unit of 1972</title>
		<link>https://www.preservationsound.com/the-quad-eight-rv10-outboard-spring-reverb-unit-of-1972/</link>
					<comments>https://www.preservationsound.com/the-quad-eight-rv10-outboard-spring-reverb-unit-of-1972/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Sun, 02 Mar 2014 15:23:52 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[quad eight]]></category>
		<category><![CDATA[spring reverb]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7959</guid>

					<description><![CDATA[Just about a year ago I published an article entitled &#8220;Obscure Mechanical Reverbs of the 70s.&#8221;  Included in this this survey was the Quad-8 RV-10.  Now, y&#8217;all know how much I love spring reverb (also here&#8230;), so I was pleasantly surprised when I received a phone call from one J. VanLeer (his photo at left), [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7960" alt="QuadEight_RV10" src="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10-1024x628.jpg" width="640" height="392" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10-1024x628.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10-300x184.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10.jpg 1377w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/03/foto_vanleer.jpg"><img loading="lazy" decoding="async" class="alignleft  wp-image-7974" alt="foto_vanleer" src="https://www.preservationsound.com/wp-content/uploads/2014/03/foto_vanleer-300x300.jpg" width="162" height="162" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/foto_vanleer-300x300.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2014/03/foto_vanleer-150x150.jpg 150w, https://www.preservationsound.com/wp-content/uploads/2014/03/foto_vanleer.jpg 640w" sizes="auto, (max-width: 162px) 100vw, 162px" /></a>Just about a year ago I published an article entitled &#8220;<a href="https://www.preservationsound.com/?p=6024" target="_blank">Obscure Mechanical Reverbs of the 70s.</a>&#8221;  Included in this this survey was the Quad-8 RV-10.  Now, y&#8217;all know <a href="https://www.youtube.com/watch?v=iWwEnzUJ6TI" target="_blank">how much I love spring reverb</a> (<a href="https://www.youtube.com/watch?v=Nnvlc1dG_UU" target="_blank">also here&#8230;</a>), so I was pleasantly surprised when I received a phone call from one J. VanLeer (<em>his photo at left</em>), who claimed to be the inventor of this obscure device.  In VanLeer&#8217;s words:</p>
<p style="text-align: center;"><em><span style="font-family: Arial; font-size: large;">&#8220;When with the HAMMOND ORGAN CO. I worked on spring reverb tanks &#8211; after HAMMOND closed, these were made first by GIBBS, and OC ELECTRONICS than ACCUTRONICS who sold out to BELTON (Korea) and now a Chinese firm MOD makes spring tanks. T</span></em><span style="font-family: Arial; font-size: large;"><em>he RV-10 still sounds the best &#8217;cause it makes use of 4 different (length, diameter &amp; wire gauge) rather that 2 or 3 with only difference in length.&#8221;</em><br />
</span></p>
<p style="text-align: left;">Vanleer patented this unique twist on spring-reverb technology and then apparently leased said license to Quad-Eight.  By his reckoning at least 357 of these units were sold. VanLeer sent me via post the original product-sheet for the RV10.  I reproduce those here for your edification and downloading: <a href="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEight_RV10.pdf">QuadEight_RV10</a></p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7963" alt="QuadEightRV10" src="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10-791x1024.jpg" width="640" height="828" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10-791x1024.jpg 791w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10-231x300.jpg 231w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10.jpg 1700w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a><a href="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10_0001.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7962" alt="QuadEightRV10_0001" src="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10_0001-791x1024.jpg" width="640" height="828" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10_0001-791x1024.jpg 791w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10_0001-231x300.jpg 231w, https://www.preservationsound.com/wp-content/uploads/2014/03/QuadEightRV10_0001.jpg 1700w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Below are some photos of the interior of the RV10 (from an eBay listing that ended in January 2014 at $446).  The parts and build quality is extremely high &#8211; with hefty input/output transformers, and a UTC O-series (inside an O-17 case), which I presume is the recovery-pickup transformer.</p>
<p style="text-align: left;"><a href="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz004.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-7968" alt="FirefoxScreenSnapz004" src="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz004.png" width="595" height="440" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz004.png 595w, https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz004-300x221.png 300w" sizes="auto, (max-width: 595px) 100vw, 595px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz003.png"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7969" alt="FirefoxScreenSnapz003" src="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz003.png" width="595" height="440" srcset="https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz003.png 595w, https://www.preservationsound.com/wp-content/uploads/2014/03/FirefoxScreenSnapz003-300x221.png 300w" sizes="auto, (max-width: 595px) 100vw, 595px" /></a></p>
<p style="text-align: left;">
<p style="text-align: center;">*************</p>
<p style="text-align: center;">*******</p>
<p style="text-align: center;">***<em></em></p>
<p style="text-align: center;"><em>ed. note: Mr. VanLeer had quite a long and interesting career as an innovator of electro-acoustic devices; <a href="http://www.mfbfreaks.com/geschiedenis/johan-van-leer-philips-pick-up-pionier/" target="_blank">click here for an article about his career</a> (use Google Translate to translate into your own reading language).</em></p>
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		<item>
		<title>The Quad/Eight Model 248 Mixing Console c. 1980</title>
		<link>https://www.preservationsound.com/the-quadeight-model-248-mixing-console-c-1980/</link>
					<comments>https://www.preservationsound.com/the-quadeight-model-248-mixing-console-c-1980/#comments</comments>
		
		<dc:creator><![CDATA[chris]]></dc:creator>
		<pubDate>Thu, 12 Sep 2013 11:13:57 +0000</pubDate>
				<category><![CDATA[Pro Audio Archive]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[consoles]]></category>
		<category><![CDATA[quad eight]]></category>
		<guid isPermaLink="false">http://www.preservationsound.com/?p=7106</guid>

					<description><![CDATA[Download ten pages of literature regarding the Quad/Eight model 248 mixing system: DOWNLOAD:QuadEight_248 Anyone?]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEightMini248.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7110" alt="QuadEightMini248" src="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEightMini248-907x1024.jpg" width="640" height="722" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEightMini248-907x1024.jpg 907w, https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEightMini248-265x300.jpg 265w, https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEightMini248.jpg 1657w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a>Download ten pages of literature regarding the Quad/Eight model 248 mixing system:</p>
<p>DOWNLOAD:<a href="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_248.pdf">QuadEight_248</a></p>
<p>Anyone?</p>
<p><a href="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_InputModules.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7109" alt="QuadEight_InputModules" src="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_InputModules-1024x666.jpg" width="640" height="416" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_InputModules-1024x666.jpg 1024w, https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_InputModules-300x195.jpg 300w, https://www.preservationsound.com/wp-content/uploads/2013/09/QuadEight_InputModules.jpg 1567w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a> <a href="https://www.preservationsound.com/wp-content/uploads/2013/09/Quad_Eight_illustration.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-7107" alt="Quad_Eight_illustration" src="https://www.preservationsound.com/wp-content/uploads/2013/09/Quad_Eight_illustration-851x1024.jpg" width="640" height="770" srcset="https://www.preservationsound.com/wp-content/uploads/2013/09/Quad_Eight_illustration-851x1024.jpg 851w, https://www.preservationsound.com/wp-content/uploads/2013/09/Quad_Eight_illustration-249x300.jpg 249w, https://www.preservationsound.com/wp-content/uploads/2013/09/Quad_Eight_illustration.jpg 1678w" sizes="auto, (max-width: 640px) 100vw, 640px" /></a></p>
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