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Early Electronic Music

Great Ladies of Electronic Music: Rosalyn Tureck

Bach Expert Rosalyn Tureck at-work at the Moog Modular circa 1977.  Tureck was a student of Leon Theremin and made her Carnegie Hall debut playing the primitive electronic instrument of his name.  (Image: High Fidelity Magazine, 10.77)

Categories
Early Electronic Music

(Very) Early Electronic Instruments

When you think of ‘early electronic instruments,’ what period comes to mind?  European tape music of the 1950s?  Academic electronic music labs of the 1960s?  How about 1931?

Download a five-page article from Radio News 1931, on ‘The Electrical Future Of Music.’

DOWNLOAD: Radio_News_3107_Electronic_Music

It’s interesting to see her how the focus is primarily on the creation of instruments on which one could perform western tempered music (as opposed to music concrete or noise-music).  Although those more avant garde approaches to electronic music would come soon, this earlier approach – the electronic (as opposed to bellows) organ, the violin-simulating theremin – seems to be what has won out.  Eighty years later, most of us are not usually listening to atonal clusters of carefully organized noise – we’re still mostly listened to very diatonic, 4/4 folk-songs (essentially) performed and presented via wholly electronic means.

Above: the photo-electric organ

Above: the Theremin, still popular today in a variety of musical genres.

Above: an electronic organ built by Westinghouse, 1931.

Above: an electronic Carillion as built by RCA.  The principle employed here is also still very popular today.

Early attempt at acoustic isolation of an instrument for electronic pickup