Many years ago I published this article abt digging for ancient audio ephemera in Buenos Aires. Reader N. Dinapoli Farina uncovered some related materials and has shared them with us here. I believe that the magazine may have been called “Radio Chassis Television” and the scans below are all from the late 1950s. Click on the images for hi-res. Enjoy!
I pick up so many lots of ephemera from ancient studios and old-time producers and engineers that I have no idea where this came from, but it somehow ended up in the pile. My assumption is that someone picked it up at an AES show back in the mid sixties. It’s professionally printed on cardstock and AFAIK this item has never been interneted? Is that even a word? Anyhow, check it out, it’s pretty awesome. I am guessing 1964 as the sale date because the flier mentions 1962 as a renovation date and LP+MF were kaput by the end of ’64. HOME STUDIO. PROFESSIONAL EQUIPMENT. Wow.
In describing some of the musical objects in their collection, the curators write, “…MoMA was the first museum in the world to collect such objects, beginning in 1932, (and) also pioneered the live presentation of some new music technologies. For instance, Russian émigré Vladimir Ussachevsky performed the first tape-music concert in the United States at MoMA in October 1952. And though the Museum’s collection does not include a synthesizer, it presented the famed Moog synthesizer as a live performance instrument for the very first time on August 28, 1969, changing the course of music history and influencing decades of future instrument design.
We are very excited to announce that this coming Saturday April 18th WPKN FM will air the first live episode of: PRESERVATION SOUND: A LIFE IN MUSIC, a series of conversations and listening parties with notable individuals who have enjoyed long careers in the recording industry. Our April 18th episode features producer Peter Katis. Best known for his work with rock groups like Interpol and The National, Katis will discuss the changing landscape of pop and rock music over the past 30 years, reflecting on changes in technology, aesthetics, and the industry. But most importantly, we’ll be listening to a ton of great music from Katis’s career of over 100 albums.
Yamaha used to run these great ads in the 80s featuring their MT44 4-track and cheap lil CS01 synthesizer.
They called it the “Producer Series.” Since I had a CS01 and an MT44, I decided to see what was possible to do with just these two machines. The MT44 is a regular-speed-deck, so fidelity is not great, but here’s what I whipped up in an hour. I did not use the dolby cos,,,, i hate dolby! There are 6 tracks (snare, bass, and bell line were bounced) and the only other piece of kit is a $25 behringer “Analog delay” pedal that’s fkkn awful. Enjoy!
Magnecord, along with Ampex, was one of the first manufacturers of professional 15ips hi-fidelity tape machines in the world. While not remembered as clearly as their rival, Magnecord built a tremendous number of machines, and many of them have survived to this day. We have two at Gold Coast Recorders and after minimal repairs they still work just fine, nearly seventy years after their Chicago manufacture.
Fast forward to 2015: D. recently located a long-lost 45pp book that Magnecord created in 1950, presumably for the purpose of pitching new business to the US Government. In his words:
“I have uncovered what appears to be a very complete book detailing several aspects of the very early years. This 45-page document provides an inside look at the roles of key personnel within the organization, including several photos of workers and assembly facilities in the early factory.
The book appears to have been put together in about 1950, four years after Magnecord was first organized, and it lists several of the early accomplishments of the fledgling company, including their first year of a million dollars in gross sales. (Back when that was serious money)”
You can download the entire 45pp volume (posted as five PDFs due to file size) at the links immediately below: DOWNLOAD:
This book offers an incredible look into the very first days of professional magnetic recording as well as capturing the enterprising spirit of a young pro-audio company growing fast and seeing limitless possibilities ahead. Enjoy –
We put together an EMERGENCY SHOW for an overnight on WPKN 89.5 FM.
My special guest is noted 90’s fanzine creator Emily Muffinbones and we will be bringing you THREE HOURS of nineties indie, lo-fi, and ‘complaint rock’ as my pops used to call it. All from the original 33RPM LPs and 45s.
Hey y’all,,, so i received a terse email from GOOGLE informing me that this website was not ‘mobile friendly’ and thus would not show up in mobile search results unless I made it so. Anyhow, that’s how we got here. Hopefully all the prior functionality of the site is intact. Future!