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Magnetic Film Recording (1953)

The Hallen Corp magnetic film-recorder circa 1953.  A bargain at $13,000! (adjusted for inflation)

The Stancil-Hoffman magnetic-film recorder circa 1953.

Everyone (that reads this website…) is aware that magnetic wire recording gave way to magnetic tape recording, which gave way to magnetic discs, which are currently being slowly phased-out in favor of motionless ‘solid-state’ memory (via i-am-typing-this-on-maybe-my-last-macbook-that-will-have-a-spinning-harddrive).  Progress is rarely purely sequential though, and just as there was the short-lived metal-tape recorder of the 1930s (see this previous post for info), the Ampex/Magnecord dominated early magnetic-tape era was challenged (for fidelity, at least) by magnetic film recorders.  Aside from their heavy endorsement from Fine Recording, I don’t know much about these machines.  Are any still in use?  What made them superior to magnetic tape, and why?  Let us know…

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1975: Record Yourself

I think I will, thanks…

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Turn your turntable into a tape machine! (1952)

From the pages of AUDIO ENGINEERING, ’52: the Presto TL-10.

Next in this series: Turn your tape machine into a CD Player!   Followed by… oh shit then it’s the end of physical recorded music media.

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Speak-o-phone: Turn your PA amp into a record-cutter! (1940)

Records on Acetate or Aluminum discs!  Click here for more info on this early recording service/hardware manufacturer.  

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Popular Science: Basic Radio Techniques c. 1946

Nothing too notable in this book; just love the cover graphic.

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1943: A Dictionary of Radio Terms

From “A Dictionary of Radio Terms,” published by the Allied Radio Corp., 1943.

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1940: Radioman Romance

Was electronics repair ever a ‘sexy’ profession?  “RADIO NEWS” March 1940 seems to make this case.  Wishful thinking, I imagine…

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Magnecord INC archival factory-film now available online

Thanks to H. Layer: A never-before-available Magnecord, INC factory-film circ 1955 (???) is now available on YouTube.  These are the people that built the machines that powered broadcast tape-recording on the 1950s.

Click here to see the video on YouTube

Loads more Magnecord INC history and related information on PS dot com… just click here!

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Beyond Four Tracks

Sansui six-track cassette format c. 1989

Otari Compact 8-track 1/2″ format c. 1989.   Also, SECK mixer.

Toa 8-track cassette format

…and you better bet TASCAM made one too.

Above: some short-lived “more-than-four” home-recording formats that were available between the 4-track cassette and ADAT eras.   It’s kind hard to imagine how significant an issue ‘track count’ (IE., the number of available tracks of a particular multi-track recording machine) was just a short while ago.  It’s not unusual at all these days for me to make a production for an artist that has 80 or even 100 tracks.  And I am not talking about some crazy orchestral or prog-rock epic; I am talking about just a well-produced indie pop song.  Modern music means layering.  Lots of it.  When I, and many other folks started doing this, we dreamed of someday having more than 8 tracks to work with.  Well, as it turns out, ‘more’ didn’t mean 16, 24, or even 48: it meant infinite.  “Be careful what you wish for…”

What will be the next technological barrier to fall in the world of audio production?

I wouldn’t mind seeing all those goddamn wires go away, for one…

Any other ideas?

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Ladies and Gentlemen of 1989 (pop music division)

Cyborg chick with some sort of midi-synchonizer

I play the keyboards (for Bon Jovi)

(pointy guitars are) impossible to (avoid) / (resist)

“Well I like your style too, man.  Got a whole cowboy thing goin…”