We are very excited to announce that this coming Saturday April 18th WPKN FM will air the first live episode of: PRESERVATION SOUND: A LIFE IN MUSIC, a series of conversations and listening parties with notable individuals who have enjoyed long careers in the recording industry. Our April 18th episode features producer Peter Katis. Best known for his work with rock groups like Interpol and The National, Katis will discuss the changing landscape of pop and rock music over the past 30 years, reflecting on changes in technology, aesthetics, and the industry. But most importantly, we’ll be listening to a ton of great music from Katis’s career of over 100 albums. Tune in Saturday April 18th at 4PM for what’s sure to be an informative and exciting three hours of Radio. WPKN is at 89.5 on your FM dial in the NYC area, and streaming online worldwide at WPKN dot org. Click below for the :60 promo for the show,,,
They called it the “Producer Series.” Since I had a CS01 and an MT44, I decided to see what was possible to do with just these two machines. The MT44 is a regular-speed-deck, so fidelity is not great, but here’s what I whipped up in an hour. I did not use the dolby cos,,,, i hate dolby! There are 6 tracks (snare, bass, and bell line were bounced) and the only other piece of kit is a $25 behringer “Analog delay” pedal that’s fkkn awful. Enjoy!
Magnecord, along with Ampex, was one of the first manufacturers of professional 15ips hi-fidelity tape machines in the world. While not remembered as clearly as their rival, Magnecord built a tremendous number of machines, and many of them have survived to this day. We have two at Gold Coast Recorders and after minimal repairs they still work just fine, nearly seventy years after their Chicago manufacture.
I picked up our two Magnecord PT6s at the Elephants Trunk flea market a few years ago for $25 each, and shortly after posting some new recordings made that I with the PT6s I was contacted by D. Boyers, son of Magnecord co-founder John Boyers. D provided us with an incredible amount of impossible-to-find archival material from Magnecord; you can start to dig through it at this link.
“I have uncovered what appears to be a very complete book detailing several aspects of the very early years. This 45-page document provides an inside look at the roles of key personnel within the organization, including several photos of workers and assembly facilities in the early factory.
The book appears to have been put together in about 1950, four years after Magnecord was first organized, and it lists several of the early accomplishments of the fledgling company, including their first year of a million dollars in gross sales. (Back when that was serious money)”
You can download the entire 45pp volume (posted as five PDFs due to file size) at the links immediately below: DOWNLOAD:
This book offers an incredible look into the very first days of professional magnetic recording as well as capturing the enterprising spirit of a young pro-audio company growing fast and seeing limitless possibilities ahead. Enjoy -
My special guest is noted 90’s fanzine creator Emily Muffinbones and we will be bringing you THREE HOURS of nineties indie, lo-fi, and ‘complaint rock’ as my pops used to call it. All from the original 33RPM LPs and 45s.
this program has now aired, but you can listen at this link,,click here,,,
Click the link below for the complete setlist.
UPDATED: this program has now aired, but you can stream it at this link,,,
Preservation Sound Radio: Theme: Punk and New Wave ’75- ’85: from the original LPs and 45s: with co-host JBW (Show starts at 02:30)
follow the link below for the complete set list,,,
In case you’ve been wondering, “but what does he DO with that sound equipment,” earlier this year I had the chance to work along with composer Nathan Halpern on director Ivy Meeropol’s documentary feature “Indian Point.” We are pleased to announce that the film will make its world premiere in competition at the Tribeca Film Festival. Our extensive score features a wealth of vintage analog and digital synths and the film is a must-see for anyone interested in our energy future.
How y’all doing on this frigid day in March,,, so listen, srry abt not posting much new material this past year. I’ll be frank: as phones keep getting better and better, and online content keeps getting more and more tailored TO the phone as a consequence thereof, many of us are spending less and less recreational time in front of the laptop (although I am still planted in front of some sort of Mac, invariably, for my production and composing work,,,) and more of that ‘leisure’ time with the phone. Instagram rather than ‘scoping blogs’ seems better tailored to how most folks are spending their recreational internet time these days. So we’ve been keeping an active+vigorous presence up there. This blog isn’t going away, but do check out the IG account if you have not yet.
Ok NEways,,, I was diggin thru the archive for something today and I came across the schematic for a phono preamp that Fairchild offered around 1959 – their model 605. Strangely enough, their prototype (image at head) was labeled ‘606.’ Production examples do bear the mark 605, though, as this example from a Russian website indicates:
There is very little information on the web about this unit – in fact, a google search offers,,, good ‘ole Preservation Sound Dot Com as its first result when queried. And not much else of relevance. We apparently ran an advert for this very unit some years back (click here for that earlier post). So I was very excited to see that this unit, which is VERY buildable using off-the-shelf components, had not yet ‘migrated’ onto the web. The Fairchild 606 offers both MC and MM input stages, 600ohm balanced outputs, and selectable EQ curves and stereo or true mono LP operation. Now, I’ve built many Marantz and RCA-style tube phono preamps to great success, but this Fairchild is simultaneously exotic AND obtainable enough to be quite intriguing. So, DIYers of the world, here ya go: knock yrself out:
There’s nothing exotic in it: no custom inductors, weird-taper pots, or un-source-able transformers. The toughest thing to find might be the 4P/6T switch, but you could always sub in a pair of 2P/6T switches and just use two hands. In fact, the input transformers, which I can confirm are 1:20 from the 600 ohm tap, appear to be garden-variety Beyers:
Regardless, though, you can use any hi-fidelity input transformer with a roughly 1:20 ratio and an input impedance approx. 10X whatever the output impedance of your moving-coil cartridge is. And if you only use a moving-magnet cartridge, you can skip that part of the circuit entirely and just build the 47K ohm grid-input stage (and all that follows). As the schematic indicates and the images confirm, this product was built in two chassis: (preamps+EQs) and (power supply+output stages). Other details: R109 and R209 are level controls, basic voltage dividers with a 20db range. EQ offered is flat, RIAA, or RIAA plus add’l roll-off, and the ‘Lateral’ switching positions offered cancel out the vertical tracking information, resulting in the cleanest possible sound from mono records. The output stage is fairly conventional, but interestingly enough requires single-ended transformers, so you will be rather limited in your options here (a 15K:600 that can handle 8ma DC unbalanced, such as a UTC A25, should work fine).
This is a fairly advanced project, which I have personally not built (yet). I cannot offer any technical support or help with this. If you have never built a vacuum-tube phono preamp or mic preamp from scratch before, I would not advise undertaking this project. Good luck, and if you build one, send us some pics!
Update: this program has now aired, but you can stream it at this link. Enjoy! c .
This Wednesday the 18th we’ll be doing a special live radio broadcast on WPKN 89.5 FM in the New York Metro area from 8PM- 11PM. I’ll be on-air with my good friend JBW. We’ve put together a three-hour retrospective of the careers of Brian Eno and John Cale.
These two legendary performers and producers have shaped so much of the better part of pop and rock music for the past half-century (fkkn nuts, right?) and we will share with you a (by no means exhaustive) survey of their work in parallel.
There are so many interesting connections between these two, and common to it all is the basic premise of injecting an avant-garde sensibility into mainstream music and life. As per usual on Preservation Sound Radio, we will be broadcasting from the original vinyl LPs, with very few limited exceptions. Tune in on yr radio dial or stream the show live from anywhere on the planet at WPKN.ORG.
(above: with Nico)