Today: From “Easy Guide To Stereo HiFi,” 1964, ed. Robert Mayfield: a short pictorial on the subject of ‘How a record is made.’ Nothing too exciting here; I am reproducing this primarily because the plant shown in the article is none other than the Bridgeport, CT Columbia Records plant. As I’ve mentioned before, this building is still standing; it is now ‘loft condos.’ The BPT Columbia plant was, AFAIK, the first facility in the world to manufacture 33rpm LP records; SCULLY, America’s top manufacturer of LP cutting lathes, was located a dozen blocks away, along the same train tracks that today still serve commuters, dotted with idled freight cars resting on derelict short-ends of tracks strewn throughout the East End.
Items of apparent concern to readers of this publication (see image above): Nuclear power; package size; dangerous-computers; hegemonic reproduction via linguistic conventions; sports cars; converting to Quad.
I bought a beautiful NAD 7020 receiver and Optonica tape deck the other day from a home that I am pretty sure once belonged to Ron Burgundy. The receiver and tape deck were part of a very nice system, one of the better circa 1980’s hifis I have come across lately. The house was pretty much like a circa 1975 men’s magazine exploded inside a suburban raised ranch, spraying all the walls with sexy ‘art posters,’ mahogany paneling, and Rich Leather. Behind the bar (full bar in the enormous den, natch) was this single, solitary issue of Bob Guccis famous mag. You’ll have to take my word for this, but as my eyes fell upon this ‘book,’ the first thing that I thought was: I bet this is the ‘stereo issue.’ And guess what.
One final note: from the ‘credit-where-credit’s-due’ dep’t: as the cover promises, no less than Charles Berlitz presents a straightforward explanation of how linguistic systems and conventions at work throughout the world serve to reproduce and reinforce male hegemony. The ideas in this two-page article are pretty much straight out of every semiotics, women’s studies, and queer studies class taught in the past 40 years and stand in complete opposition to the smug, complacent, and generally sexist discourse evident on the other 98 pages of this publication. Proving nothing other than the fact the 1970s were a crazy fucking decade.
Units covered, with specs and photographs, include: Pioneer SX-1250, SX-1050, SX-950, SX-850, SX-750, SX-650, SX-550, & SX-450 AM/FM Stereo Receivers; SPEC-1 and SPEC-2 preamp and power amp; Pioneer SA-9900, SA-9500II, SA-8500II, SA-7500II, SA-6500II, AND SA-5500II Stereo Integrated amps; Pioneer TX-9500II, TX-8500II, TX-6500II, AND TX-5500II AM/FM Stereo tuners; Pioneer SR-202W Reverberation Amp, SG-9500 graphic equalizer, RG-1 dynamic processor (expander), and SF-850 crossover; Pioneer PL-570, PL-560, PL-530, PL-510A, PL-117D, PL-115D, AND PL-112D Turntables; Pioneer QX-949-A Quad receiver and PC-Q1 quad phono cartridge; Pioneer CT-F9191, CT-F8282, CT-F7171, CT-F6262, CT-F2121, CT-5151, and CT-414A Cassette decks; Pioneer MA-62 Mixer and CM-1, CM-2S microphones; Pioneer RT-2022, RT-2044, RT-1050, RT-1020L, and RT-1011L reel-to-reel tape machines; Pioneer HPM-200, HPM-100, HPM-60, HPM-40, CS-63DX, CS-99A, CS-700G, CS-500G, CS-66G, PROJECT 100A, and Project 60A speaker systems; and finally Pioneer SE-700, SE-500, MONITOR-10, SE-4, SE-505, SE-405, SE-305, and SE-205 stereo headphones.
Nothing too exciting here, but if you have one of these units and you are curious about its specs and/or its position within the range, here’s yr chance to find out. There is a ton of the lower end of this kit still out there; the catalog also offers many very high-end pieces that I’ve never come across. Dig in…
AFAIK, this piece on the Gibson plant has not been reprinted anywhere… not sure if there are any actual insights here but what the hell. Alright so… haven’t been updating the site too often lately and it’s not for a lack of subject matter. My lord do I ever have a big pile of new (old) stuff to upload. Just been short on time. Working hard tryin to make some dinero to pay for all the wonderful things in life… like a new timing belt for my VW. Love/hate cars. OK NEways… Anyone out there playin an old Fender Jaguar?
Saw this ad in the aforementioned issue of ” A World of etc.” I use a 1968 Jaguar (with flatwounds) pretty much everyday… it’s one of my regular electrics in my lil home writing studio. It sounds great but my god does it ever play badly, even after two ‘PRO’ setups. Anyone?
LEFT: The BC-2B incorporated the RCA MA-11241 dual mic pre-amp unit; a two-stage circuit, each channel used a single 12AY7 for, I would suppose, about 25 – 30 db of gain. The schem for the 11241 is posted below here. Notice that, similar to the earlier octal-pentode based RCA mic pres, the full B+ current flows through the output transformer; this severely limits your choice of output transformer: the only vintage full-fidelity units that I am aware of are the UTC A-25 and LS-27. Lundahl makes a modern unit that satisfies this spec, as does Hashimoto (HL-20K-6); very expensive pieces tho! Any of you fellas know of other 15k:600 1/2 watt transformers that handle 8ma unbalanced DC and still pass 40 – 20K?
