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Tag Archives: music production trends
Beyond Four Tracks
Sansui six-track cassette format c. 1989 Otari Compact 8-track 1/2″ format c. 1989. Also, SECK mixer. Toa 8-track cassette format …and you better bet TASCAM made one too. Above: some short-lived “more-than-four” home-recording formats that were available between the 4-track … Continue reading
What is an audio engineer? c. 1961
From an AES journal circa 1961. It’s interesting to see how the meaning of ‘audio engineer’ has shifted over the past half century. An ‘Audio Engineer’ circa 1961 would almost certainly be called a ‘tech’ or a ‘broadcast engineer’ today, … Continue reading
Here’s those EQs and Compressors you asked for. Now go F’ yrself.
Above: 12×3 Audiofax mixing desk circa 1961. I was reading a 1961 AES journal when I came across this piece by Phillip Erhorn of Audiofax associates in which he details “New trends in stereo recording consoles.” Erhorn will let you … Continue reading
This month at PS Dot Com: Pro Audio Equipment of the early 1960s
I do not trust you, microphone. Yet. The next few weeks at Preservation Sound: we bring you: in no particular order: some of the state-of-the-art in studio recording equipment of the early 1960s. A period that I like to … Continue reading
Posted in Pro Audio Archive, Recording Studio History
Tagged audio semiotics, music production trends
2 Comments
Out-of-print Book Report: “Making 4-Track Music,” John Peel (TRACK pub., 1987)
Download a seven-page scan of some interesting hardware on offer in “Making 4-Track Music,” Track Publishing 1987: DOWNLOAD: 4trackMusic_JohnPeel Includes advertisements for Yamaha MT2X, DX100, and RX17 drum machine; Akai MG614 four-track machine, Tascam Porta2 4-track, Fostex 160, the Boss … Continue reading
Posted in Publications, The 4-Track
Tagged audio semiotics, fidelity, music production trends, tascam, the 4-track
4 Comments
Time (part one)
Have you ever entered a long-abandoned space; a time capsule? Not like a cave or a forest or a wood; those are natural places which exist independent of any time-keeping, in a vast seamless stretch. I am referring instead to … Continue reading
Unusual Techniques In Sound Recording (1950)
Download a four-page article from ‘Radio Electronics’ magazine 5/1950 entitled “Unusual Techniques In Sound Recording” (Richard H. Dorf): DOWNLOAD: Unusual_Techniques_Sound_Recording_Dorf_1950 The article is primarily concerned with studio-editing applications of the then-novel ‘magnetic tape recording’ technology, with some interesting bits regarding … Continue reading