Here’s a dude that’s cloning the BC2B preamp; price is $650 for the preamp plus another $450 for the power supply. Assuming that the build-quality is good, $1100 is a pretty fair price for this thing; I know how much those Lundahls cost ( I use the same O/T in my BRDCSTR as well) plus phantom power is a pain in the ass to build in.
Been super-busy at the studio lately, leaving me very little time to attend to this ole’ country blog. Got some really great stuff on the horizon once the mist clears, so stay tuned…
Here’s a little gift for y’all tho: I recently picked up a Casio 630 at an estate sale, and the sounds are actually pretty great in an aggressively-retro way. Anyhow, I made a drum-hit sample set (a coupla loops are in there too); here it is, feel free to download and use it however you like.
DOWNLOAD: Casio CT630 samples
This is pretty far afield from the general mission of Preservation Sound dot com, but those of you who have been reading my writings for a while might be interested in checking out my advance review of some pretty interesting new audio software.
Regular readers might get the impression that I am a luddite who fetishes any/all things vintage and damaged, and you might be correct. But I am also a working producer and composer and I actually do give a shit about new audio technology that offers the potential for creating new sounds and new meanings.
My friends at Production Hub, a film/TV industry website, asked me to be one of the first people to review Sony Creative Software’s new product SpectraLayers Pro (disclaimer: I did work for SONYMUSIC for many years, but this had no bearing on the review selection; I don’t think the folks at Production Hub were even aware of my history there).
You can click here to read the review. If you work with digital audio editing on any kind of regular basis, I think you will find the software to be pretty remarkable, if even from a purely academic perspective. Elevator-pitch: what if you had a stereo mix of a rock track, and entire production with vocals, lots of parts all going on at once all the time, and there was an out-of-tune vocal note that you wanted to fix? Leaving everything else alone, just retune the vocal? Well… now you can. pretty easily actually.
Anyhow, lest my intentions here by lost: this is not a paid endorsement or sponsorship of any kind; it’s just not that often that I am impressed by something that I feel is truly ‘NEW’ in the world of audio production. Which might be why I am always digging around thru the past looking for ‘new’ ideas to bring to my work. I imagine that this sort of technology will show up in all DAWs in a matter of time, but for the moment, prepare to be surprised…
Products covered, with text, specs, and images, include: Empire Grenadier model 8000, Royal Grenadier 9000, and Imperial Grenadier 8200 speakers; Empire Troubador 398 and 488 turntables; Empire 880, 880P, and 880PE cartridges; and empire 980 tonearm.
Oh yeah it’s those round speakers! I come across these things every year or so in some un-re-decorated suburban ranch house. Never bothered to buy a pair: just too big and not really my style, finish-wise. Although they appear a bit chintzy in construction, they apparently handle 100 watts and the woofers have 18LB magnets! Anyone currently using a pair of these speakers?
Models covered, with text, photos, and detailed specs (chart at end of catalog) include: Yamaha SBG3000, SBG2000, SGB1000, SBG500 guitars; Yamaha SSC500, SHB400, SC600, SC400, SA2000, and SA800 guitars; Yamaha BB2000, BB1200S, BB1000S, and BB400 electric basses.
For whatever reason, products of the Yamaha corporation have always played a large role in my musical life. Growing up, my folks’ house contained: a Yamaha baby grand, a Yamaha dreadnought, a Yamaha alto saxophone, three sets of Yamaha hi-fi speakers (I still have the NS30s, and they still sound great). The first electric instrument I ever bought was a $40 Yamaha bass, beat-up but functional; at 16 I was the owner of a circa 1980 Yamaha SG1500, identical to the SBG2000 pictured at the left save for dot fret markers. I played it through a solid-state Yamaha combo amp, their version of a Fender Super; 60 watts with four 10s. Each of these circa 1980 pieces was purchased at East Coast Music mall for around $200 each. Christ anyone remember that place? If yr not from “round here,” take a gander at the clip below and you’ll get a pretty good idea of what the place was like. Oh this one nvr gets old…
No idea what happened to that Yamaha amp, but I am pretty sure that my former SG1500 is still on offer, after nearly twenty years, at the legendary MUSIC GUILD in Danbury CT. How is this possible? If yr ever there, check out the price they are asking. LOL for reals. NEways… even these days I have plenty of Yamaha in my life: at home I play a U3 piano, which is probably the best thing shy of a baby grand or grand; I do all of my music recording and mixing at home with Yamaha HS50s, which I continue to recommend to absolutely anyone looking for good inexpensive compact speakers; and at Gold Coast Recorders we’ve got a few Yamaha pieces that get a lot of use too, from a very nice older MIJ Nylon-string to the venerable CP70 Electric Grand Piano. As I sit here typing this, my eye just landed on a set of 1980s Yamaha PTT1 electronic drums over in the corner…oh yeah then there’s my Yamaha CS01, their amazing little circa 1980 mini analog monosynth… it’s just one of those brands I can’t get away from.
Above: the Yamaha SC600 and SC400